tag:blogger.com,1999:blog-32121673056054849582024-03-10T01:11:55.566-05:00The Ten Buck Reviewis the flick worth ten bucks, or not?
alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.comBlogger457125tag:blogger.com,1999:blog-3212167305605484958.post-4620502368005916162024-03-10T01:08:00.005-05:002024-03-10T01:11:23.173-05:00Perfect Days<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgVsP2UL3t9SE5rzA2Pv7V_pGru7s_wZPZpCPU1Qoi485rcs1afH7xyINquL7Z-Uy5oZRQKZSQk6PkXg4zir50poEX0gSLoTOjQiZT5v6mdAiXLs5VsPocz8WYY2VcY47tH9Pe1krp9WHuGxdvXUSrKHdg8dtMqJXEnY-DFCU43aJWO64AdCWJ_FVTu0tVT" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="768" data-original-width="1024" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgVsP2UL3t9SE5rzA2Pv7V_pGru7s_wZPZpCPU1Qoi485rcs1afH7xyINquL7Z-Uy5oZRQKZSQk6PkXg4zir50poEX0gSLoTOjQiZT5v6mdAiXLs5VsPocz8WYY2VcY47tH9Pe1krp9WHuGxdvXUSrKHdg8dtMqJXEnY-DFCU43aJWO64AdCWJ_FVTu0tVT" width="320" /></a></div><br />This weekend, I watched the IMAX spectacle of the second <i>Dune </i>and the quiet beauty of the Oscar-nominated Japanese drama <i>Perfect Days</i>. Two strong films, but it's the latter one that I expect to stay with me longer.<br /><br />Set entirely in Tokyo and in Japanese, director Wim Wenders (<i>Paris, Texas</i>) takes us through the daily grind of a restroom cleaner named Hirayama, played by Kōji Yakusho (<i>Babel</i>). Originally, it was supposed to be a doc about Tokyo's unique new public toilets, but luckily for us, Wenders saw a deeper story in Hirayama's solitary life.</span><div><span style="font-family: verdana;"><br />Hirayama doesn't say much, but his surroundings speak volumes. The way the camera captures the play of light and shadows amidst the trees made me feel like I was right there with him. It's a timely reminder that even the most mundane things can hold beauty.</span><div><span style="font-family: verdana;"><br />No worry, I'm not going to spoil the plot of this film, especially as it's questionable whether there is one. I'll just note that it's the slowest quietest film of the year — and quite amazing. <br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgBYHhtsTSRL1uqDUxjoFYTKxktiO-O2uu7Axil6DUA6BkvPhrEaOL2U3FyhfuwcngYm_ExCZ4VSoIEwxW8mSsyBiNlniHNwAnmid4UqRw_pHFAXgfaq0VBgcT6BxxYXBYAaE0axhxDXeVKUglFIeiPjYJ1axKFFz_NW1UnyZTQPI-Y-_QY9mrhrFUOqXTi" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="300" data-original-width="500" height="192" src="https://blogger.googleusercontent.com/img/a/AVvXsEgBYHhtsTSRL1uqDUxjoFYTKxktiO-O2uu7Axil6DUA6BkvPhrEaOL2U3FyhfuwcngYm_ExCZ4VSoIEwxW8mSsyBiNlniHNwAnmid4UqRw_pHFAXgfaq0VBgcT6BxxYXBYAaE0axhxDXeVKUglFIeiPjYJ1axKFFz_NW1UnyZTQPI-Y-_QY9mrhrFUOqXTi" width="320" /></a></div><br />Perfect Days is not perfect. Not every supporting character hits the mark, and you've gotta be in the mood for this slow burn, but I found it utterly beautiful, especially how it nails the final arc. </span></div><div><span style="font-family: verdana;"><br /></span></div><span style="font-family: verdana;"><span style="color: #e69138;">In a nutshell: </span>Perfect Days is a quiet, quite simple, heartfelt tribute to the rhythm of everyday life and the connections we make along the way.<br /><span style="color: #e69138;"><br />Where to find it:</span> In theaters— and on VOD (rent or buy) starting this weekend<br /><br /><span style="color: #e69138;">Would it be better with Olivia Colman?</span> Of course.<br /><span style="color: #e69138;"><br />Award potential:</span> It's Japan's entry for Best International Film Oscar, but the competition is tough: the haunting <i>Zone of Interest</i> (UK), thrilling <i>Teacher's Lounge</i> (Germany) and the dynamic heart-stopping <i>Society of the Snow </i>(Spain) which has basically a youknow-what's chance of being a spoiler.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.</span></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-47008721538448926552024-03-07T22:35:00.005-05:002024-03-07T22:42:42.922-05:00This year's Oscar gem: the Documentary Shorts<div><span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgQjE1WGjgdAmUmSwSfaF4LJ43h3nqLfnEDIzf0gvf9zABKWr5aB-GFS0_JGoXGrHvJ57Wtq-nh6M4vpNneWAZWHahebQtUdaSV0jrbz0TYvvvo5FqKfy0oQn9-u_Ua3GGAB2CiEg64UITaV4fautphlKJWLRjb2E6MqqcCwpgwRvQnaQwjpO2QCyjTc4qY" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="900" data-original-width="1200" height="300" src="https://blogger.googleusercontent.com/img/a/AVvXsEgQjE1WGjgdAmUmSwSfaF4LJ43h3nqLfnEDIzf0gvf9zABKWr5aB-GFS0_JGoXGrHvJ57Wtq-nh6M4vpNneWAZWHahebQtUdaSV0jrbz0TYvvvo5FqKfy0oQn9-u_Ua3GGAB2CiEg64UITaV4fautphlKJWLRjb2E6MqqcCwpgwRvQnaQwjpO2QCyjTc4qY=w400-h300" width="400" /></a></div><b><br /></b></span><span style="color: #e69138; font-family: verdana;"><b>This year, a lot of cheering and very little tearing</b></span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Put the tissues away. In contrast to previous years in this category and the feature documentaries this year, this collection of nominated documentary shorts is a collection of vibrant, uplifting, and truly inspirational films. </span><span style="font-family: verdana;">They offer a delightful viewing experience, making them perfect for streaming at home. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Below, you'll find a brief overview of each, along with where to watch them and their prospects for the upcoming Oscars on Sunday. Enjoy!</span></div><div><span style="font-family: verdana;"><br /></span><div><div><span style="font-family: verdana;"><br /></span><div><span style="font-family: verdana;"><span style="color: #e69138;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiaAaNQEU40un1Mo5rzWBKPJEjE6dGResjpST52qHRtoafJMtLTK0dSz_w6DKV5-U3WxPLzQx7eKLP9aG9DeGlQnLf6j0vgYgT-4NFyIyn-UQkNmkQpX7rS_EOPIimqGkegc8eZB38_sq1Oj4eUYgKHlLuYrj3oOhmFWO5Ri4Kj6V6lS047G6z_bAOnpbh5" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="270" data-original-width="480" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEiaAaNQEU40un1Mo5rzWBKPJEjE6dGResjpST52qHRtoafJMtLTK0dSz_w6DKV5-U3WxPLzQx7eKLP9aG9DeGlQnLf6j0vgYgT-4NFyIyn-UQkNmkQpX7rS_EOPIimqGkegc8eZB38_sq1Oj4eUYgKHlLuYrj3oOhmFWO5Ri4Kj6V6lS047G6z_bAOnpbh5" width="320" /></a></div><br />The Last Repair Shop </b>(39 minutes)</span><br /><br />Since 1959, Los Angeles has been one of the few American cities to offer provision and repair of musical instruments for public school students —at no charge — to ensure no student is deprived of the joy of music. This documentary delves into the lives of four craftsmen, each expertly skilled in a specific section of the orchestra, alongside the students whose experiences have been transformed by the shop's services. <br /><br />"A lot of people see a broken thing, and they just think it's broken." That line from the film could apply to both the students in this film and the work the artisans do. This beautifully shot film celebrates the enduring impact of music education on the community. While it's not the frontrunner to win, it's my prediction for a surprise win. It's wonderful.<br /><br /><span style="background-color: white; color: #e69138;">Where to find it: </span>Disney+<br /><br /><br /><span style="color: #e69138;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjnYBuFbwsSWJRTmKXe8DYQDYhDedTw0Vf1a1VVM2dzQLgepbuo-R7faRb8RPGNKk6dNDG7Inf8HGwXZuAxttUtXE_WrMSFqYzc1gAJ4Lob-eoSMnGNE3diukpu0eLR6CndcEiGusm5E73eANfwj3VbVgb5lz5QWAKbfirXItcww09T666SPZmmX4I255SN" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="540" data-original-width="960" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEjnYBuFbwsSWJRTmKXe8DYQDYhDedTw0Vf1a1VVM2dzQLgepbuo-R7faRb8RPGNKk6dNDG7Inf8HGwXZuAxttUtXE_WrMSFqYzc1gAJ4Lob-eoSMnGNE3diukpu0eLR6CndcEiGusm5E73eANfwj3VbVgb5lz5QWAKbfirXItcww09T666SPZmmX4I255SN" width="320" /></a></div><br />The ABCs of Book Banning</b> (27 minutes)</span><br /><br />Adults in Florida have said a lot about books with LGBTQ topics and racial issues, but this film proposes that children have a lot to say about the legislation behind book banning in public schools. Documentary titan and co-producer and co-director Sheila Nevins of MTV Documentary Film recently announced her retirement and a win here would make a memorable send-off. This is the frontrunner to win the support of the documentary community. However, everyone in all categories votes for the final Oscar win.<br /><br />The children showcased in this short film express confusion and anger, mirroring the sentiments of Grace Linn, a 100-year-old protester against the ban. Linn delivers a deeply impassioned speech, echoing the emotional intensity of this often heartbreaking film.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="background-color: white; color: #e69138; font-family: verdana;">Where to find it: </span><span style="font-family: verdana;">Paramount+</span><span style="font-family: verdana;"><br /><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhK3YciaJbCKq-9hdOoBgBhxX06ypr__vaKiSL28YHMXi1eesHGsATjvIu3ntdcTjuIBsqNYpVpGsBRAJwoL7z09jvnAHCVd5aqSE3TjAsjKTRlE8fyq8JPDiCg_ZyD0IOfRvgo-EUWrPhErcgsGPyZaEK5fLaGMnXAbLOpdf9v5nylX5xSBoKO9XZuVXM9" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="435" data-original-width="771" height="181" src="https://blogger.googleusercontent.com/img/a/AVvXsEhK3YciaJbCKq-9hdOoBgBhxX06ypr__vaKiSL28YHMXi1eesHGsATjvIu3ntdcTjuIBsqNYpVpGsBRAJwoL7z09jvnAHCVd5aqSE3TjAsjKTRlE8fyq8JPDiCg_ZyD0IOfRvgo-EUWrPhErcgsGPyZaEK5fLaGMnXAbLOpdf9v5nylX5xSBoKO9XZuVXM9" width="320" /></a></div><br />Nǎi Nai & Wài Pó </span></b></span><span style="color: #e69138; font-family: verdana;">(17 minutes)</span><span style="font-family: verdana;"><br /><br />Backed by Walt Disney Pictures, this endearing and uplifting short showcases the filmmakers' paternal and maternal grandmothers, who share a home, dance, and fart together. It has garnered significant attention as a beloved underdog story. However, I find it too lightweight and insignificant to take the top prize.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="background-color: white; color: #e69138; font-family: verdana;">Where to find it: </span><span style="font-family: verdana;">Hulu, Disney+</span><span style="font-family: verdana;"><br /><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhxbAlW4ZtnDCiQ60ffpwjItKOYslwiVcib4e4nuW35jbtjM3gVU8GJ1S4bGaXewjzE3Pu1zzLZvWB_okVbptxGAxVX47xCz_5h_oQ-glMhC2TLFX5kypzNhf0oqskj48Dbw8u2iMVUC0gqsNTbDxUpWBWkBXOnnbKErmwZNFldcaJxwxTVKpDdXVnBGxwa" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="252" data-original-width="448" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEhxbAlW4ZtnDCiQ60ffpwjItKOYslwiVcib4e4nuW35jbtjM3gVU8GJ1S4bGaXewjzE3Pu1zzLZvWB_okVbptxGAxVX47xCz_5h_oQ-glMhC2TLFX5kypzNhf0oqskj48Dbw8u2iMVUC0gqsNTbDxUpWBWkBXOnnbKErmwZNFldcaJxwxTVKpDdXVnBGxwa" width="320" /></a></div><br />The Barber of Little Rock </span></b></span><span style="color: #e69138; font-family: verdana;">(35 minutes)</span><span style="font-family: verdana;"><br /><br />This doc illuminates the story of an African American barber in Arkansas who founded a nonprofit community bank aimed at addressing the racial wealth gap. Its emphasis on community empowerment and impact has garnered widespread support and acclaim, making it a compelling contender for an upset.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="background-color: white; color: #e69138; font-family: verdana;">Where to find it: </span><span style="font-family: verdana;"><i>The New Yorker</i> <a href="https://www.newyorker.com/culture/the-new-yorker-documentary/barber-of-little-rock-arlo-washington-wealth-gap"><span style="color: black;">online</span></a></span><span style="font-family: verdana;"><br /><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgce7X-Y36zdANkup1ZDF999f6gVvfH13qEgPPSQRmolCGxP7DvrWQV9sCoSI5dVSXkR2xs6uZNO_s5gMwGeqjlUYcC1SscPj86XtDNGEinbwyElCb1Trsx8MclMFf690x6DJFz5sdouZuRD77rV0w8Q0wGeHxpdOhQPhkNdyzw1fZcxv7l2Z3edoBnlnZL" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="450" data-original-width="800" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEgce7X-Y36zdANkup1ZDF999f6gVvfH13qEgPPSQRmolCGxP7DvrWQV9sCoSI5dVSXkR2xs6uZNO_s5gMwGeqjlUYcC1SscPj86XtDNGEinbwyElCb1Trsx8MclMFf690x6DJFz5sdouZuRD77rV0w8Q0wGeHxpdOhQPhkNdyzw1fZcxv7l2Z3edoBnlnZL" width="320" /></a></div><br />Island in Between </span></b></span><span style="color: #e69138; font-family: verdana;">(20 minutes)</span><span style="font-family: verdana;"><b><span style="color: #e69138;"><br /></span></b><br />Amidst the pandemic, filmmaker S. Leo Chiang offers a poignant reflection on China-Taiwan relations as he revisits his childhood home in Taiwan. This doc comes from the <i>The New York Times </i>and is the least likely to win on Sunday.</span></div></div></div></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="background-color: white; color: #e69138; font-family: verdana;">Where to find it: </span><span style="font-family: verdana;"><i>The New York Times</i> <a href="https://www.nytimes.com/video/opinion/100000009146242/island-in-between.html"><span style="color: black;">online</span></a></span></div><div><br /></div><div><br /></div><div><br /></div><span style="font-family: verdana;"><b><span style="color: #e69138;">The Ten Buck Review:</span></b> All worth ten bucks.</span>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-49260926059615731352024-03-03T19:15:00.005-05:002024-03-05T08:48:46.783-05:00Win your Oscar pool the stat-tastic way<p><a href="https://tenbuckreview.blogspot.com/2023/03/everything-stat-tastic-to-win-your.html" style="font-family: Georgia, Utopia, "Palatino Linotype", Palatino, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 22px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; text-decoration-line: none;"><span style="color: #e69138;"></span></a></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #e69138;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2kMnRROkG52EQIFl17tfWG0r9JEw-hILzcWCZ7dHlgdnl9G5p5YLzc1Yl1zTzqxQQGVPv0DYjdFU6mgaRWP8M6Om5IXVrZut4I5fruiUXN0XgFp42tzG1jiEaWjrXCykXqxEvPTH6gtgfio7WU7-7QALDeatf7zsZl13babWKYgue0OfMu_1r_xoBCCRj/s1280/barbieOpp.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2kMnRROkG52EQIFl17tfWG0r9JEw-hILzcWCZ7dHlgdnl9G5p5YLzc1Yl1zTzqxQQGVPv0DYjdFU6mgaRWP8M6Om5IXVrZut4I5fruiUXN0XgFp42tzG1jiEaWjrXCykXqxEvPTH6gtgfio7WU7-7QALDeatf7zsZl13babWKYgue0OfMu_1r_xoBCCRj/w320-h180/barbieOpp.jpg" width="320" /></a></span></div><span style="color: #e69138; font-family: verdana;"><br />Win your Oscar pool the stat-tastic way.</span><p></p><div class="post-body entry-content" id="post-body-3439822954449488380" itemprop="description articleBody" style="background-color: #fefdfa; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><p style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"></p><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">There's a lot to be excited about Oscar Night this year from the potential first Native American to win an acting Oscar to the long-awaited coronation of director Christopher Nolan to my predictions of an opening number "I'm Just Kimmel" featuring the show's host. And of course, it's always more exciting when you win the Oscar pool.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">It's another unique year for Oscars so we’re gonna need some math to help your Oscar office pool. We'll start with the easiest one.<br /><b><span style="color: #e69138;"><br /></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Director category</span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Go with whoever won the Director’s Guild of America award. Those winners have matched in 64 of 75 years, including the last three straight. In the easiest pick of the night, Christopher Nolan wins his first for <i>Oppenheimer</i>.<br /><br /><b><span style="color: #e69138;">Win the Best Foreign Feature Film category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">In four of the past five years, one of the nominees was also nominated for Best Picture. In all cases, that film won here. Go with the only film that is nominated for Best Picture this year as well as a total of five nominations across the board and is rumored to be surging towards a Best Picture win too — <i>Zone of Interest</i>.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><b><span style="color: #e69138;"><b style="color: #333333;"><span style="color: #e69138;">Win the Best Animated Feature Film category</span></b><br style="color: black; font-weight: 400;" /><span style="color: #333333; font-weight: 400;"><br /></span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">While I think the highbrow choice, <i>The Boy and the Heron</i>, has a chance to win, 12 out of 16 PGA-winning animated films also won the Animated Feature Academy Award, which puts the math in favor of <i>Across the Spider-Verse</i>.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Music (Original Score) category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Swedish composer and conductor Ludwig Goransson should win a companion Oscar with his first (<i>Black Panther</i>) for the clear standout in originality and impact —<i> Oppenheimer</i> wins here.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br class="Apple-interchange-newline" /><br /></span></div></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Visual Effects category</span></b><br style="color: black;" /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Since the VES Awards launched in 2002, the winner of its top film category has gone on to score the Best Visual Effects Oscar in 12 of the past 21 years. That might indicate a miniature edge to the film that dominated there, <i>The Creator. </i>That's not a lot of math magic to make me change my vote from<i> Godzilla Minus One,</i> which would be a great Oscar night moment.</span></div></span></div><br /><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><b style="font-family: verdana;"><span style="color: #e69138;">Win the Best Actor/Actress/Supporting Actor/Supporting Actress categories</span></b></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The SAG voters are all actors and are the largest block of voters for the Academy Awards. They are a more diverse group, yet their picks align with Oscar more than any other. In the</span><span style="font-family: verdana;"> past two years, all the SAG winners repeated at the Oscars.</span><span style="font-family: verdana;"> </span><span style="font-family: verdana;">This means Cilllian Murphy, Lily Gladstone, Robert Downey Jr. and Da'Vine Joy should polish their speeches now. </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><br /></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Adapted Screenplay category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The USC Scripter Awards has accurately predicted this category for 10 of the last 14 years, and they awarded <i>American Fiction. </i>But t</span><span style="font-family: verdana;">ricky to this year, the only awards this season to have <i>Barbie</i> as adapted is the Oscars. <i>American Fiction </i>makes sense here until you factor in the wish to see Greta on stage. <i>American Fiction</i> is the smart math vote, but I predict <i>Barbie. </i></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Original Screenplay category</span></b><br /></span><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The respected Writers Guild (WGA) is the closest guide on any given year — but not this one. The WGA will take place in April which marks the first time it was awarded after the Oscars. <i>Anatomy of a Fall </i>has won all similar events and The Academy would love to find a place to reward this film. It should prevail here too.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Sound category</span></b><br /><br /></span></div>War films usually win here so <i>Oppenheimer and The Creator </i>check all the boxes. Go with Cinema Audio Society (CAS) Sound Mixing Award-winne<i>r</i> <i>Oppenheimer.</i></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><br /></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Music (Original Song) category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">T</span><span style="font-family: verdana;">here’s not a lot of math for this category, just remember that all members (not just musicians) vote in this category. Go with the Grammy and Golden Globe winner “What Was I Made For” from <i>Barbie</i>, sure to be a show highlight when performed. </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><b style="color: #e69138; font-family: verdana;">Win the Best Editing category</b></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Throughout history, this award always has had a Best Sound nomination too. This year, they all do. The film with 13 nominations should win here — <i>Oppenheimer.</i></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="font-weight: 400;"><b>Win the Best Cinematography category</b></span><br style="color: #333333; font-weight: 400;" /><span style="color: #333333; font-weight: 400;"><br /></span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;">The </span></span></b><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;">Cinematographer's Award (ASC)</span></span></b><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;"> is a good one to watch and they chose <i>Oppenheimer.</i> You should too.</span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><br /></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Production Design category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The winner of this category often aligns with the winner of Art Director's Guild Award and the AGA went to <i>Poor Things </i>(fantasy), <i>Oppenheimer</i> (period) and <i>Saltburn </i>(contemporary) which is bad news for <i>Barbie.</i> </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">This award, the 2012-renamed “Best Art Direction" award, doesn’t usually match Best Picture (Just four times since 2000), so math takes us to <i>Oppenheimer </i>not winning here.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Math from the AGA tells us<i> Poor Things</i> takes this one but I won't be upset if you check <i>Barbie </i>instead. Sarah Greenwood (<i>Barbie</i>) is the most nominated production designer in this category without a win.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><i><br /></i></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Costume Design category</span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><i>Barbie </i>won at the Costume Designer Guild Awards for Fantasy and Poor Things won for Period film so the match narrows it to two. BAFTA, which resembles the Academy more than the Costume Guild, went with Poor Things, but they were never going to pick Americana <i>Barbie</i>. </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">It's neck and neck. I think the Academy will go with red-carpet-friendly <i>Barbie</i>. Jacqueline Durran's win would be her third, on the shelf with Oscars for <i>Anna Karenina</i> and <i>Little Women.</i></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><b style="color: #e69138; font-family: verdana;">Win the Best Makeup and Hairstyling category</b></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The MUAHS award rewarded <i>Maestro</i>, the obvious winner here by a nose.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><span style="color: #e69138;"><b>Win the Best Documentary Feature category (Feature)</b></span><br /></span><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">This year, even more than normal, it's a somber field of serious and seriously sad films. <i>Bobi Wine: The People's President</i> is the easiest watch, but <i>20 Days in Mariupol</i> has the most praise.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><b><span style="color: #e69138;">Win the Best Animated Short Film category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">None of the nominations this year are from Pixar or Disney so that math goes out the window. It's best to remember that everyone votes in this category, not animators. Letter to a Pig is a frontrunner that checks all the boxes, but easy to lean into films often win with a crowd. Go with <i>War Is Over! Inspired by the Music of John and Yoko, which won the Annie.</i></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Documentary Short category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">This year, the films are more delightful than devastating in a category where there is no year-over-year nor precursor math to play with. <i>The Last Repair Shop</i> has the power of its subject,<i> Nai Nai & Wai Po</i> has a great (Disney) campaign but it's more whimsical than the usual winners in this category. <i>The ABCs of Book Banning c</i>omes from Sheila Nevins who just ended her stellar 5-year run at MTV Documentary Films. I'd give that one the edge.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b>Win the Best Live Action Short Film category</b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #333333; font-family: verdana;"><br /></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #333333; font-family: verdana;">The category is traditionally a venue for new visionaries to get seen, but unless there is a backlash to the pros playing here, there is a likely winner.<i> The Wonderful Story of Henry Sugar</i> is Wes Anderson's eighth nomination and likely his first win. Mathwise, getting seen helps in this category. This one is super accessible, on Netflix.</span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the show’s running-time tiebreaker.</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">In 2002, the show ran for four hours and 23 minutes. It's been trending down ever since, and this year it starts an hour early with hopes to finish closer to Super Bowl closure time. This year <br /><br />Here are the timings for the past ten years:<br />2009: 3 hours, 30 minutes<br />2010: 3 hours, 37 minutes<br />2011: 3 hours, 15 minutes<br />2012: 3 hours, 14 minutes<br />2013: 3 hours, 35 minutes<br />2014: 3 hours, 30 minutes<br />2015: 3 hours, 43 minutes<br />2016: 3 hours, 37 minutes<br />2017: 3 hours, 49 minutes<br />2018: 3 hours, 53 minutes<br />2019: 3 hours, 23 minutes<br />2020: 3 hours, 36 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">2021: 3 hours, 19 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">2022: 3 hours, 40 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">2023: 3 hours, 37 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><br /></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCoXXCYtnUcFLzviffkCpl8AcWNJcLDswwFUZnzp2t8W3rFRHX0_ERCvZNgCoq-obX9Ut9q5v6UMb6k_P_t0M5S5dHUv2WxUywsap1V1PNMTUA3TRfzITYOcfT6T43q3GMEmFhSSVNp-wL/s1024/Best-Picture-envelope.jpg" style="color: #d52a33; margin-left: 1em; margin-right: 1em; text-align: center; text-decoration-line: none; text-decoration: none;"><img border="0" data-original-height="680" data-original-width="1024" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCoXXCYtnUcFLzviffkCpl8AcWNJcLDswwFUZnzp2t8W3rFRHX0_ERCvZNgCoq-obX9Ut9q5v6UMb6k_P_t0M5S5dHUv2WxUywsap1V1PNMTUA3TRfzITYOcfT6T43q3GMEmFhSSVNp-wL/s320/Best-Picture-envelope.jpg" style="background: repeat rgb(255, 255, 255); border-radius: 5px; border: 1px solid rgb(204, 204, 204); box-shadow: rgba(0, 0, 0, 0.2) 0px 0px 20px; padding: 8px; position: relative;" width="320" /></a></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b>Win the Best Picture category</b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Since the preferential voting system was added, all the old stats don't matter. </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><i style="font-family: verdana;"><br /></i></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><i>Oppenheimer </i>won BAFTA. <i>Oppenheimer and Poor Things</i></span><span style="font-family: verdana;"> won the Golden Globe and </span><i style="font-family: verdana;">Oppenheimer </i><span style="font-family: verdana;">won the Critics Choice</span><i style="font-family: verdana;">, </i><span style="font-family: verdana;">whatever to all that.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">However, the PGA has a preferential voting ballot. While they are a conservative group, they chose </span><i style="font-family: verdana;">Oppenheimer </i><span style="font-family: verdana;">and you should too.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">In the 28 years in which SAG, the PGA and DGA have all presented their top honors, only one film (<i>Apollo 13 </i>in 1995) has won all three but then lost the Best Picture Oscar.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The math says it all. The Oscar goes to </span><i style="font-family: verdana;">Oppenheimer.</i></div><div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><br /></div><div style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-family: verdana;">Good luck with your Oscars pool everyone!</span></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-51760156156835762332024-01-27T23:39:00.011-05:002024-01-31T19:36:44.649-05:00Oscar's 10 Best Picture Nominees (and where to watch them)<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBSQQ1-xqnXFgPybEr4HC8uTPKWA1M83yw1v5G8AhaaoK2XvgromeybNltS96P_jFLKzM1cVMjJ_Ue0OqnL2CrODYlPGaU41doc_OQOJ3JvKSBvPVQSNTi9kKPFasZ5fvsc90NvGsV5puheBDJjK43bntFbBWQcXJZMfASc_NoaZe-im7_PdUipRrFcluC/s1488/IMG_6709.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="648" data-original-width="1488" height="174" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBSQQ1-xqnXFgPybEr4HC8uTPKWA1M83yw1v5G8AhaaoK2XvgromeybNltS96P_jFLKzM1cVMjJ_Ue0OqnL2CrODYlPGaU41doc_OQOJ3JvKSBvPVQSNTi9kKPFasZ5fvsc90NvGsV5puheBDJjK43bntFbBWQcXJZMfASc_NoaZe-im7_PdUipRrFcluC/w400-h174/IMG_6709.JPG" width="400" /></a></div><br /><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Get the popcorn ready! On Tuesday, the Academy announced its ten nominees for Best Pictures, which aligns with the Producer's Guild list for the first time since the 1990s (when there were just five nominees). It's one of the collective best lists in years.<br /><br />Before the curtain rises on the awards ceremony on March 10th, here's your guide to catching these gems, kicking off with the monster that's leading the pack in nominations and poised to sweep categories from best picture, director and cinematography to supporting actor and sound.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span><div><div class="separator" style="clear: both;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgEdrjAU8rrDwTN0kNx8d-qqcx6J583KjW2-nYyFDZBtdc4ywcfoKu2iqwjTm7atOAsFDsIB9BylhJUX6uQqz2M4YxGqkXZapdBV1hIP-wQIaLKHuNbT6Dil53LQgHJCebcp3OTwwwzXGqPAraY9LvZbMHZLZOj0TSOcr_DjnPRJRs6Hu7y1NpXeZTrvHOq" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="392" data-original-width="788" height="159" src="https://blogger.googleusercontent.com/img/a/AVvXsEgEdrjAU8rrDwTN0kNx8d-qqcx6J583KjW2-nYyFDZBtdc4ywcfoKu2iqwjTm7atOAsFDsIB9BylhJUX6uQqz2M4YxGqkXZapdBV1hIP-wQIaLKHuNbT6Dil53LQgHJCebcp3OTwwwzXGqPAraY9LvZbMHZLZOj0TSOcr_DjnPRJRs6Hu7y1NpXeZTrvHOq" width="320" /></a></div><br /><b style="color: #e69138; font-family: verdana;"><i>OPPENHEIMER, </i>13 NOMINATIONS</b></div></div><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"><br /></span><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">From its seamlessly dizzy flow of flashbacks to its weighted introspection, every second of </span><i style="background-color: #fefdfa; color: #333333; font-family: verdana;">Oppenheimer</i><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"> is definitely a Nolan film. And one of his best. Telling a historical story, with accuracy respected, gives Nolan some restraint in storytelling that reduces his head-scratching tendencies (</span><i style="background-color: #fefdfa; color: #333333; font-family: verdana;">Tenet, Interstellar, Inception). </i><i style="background-color: #fefdfa; color: #333333; font-family: verdana;">Oppenheimer</i><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"> sits on the shelf with Nolan's </span><i style="background-color: #fefdfa; color: #333333; font-family: verdana;">Dunkirk, Memento</i><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"> and </span><i style="background-color: #fefdfa; color: #333333; font-family: verdana;">The Dark Knight. </i><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">And this is the one that will finally win him the Oscar for directing and picture.</span><span style="font-family: verdana;"><br /></span><span style="color: #e69138; font-family: verdana;"><br /></span><div><span style="color: #e69138; font-family: verdana;">Nominated for: </span><span style="font-family: verdana;">Best picture, director, actor, supporting actor, supporting actress, adapted screenplay, production design, costume design, cinematography, editing, makeup and hairstyling, sound, original score.</span><div><span style="font-family: verdana;"><span style="color: #e69138;"><br /></span></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Where to watch: </span>Rent now on VOD (Amazon, Apple, YouTube). Coming to Peacock TV on February 16.</span></div></div></div><span style="font-family: verdana;"><br /></span><span style="color: #e69138; font-family: verdana;"><b><br /></b></span></div><div><span style="color: #e69138; font-family: verdana;"><b><br /></b></span></div><div><span style="color: #e69138; font-family: verdana;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEix2lVXTfJ3hu7q2xMKCSDj5WSjVIQvcUwQVWgQ4pXvJ66UE6npT2EIUP6uOBRfXzJksZ5-lRU1BgNeo-N0Fn_UD7quJqYDC4AWG75-dFJ20ljGuxSiVvBF7OTyvXUNqyW9jPhZM4aW1V3F_Ly0T_s2WnDp2id64SRIliL8983N_96eabyuyyGa34CsMhsN" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="289" data-original-width="480" height="193" src="https://blogger.googleusercontent.com/img/a/AVvXsEix2lVXTfJ3hu7q2xMKCSDj5WSjVIQvcUwQVWgQ4pXvJ66UE6npT2EIUP6uOBRfXzJksZ5-lRU1BgNeo-N0Fn_UD7quJqYDC4AWG75-dFJ20ljGuxSiVvBF7OTyvXUNqyW9jPhZM4aW1V3F_Ly0T_s2WnDp2id64SRIliL8983N_96eabyuyyGa34CsMhsN" width="320" /></a></div><br /><i>POOR THINGS</i></b><b><i>, </i></b><b>11 NOMINATIONS</b></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span></span></div><span style="font-family: verdana;">It's alive! If you had a woman's coming-of-age journey that borrows from Frankenstein and takes place in a saturated steampunk world on your bingo card for the second-most nominated film of the year, you should probably be a character in this film.</span></div><div><br /></div><div><span style="font-family: verdana;">Director Yorgos Lanthimos (<i>The Favourite, The Lobster</i>) has created an award-season monster that will probably get Emma Stone her second (deserved) Oscar for a performance that leaves all other nominated actresses and not-nominated Margot Robbie, in the dust.<br /><br /></span><div><span style="color: #e69138; font-family: verdana;">Nominated for: </span><span style="background-color: white; color: #202124; font-family: verdana;">Best picture, actress, supporting actor, director, original score, cinematography, adapted screenplay, production design, costume design, makeup and hairstyling, film editing.</span></div><div><span style="font-family: verdana;"><span style="color: #e69138;"><br /></span></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Where to watch: </span>In theaters now</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjaydT1YfMtchINKoAP_R3m5ldQhNTc13s8iO2q1gLSVbA-56nuW1BsCC8VFxpo1eqS4re6NsKGHxvV1Z4KQspCQBBr7iFzTL_oWvDHP0cfs30eHiAKrCZHjWqxzAA9TZyHG9mdd1HBfCM93fUzXLUe8OHI0fjU0APCB6fsDfATfLFINIzn0D0nOVIyScrW" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="244" data-original-width="596" height="164" src="https://blogger.googleusercontent.com/img/a/AVvXsEjaydT1YfMtchINKoAP_R3m5ldQhNTc13s8iO2q1gLSVbA-56nuW1BsCC8VFxpo1eqS4re6NsKGHxvV1Z4KQspCQBBr7iFzTL_oWvDHP0cfs30eHiAKrCZHjWqxzAA9TZyHG9mdd1HBfCM93fUzXLUe8OHI0fjU0APCB6fsDfATfLFINIzn0D0nOVIyScrW=w400-h164" width="400" /></a></div><br /><i>KILLERS OF THE FLOWER MOON</i><b><i>, </i></b>10 NOMINATIONS</b></div><div><div style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-family: verdana;"><br /></span></div><div style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-family: verdana;">Martin Scorsese took David Grann’s excellent, 2017 nonfiction page-turner and shifted its focus to create an unforgettable, historic epic. The film's strongest chance for a win is with </span><span style="font-family: verdana;">Lily Gladstone (</span><i style="font-family: verdana;">Reservation Dogs</i><span style="font-family: verdana;">) as Mollie Burkhart. She shoulders the emotional narrative in a quiet performance that is unnerving.</span></div><div><span style="font-family: verdana;"><br /></span></div></div><div><span style="color: #e69138; font-family: verdana;">Nominated for: </span><span style="font-family: verdana;">Best picture, director, actress, supporting actor, production design, costume design, cinematography, editing, original score, original song.</span></div><div><span style="color: #e69138; font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Where to watch: </span><span style="font-family: verdana;">Stream now on Apple+.</span><span style="font-family: verdana;"><br /><br /></span><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiRXrM9C4JeJiHkaVklqUvxwb2wqv8iMm6plI1UDEt_TQfmtmRmRL1X83FeCJT1P8rvPiwBeNmkGyWme_kxTqpM7IBt84CGUJ0AqGACfNHbekqLVDnzEmr0hfM310LiQjYWmipqAuwR_Xx4ioI6syxjPbOq4GkBjfj4fi9HzPxy20E85Zp-a6O6D4fFHjMo" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="400" data-original-width="540" height="237" src="https://blogger.googleusercontent.com/img/a/AVvXsEiRXrM9C4JeJiHkaVklqUvxwb2wqv8iMm6plI1UDEt_TQfmtmRmRL1X83FeCJT1P8rvPiwBeNmkGyWme_kxTqpM7IBt84CGUJ0AqGACfNHbekqLVDnzEmr0hfM310LiQjYWmipqAuwR_Xx4ioI6syxjPbOq4GkBjfj4fi9HzPxy20E85Zp-a6O6D4fFHjMo" width="320" /></a></div><br /><i>BARBIE</i><b><i>, </i></b>8 NOMINATIONS</b></div><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"><br /></span></div><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">Greta Gerwig (<i>Little Bird, Little Women)</i> didn't deliver a toy movie, but a fun, funny summer film with a universal message — and it became the cultural phenomenon of 2023.</span><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"> </span><span style="font-family: verdana;">Despite the fuss about nominations, this Mattel toy blockbuster comedy is up for 8 Oscars. Margot Robbie, as producer of the film, and Greta Gerwig, for the screenplay, are still nominees despite what you may have heard on social.</span></div><div><span style="font-family: verdana;"><span style="color: #e69138;"><span style="color: black;"><br /></span></span></span><span style="color: #e69138; font-family: verdana;">Nominated for:</span><span style="font-family: verdana;"> Best picture, supporting actor, supporting actress, adapted screenplay, production design, costume design, original song (the max two nominees).</span></div><div><span style="color: #e69138; font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Where to watch:</span><span style="font-family: verdana;">Stream it on MAX. Or rent it on VOD.</span><div><span style="font-family: verdana;"><br /></span></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhYPpCBAck8-A9ROxBhE3YYZyu2HeC2dSD_pD2lxuB2xib5OgrUKDwPMjqiXx94wollo66qkXANsu2Yl86mLLbtBnU0xii0Xazc4SLanEIcTWsFyGtzvblrfcUSe74Pg-_yLsmPt3RTc4ezYWylAGmVIfWq77jFWcB6iu_pOqWIJYrPKxRGp3iORtrWMgEZ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="432" data-original-width="540" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhYPpCBAck8-A9ROxBhE3YYZyu2HeC2dSD_pD2lxuB2xib5OgrUKDwPMjqiXx94wollo66qkXANsu2Yl86mLLbtBnU0xii0Xazc4SLanEIcTWsFyGtzvblrfcUSe74Pg-_yLsmPt3RTc4ezYWylAGmVIfWq77jFWcB6iu_pOqWIJYrPKxRGp3iORtrWMgEZ" width="300" /></a></div><br /><i>MAESTRO</i><b><i>, </i></b>7 NOMINATIONS</b><br style="font-family: verdana;" /><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"><br /></span></div><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">Bradley Cooper orchestrates his passion project with high style and a bravado performance as both actor and director. </span><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">The film explores the personal life of </span><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">American composer and conductor, Leonard Bernstein. I wanted more about his craft, but that's not the film they made. On the plus, it's gorgeous and Carey Mulligan does some of her finest work.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Nominated for: </span>Best picture, actor, actress, original screenplay, cinematography, makeup and hairstyling, sound.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Where to watch: </span>Stream on Netflix now.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhEsdQoqYGacb_HXTuM8nb0bcgaHI4iRBufhp2LR3O5GybDuynQdhuuDB0MXEYxw2ymDIgu_CO1zsLZ3tJsG7__vNUh5ZNlk1ydeo2k3DlhtojeMsChr5dAMhEzAm_TTxHaraWlL79R6LJgule6bSWwAyN9wi2u3QPOcqj1_u61rBEDwldAEheF3I1srMdC" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="480" data-original-width="600" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhEsdQoqYGacb_HXTuM8nb0bcgaHI4iRBufhp2LR3O5GybDuynQdhuuDB0MXEYxw2ymDIgu_CO1zsLZ3tJsG7__vNUh5ZNlk1ydeo2k3DlhtojeMsChr5dAMhEzAm_TTxHaraWlL79R6LJgule6bSWwAyN9wi2u3QPOcqj1_u61rBEDwldAEheF3I1srMdC" width="300" /></a></div><i><br />ANATOMY OF A FALL</i><b><i>, </i></b>5 NOMINATIONS</b><br style="font-family: verdana;" /><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">The winner of the Palme d’Or at last year’s Cannes Film Festival. It's n</span><span style="font-family: verdana;">ot eligible for Foreign Language film, </span><span style="font-family: verdana;">as France submitted another film, </span><span style="font-family: verdana;">yet it still gathered five nominations. It's a murder mystery/courtroom drama that is so expertly crafted and engagingly unique that you wonder why all the others in its genre seem the same. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Nominated for:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;">Best picture, director, actress, original screenplay, editing.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Where to watch:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;">Rent it now on VOD.</span><br style="font-family: verdana;" /></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhrZXa6y6E6S-mBCO3zuuDk3Hpdv6kkfwgq350TU9fGYSCnFBW8Y9KBQhkRBwWayoOu0WMvgHnA1KO4kH6y_MgXbH8OgJ-8Hzvo5J4tYOs-83B2HrDiLRY_LuNq19tOCGM5X8jkN7i44khTSK_FOnE3hxCauonzJ1U9uBQzCJjHmoPLrETHH8j3_vIoAdAs" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="270" data-original-width="480" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEhrZXa6y6E6S-mBCO3zuuDk3Hpdv6kkfwgq350TU9fGYSCnFBW8Y9KBQhkRBwWayoOu0WMvgHnA1KO4kH6y_MgXbH8OgJ-8Hzvo5J4tYOs-83B2HrDiLRY_LuNq19tOCGM5X8jkN7i44khTSK_FOnE3hxCauonzJ1U9uBQzCJjHmoPLrETHH8j3_vIoAdAs" width="320" /></a></div><br /><i>AMERICAN FICTION</i><b><i>, </i></b>5 NOMINATIONS</b></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><span style="font-family: verdana;">One of the most easily enjoyable films of the year is this comedy from writer-director Cord Jefferson that rewrites the book on stereotypes to laugh-out-loud effect. The set-up follows a frustrated novelist who writes a stereotypical "black book" as satire, only for it to be published and popular. However it reveals itself in time as a family drama and character study led by American film treasure Jefferey Wright (<i>The Batman, Asteroid City, </i></span><i style="font-family: verdana;">The French Dispatch)</i><span style="font-family: verdana;">.</span></div><div><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Nominated for:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;">Best film, adapted screenplay, original score, supporting actor.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Where to watch:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;">In theaters now</span></div><div><br style="font-family: verdana;" /><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj2XoPFHvdgY-ltav77QPutox_OLaEkSMpN7nr6uiPtAf-c8-jXRsXcKYJxYnVFSSqadSMwgzaxVtP1ojshMSP01WFjnafAxeJh0doUpZdwbeeOhIA3mS0gzf8LDboU8iWSmyUNbeHgFRXvGOecLFOdzXhiWHhFKfPAHQWrXBM1ahKA-YhCUVuk9b2jiAnI" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="432" data-original-width="540" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEj2XoPFHvdgY-ltav77QPutox_OLaEkSMpN7nr6uiPtAf-c8-jXRsXcKYJxYnVFSSqadSMwgzaxVtP1ojshMSP01WFjnafAxeJh0doUpZdwbeeOhIA3mS0gzf8LDboU8iWSmyUNbeHgFRXvGOecLFOdzXhiWHhFKfPAHQWrXBM1ahKA-YhCUVuk9b2jiAnI" width="300" /></a></div><br /><i>THE HOLDOVERS</i><b><i>, </i></b>5 NOMINATIONS</b></div><div><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span></span></div><span style="font-family: verdana;">From its film grain and vintage lenses to its wintery New England setting, this cozy must-see from director Alexander Payne (<i>Sideways, Nebraska, The Descendants)</i> features Paul Giamatti and Da'Vine Joy, who are both frontrunners to win actor and supporting actress. The film follows a curmudgeonly instructor (and cafeteria manager) at a 1970s prep school as they remain on campus during winter break to babysit a handful of students including Dominic Sessa, in an excellent film debut.</span><br /></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">This is the film I've already seen twice, and will someday in the future.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><div><span style="color: #e69138; font-family: verdana;">Nominated for:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;">Best picture, actor, supporting actress, original screenplay, editing.<br /><br /></span><span style="color: #e69138; font-family: verdana;">Where to watch: </span><span style="font-family: verdana;">Stream it now on Peacock. Or buy it on VOD.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiQgODi3uy6yhkr7ykgcPmJFjlo_V-9wtr8BXqOYptDZg6cclAVes2ZlnLtbTuA5MPe8SLH1fWJBvpzRUJFPi8ebdyekUdtpbnx41Zbsum8v3IdtTr7JGzNusv89iWewocDlN2XLU5nHpGZtt1uj-3eDsWTk6LTCuhikcKbNgpntcIBbanT-0lyA7xrdTIb" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="332" data-original-width="498" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEiQgODi3uy6yhkr7ykgcPmJFjlo_V-9wtr8BXqOYptDZg6cclAVes2ZlnLtbTuA5MPe8SLH1fWJBvpzRUJFPi8ebdyekUdtpbnx41Zbsum8v3IdtTr7JGzNusv89iWewocDlN2XLU5nHpGZtt1uj-3eDsWTk6LTCuhikcKbNgpntcIBbanT-0lyA7xrdTIb" width="320" /></a></div><br /><i>THE ZONE OF INTEREST</i><b><i>, </i></b>5 NOMINATIONS</b></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><span style="font-family: verdana;"><span style="background-color: white; color: #4d5156;">This film from Jonathan Glazer (<i>Sexy Beast)</i> imagines what life next door to horror looks like as the</span><span style="background-color: white; color: #4d5156;"> commandant of Auschwitz and his wife strive to build a dream life for their family in a house and garden next to the death camp. Obviously, there is nothing ordinary about this life or this film.</span></span></div><div><span style="color: #e69138;"><span style="font-family: verdana;"><br /></span></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Nominated for:</span><span style="color: #e69138;"> </span>Best picture, director, adapted screenplay, international feature film, sound.</span></div><div><span style="font-family: verdana;"><br /><span style="color: #e69138;">Where to watch: </span>In theaters now.<br /><br /></span><b style="color: #e69138; font-family: verdana;"><br /></b></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhMaMZvawB29XFN9RQLLp8Ktu3lCRxUut3bfJGbcxfLZx4PH6OLmPzOlODPa67yvImrPbafCJ8APNx0oEPE88VqKT42thegWLl9Bs9XVS6PsDGQUUmiSseKkClNl0QK79yccfmBv_ROgGQrAJvRmHLFjziXK91kt7UEMcz-ZJ9MeKsYkQwT6ujKePYjhO6t" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="360" data-original-width="540" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEhMaMZvawB29XFN9RQLLp8Ktu3lCRxUut3bfJGbcxfLZx4PH6OLmPzOlODPa67yvImrPbafCJ8APNx0oEPE88VqKT42thegWLl9Bs9XVS6PsDGQUUmiSseKkClNl0QK79yccfmBv_ROgGQrAJvRmHLFjziXK91kt7UEMcz-ZJ9MeKsYkQwT6ujKePYjhO6t" width="320" /></a></div><br /><i>PAST LIVES</i><b><i>, </i></b>2 NOMINATIONS</b></div><div><i style="background-color: #fefdfa; color: #333333; font-family: verdana;"><br /></i></div><div><i style="background-color: #fefdfa; color: #333333; font-family: verdana;">Past Lives </i><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">explores a story of untapped possibilities and in-yun, the universe’s way of reuniting souls who shared a connection in previous lives. Luckily, it is quite the antidote to years of repetitive movies about multiverses.</span></div><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;"><br /></span></div><div><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">In its own quiet and distinctive manner, </span><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">this film starring Greta Lee </span><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">emerges as an emotionally resonant love story that stands out as one of the most impactful of this decade. </span><span style="background-color: #fefdfa; color: #333333; font-family: verdana;">It was my favorite film of 2023. </span></div><div><span style="color: #e69138;"><span style="color: #333333;"><br style="font-family: verdana;" /></span></span><span style="color: #e69138; font-family: verdana;">Nominated for:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;">Best picture and original screenplay.</span><br style="font-family: verdana;" /><br style="font-family: verdana;" /><span style="color: #e69138; font-family: verdana;">Nominated for:</span><span style="color: #e69138; font-family: verdana;"> </span><span style="font-family: verdana;"> Trust me on this one. Rent it now on VOD.</span></div><div><br /></div><div><br /></div><span style="font-family: verdana;"><span style="color: #e69138;"><div><br /></div>The Ten Buck Review:</span> All ten are worth ten bucks. Enjoy!<br /></span><div><span style="font-family: verdana;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span><br /></div></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-19976559595294479692024-01-21T18:44:00.001-05:002024-01-21T19:09:55.302-05:00Who Gets An Oscar Nomination Tomorrow?<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJyJaNwcAyEL7HEi5QCNjSkyKXHvC0qfSPGUAxH0v83uIsUnTl-RTfLXg4z7DR1thEXEa7w96UWrE2v7diBmkMiXlOjmlaMYNTlfo6hG-KD8pH_HYkCXvfAn9RoB19Fz7uYjSufOzrhHw4RawkUEEKc742AYVcc7Gl0yrwr92AVSdg0dU-eOVm3cdTyisp/s2432/Barbenheimer%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1040" data-original-width="2432" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJyJaNwcAyEL7HEi5QCNjSkyKXHvC0qfSPGUAxH0v83uIsUnTl-RTfLXg4z7DR1thEXEa7w96UWrE2v7diBmkMiXlOjmlaMYNTlfo6hG-KD8pH_HYkCXvfAn9RoB19Fz7uYjSufOzrhHw4RawkUEEKc742AYVcc7Gl0yrwr92AVSdg0dU-eOVm3cdTyisp/w400-h171/Barbenheimer%20copy.jpg" width="400" /></a></div><br />With a record of 78.7% accuracy at predicting nominees, here are my predictions for an Oscar race that will reward <i>Oppenheimer</i> with a towering 13 nominations and 10 for its summer companion, <i>Barbie, </i>a Mattel toy movie that is going to scoop up a two-digit tally of Academy Awards.<br /><b><br /><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjdZkwT9jQyHV36Qrz-8sQnOW7uRoeiahnli-TPUbhrh8hox6BdSG-X4v0uLuMfZmiSkNbY8irko0xDGvPDpAZjOc-5Y8I3gKvU4n4t5Hmo_ywUh8VnE5vVNTKoUFmko_ehwP2Jk_FcNHbm6uKDiyney5JsolGY-b7NnfoRKG3vv6OCsT3xv_Bv_v9rKcjO" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="300" data-original-width="540" height="178" src="https://blogger.googleusercontent.com/img/a/AVvXsEjdZkwT9jQyHV36Qrz-8sQnOW7uRoeiahnli-TPUbhrh8hox6BdSG-X4v0uLuMfZmiSkNbY8irko0xDGvPDpAZjOc-5Y8I3gKvU4n4t5Hmo_ywUh8VnE5vVNTKoUFmko_ehwP2Jk_FcNHbm6uKDiyney5JsolGY-b7NnfoRKG3vv6OCsT3xv_Bv_v9rKcjO" width="320" /></a></div>PICTURE</span></b><br /><i>American Fiction<br />Anatomy of a Fall<br />Barbie<br /></i></span><div><span style="font-family: verdana;"><i>The Holdovers<br />Killers of the Flower Moon<br /></i><i>Maestro</i></span></div><div><span style="font-family: verdana;"><i>Oppenheimer<br />Past Lives<br />Poor Things<br />The Zone of Interest</i><br /><br />Spoiler: <i>The Color Purple</i><br />Shocker: <i>Saltburn</i><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjiAs_Uswyk6NAzkcYLS9_vsmmSyRLl2YryVHeTqMz3ItUf8l59xDe73wgJTa0pMOy35IV5BQlItBeEqLc2tBqIF-737BU57j0ZJudPMaqaJ1vIucov1ZzxRH0isWXta74SGcMeWljTDuykTJkBpBcwO9sWLmvQXzy2minuElNpRFJVX3SNbWnEIJSvI_5W" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="299" data-original-width="540" height="177" src="https://blogger.googleusercontent.com/img/a/AVvXsEjiAs_Uswyk6NAzkcYLS9_vsmmSyRLl2YryVHeTqMz3ItUf8l59xDe73wgJTa0pMOy35IV5BQlItBeEqLc2tBqIF-737BU57j0ZJudPMaqaJ1vIucov1ZzxRH0isWXta74SGcMeWljTDuykTJkBpBcwO9sWLmvQXzy2minuElNpRFJVX3SNbWnEIJSvI_5W" width="320" /></a></div><br />DIRECTOR</span></b><br />Greta Gerwig, <i>Barbie</i><br />Jonathan Glazer, <i>The Zone of Interest</i><br />Alexander Payne, <i>The Holdovers</i><br />Christopher Nolan, <i>Oppenheimer</i><br />Martin Scorsese, <i>Killers of the Flower Moon<br /></i><br /></span><div><span style="font-family: verdana;">Spoiler: Yorgos Lanthimos, <i>Poor Things</i><br />Shocker: Justine Triet, <i>Anatomy of a Fall</i><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiCEDBpFuYrx2SjopXfzeXrWr_LxZFSkjuFhar7bhGsrZySgHhgWfrXp5OsdchLspy-G9xfIAW2dcAANi_ztdfDEoFxhIUrRPgGjx3JdiFilrCxhxiL-jlWFcpvn5CdKggstzM-6wYNP4ukN-V7BrqfqEQlM3Gl7y9tbOWV7JvrVscNzGF73TVpojU2pFhi" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="289" data-original-width="480" height="193" src="https://blogger.googleusercontent.com/img/a/AVvXsEiCEDBpFuYrx2SjopXfzeXrWr_LxZFSkjuFhar7bhGsrZySgHhgWfrXp5OsdchLspy-G9xfIAW2dcAANi_ztdfDEoFxhIUrRPgGjx3JdiFilrCxhxiL-jlWFcpvn5CdKggstzM-6wYNP4ukN-V7BrqfqEQlM3Gl7y9tbOWV7JvrVscNzGF73TVpojU2pFhi" width="320" /></a></div>ACTRESS</span></b><br />Lily Gladstone,<i> Killers of the Flower Moon</i><br />Sandra Hüller,<i> Anatomy of a Fall</i><br />Carey Mulligan, <i>Maestro</i><br />Margot Robbie, <i>Barbie</i><br />Emma Stone, <i>Poor Things</i><br /><br />Spoiler: Annette Bening, <i>Nyad</i><br />Shocker: Fantasia, <i>The Color Purple</i><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEizOXChtzxqdmx4hZfa3YrTBRUF8OkesLdAycAf52Z9r-lC9v5sQF2fNr8CiPi-KmXtCnV0YTIxCbV2lEz_s8KvIybxB-pRYgJQ05PkCp-ghXhqGroUOCtrj8e_2bbSu6n90F6m0Id_U7WRgPWTj3oI_MIbOVKXffBlYtOCV-P-mi25cqUPjitWk_OStCIO" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="329" data-original-width="500" height="211" src="https://blogger.googleusercontent.com/img/a/AVvXsEizOXChtzxqdmx4hZfa3YrTBRUF8OkesLdAycAf52Z9r-lC9v5sQF2fNr8CiPi-KmXtCnV0YTIxCbV2lEz_s8KvIybxB-pRYgJQ05PkCp-ghXhqGroUOCtrj8e_2bbSu6n90F6m0Id_U7WRgPWTj3oI_MIbOVKXffBlYtOCV-P-mi25cqUPjitWk_OStCIO" width="320" /></a></div>ACTOR</span></b><br />Bradley Cooper, <i>Maestro</i><br />Colman Domingo, <i>Rustin</i><br />Paul Giamatti, <i>The Holdovers</i><br />Cillian Murphy, <i>Oppenheimer</i><br />Jeffrey Wright, <i>American Fiction</i><br /><br />Spoiler: Leo DiCaprio, <i>Killers of the Flower Moon</i><br />Shocker: Barry Keoghan, S<i>altburn </i></span><span style="font-family: verdana;"><br /><span style="color: #e69138;"><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgGqnxObfNRS3SvA1Wb6H4LaGRU4nTSwGyKHwsoTiAq61cStflKhaizhMizuD2wz52gY8V6M6dWThZblvqKM3OHfEmfuWYmFE3S4DGEeWK4ungNKMsieR46MmVa40XpmVp15FhZ4a2kuFxgb15e4fdRkEsxvQA1PD5vPpnkY10nG-s791K_IAY3CagGwMAu" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="355" data-original-width="540" height="210" src="https://blogger.googleusercontent.com/img/a/AVvXsEgGqnxObfNRS3SvA1Wb6H4LaGRU4nTSwGyKHwsoTiAq61cStflKhaizhMizuD2wz52gY8V6M6dWThZblvqKM3OHfEmfuWYmFE3S4DGEeWK4ungNKMsieR46MmVa40XpmVp15FhZ4a2kuFxgb15e4fdRkEsxvQA1PD5vPpnkY10nG-s791K_IAY3CagGwMAu" width="320" /></a></div><br />SUPPORTING ACTRESS</b></span><br />Emily Blunt, <i>Oppenheimer</i><br />Danielle Brooks, <i>The Color Purple</i><br />Jodie Foster, <i>Nyad</i><br />Jullianne Moore, <i>May December</i><br />Da’Vine Joy Randolph, <i>The Holdovers<br /></i><br />Spoiler: </span><i style="font-family: verdana;">Sandra Huller, The Zone of Interest</i></div><div><span style="font-family: verdana;">Shocker: </span><span style="font-family: verdana;">Rosamund Pike,</span><span style="font-family: verdana;"> </span><i style="font-family: verdana;">Saltburn </i><span style="font-family: verdana;">or</span><i style="font-family: verdana;"> </i><span style="font-family: verdana;">Penélope Cruz, </span><i style="font-family: verdana;">Ferrari</i></div><div><span style="font-family: verdana;"><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgPZ5lLbYwsHhE2fzukZqL7L1jZA7pPySbZJcfPxnQQoSOestA9m7O2SGe1I8jk54oabMHaFyR1Zf0-guaKgff6kk4IdMurD1e3goosfiQMQVgmsUZ5tvYF00fLXYTLGKt9W8UE-1N3mmhORqT8pmZ2Q4gOxNgtc3yIsQNpqqO1SBGHc4hWQiD4a10AJvSg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="480" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgPZ5lLbYwsHhE2fzukZqL7L1jZA7pPySbZJcfPxnQQoSOestA9m7O2SGe1I8jk54oabMHaFyR1Zf0-guaKgff6kk4IdMurD1e3goosfiQMQVgmsUZ5tvYF00fLXYTLGKt9W8UE-1N3mmhORqT8pmZ2Q4gOxNgtc3yIsQNpqqO1SBGHc4hWQiD4a10AJvSg" width="320" /></a></div><br />SUPPORTING ACTOR</span></b><br />Willem Dafoe, <i>Poor Things</i><br />Robert De Niro, <i>Killers of the Flower Moon</i><br />Robert Downey Jr., <i>Oppenheimer</i><br />Ryan Gosling,<i> Barbie</i><br /></span><span style="font-family: verdana;">Dominic Sessa, </span><i style="font-family: verdana;">The Holdovers</i><span style="font-family: verdana;"><br /><br />Spoiler: </span><span style="font-family: verdana;">Mark Ruffalo, </span><i style="font-family: verdana;">Poor Things</i><span style="font-family: verdana;"> </span></div><div><span style="font-family: verdana;">Shocker: </span><span style="font-family: verdana;">Charles Melton, </span><i style="font-family: verdana;">May December</i></div><div><span style="font-family: verdana;"><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhUIMebrpJ4PEBrFvjvaNPZjH33szodtkcbREPY3pBUoDoqm2lBYQ-eqozhwRuwXykSHOsGKbbhLWk3ZYXcnBRAImZY5LefOsr2gsPX522VH48BvqyUCEBhoJtFThGsI2nONXzs-HcvJ7F_T9l4Ux3wlOS5e-4inEqTwflaC3Rcok750fV1bChvM6lwKXOT" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="335" data-original-width="268" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhUIMebrpJ4PEBrFvjvaNPZjH33szodtkcbREPY3pBUoDoqm2lBYQ-eqozhwRuwXykSHOsGKbbhLWk3ZYXcnBRAImZY5LefOsr2gsPX522VH48BvqyUCEBhoJtFThGsI2nONXzs-HcvJ7F_T9l4Ux3wlOS5e-4inEqTwflaC3Rcok750fV1bChvM6lwKXOT" width="192" /></a></div>ADAPTED SCREENPLAY</span></b><br /><i>American Fiction, </i>Cord Jefferson<br /><i>Barbie,</i> Greta Gerwig and Noah Baumbach<br /><i>Killers of the Flower Moon,</i> Eric Roth, Martin Scorsese<br /><i>Oppenheimer, </i>Christopher Nolan<br /><i>Poor Things,</i> Tony McNamara<br /><br />Spoiler: <i>Zone of Interest</i><br />Shocker: <i>All of Us Strangers</i><br /><br /><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjS_-JZGMNnRTK4yv4V6TD8Hl06hh9ZKowHZD5O0lpinGywuWqpyp8GEChbA_x9rMezuBXnbCLRk7_mn234ZZ-Hq8Apnev63qz5_nTxReLyKNT83qZPmu-D4SGaJGhd_b4FkKlNlo8sMQbs-7rMTNQW6TqMYT7YkiqhvWbF8rvdmzXuaT7BkxuYdo8f78ES" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="480" data-original-width="600" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjS_-JZGMNnRTK4yv4V6TD8Hl06hh9ZKowHZD5O0lpinGywuWqpyp8GEChbA_x9rMezuBXnbCLRk7_mn234ZZ-Hq8Apnev63qz5_nTxReLyKNT83qZPmu-D4SGaJGhd_b4FkKlNlo8sMQbs-7rMTNQW6TqMYT7YkiqhvWbF8rvdmzXuaT7BkxuYdo8f78ES" width="300" /></a></div><br />ORIGINAL SCREENPLAY</span></b><br /><i>Anatomy of a Fall, J</i>ustine Triet, Arthur Harari<br /><i>The Holdovers, </i>David Hemingson<br /><i>Maestro, </i>Bradley Cooper, Josh Singer<br /><i>May December</i>, Samy Burch, Alex Mechanik<br /><i>Past Lives,</i> Celine Song<br /><br />Spoiler: <i>Saltburn, Emerald Fennel</i><br />Shocker: <i>The Boy and the Heron</i><br /><b><br /><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhiUcXg8_Fe9s7DVps6kSHwIZAiIFqk54phPMCjqSJUv0w1Zm4Y--i_8QxlzQNvjK6dhNAKojweFrDZ0QeLkAUgON1DAVmdPi5CcpPH616K9xIsDseKzGZZGDEde62WlKEAz-qLgLsmCavXdyRU30qBkJxQTo8w2ocv3vcRjCqVlXZKOxSo0KMsoq16W8f3" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="332" data-original-width="498" height="213" src="https://blogger.googleusercontent.com/img/a/AVvXsEhiUcXg8_Fe9s7DVps6kSHwIZAiIFqk54phPMCjqSJUv0w1Zm4Y--i_8QxlzQNvjK6dhNAKojweFrDZ0QeLkAUgON1DAVmdPi5CcpPH616K9xIsDseKzGZZGDEde62WlKEAz-qLgLsmCavXdyRU30qBkJxQTo8w2ocv3vcRjCqVlXZKOxSo0KMsoq16W8f3" width="320" /></a></div><br />INTERNATIONAL FEATURE</span></b><br /><i>Fallen Leaves, Finland<br />Society of the Snow, Spain<br />The Taste of Things, France<br />The Teachers’ Lounge, Germany<br />The Zone of Interest, UK</i></span></div><div><span style="color: #e69138;"><br /></span></div><div><span style="font-family: verdana;"><b><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjogh9Q-N_j35wVa9lNGsEJw0PcOSG5k57YHtIwSvAEhHQ2Bm9I81yYhLGiS_H-TieFENJHp_d5-mThB62cxoTraPHi4rzGqjU4Qq2rb1iYxtA9ce1QF3jv1Hs81GSDtA_teKy1Y4_u_jHmOlLvuRc8SsfrXPMWgaTynXwozX9lG7Z54MKgJEy48HJRv1Gv" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="168" data-original-width="299" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEjogh9Q-N_j35wVa9lNGsEJw0PcOSG5k57YHtIwSvAEhHQ2Bm9I81yYhLGiS_H-TieFENJHp_d5-mThB62cxoTraPHi4rzGqjU4Qq2rb1iYxtA9ce1QF3jv1Hs81GSDtA_teKy1Y4_u_jHmOlLvuRc8SsfrXPMWgaTynXwozX9lG7Z54MKgJEy48HJRv1Gv" width="320" /></a></div><br />ANIMATED FEATURE</span></b><br /><i>The Boy and the Heron<br />Elemental<br />Nimona<br />Spider-Man: Across the Spider-Verse<br />Suzume</i></span></div><div><span style="font-family: verdana;"><i><br /></i></span></div><div><span style="font-family: verdana;">Spoiler: <i>Teenage Mutant Ninja Turtles</i></span></div><div><span style="font-family: verdana;"><i><br /></i></span></div><div><span style="font-family: verdana;"><b><span style="color: #e69138;">DOCUMENTARY FEATURE</span></b><br /><i>20 Days in Mariupol</i></span><br /></div><div><i style="font-family: verdana;">American Symphony</i></div><div><span style="font-family: verdana;"><i>Beyond Utopia<br />The Eternal Memory</i></span></div><div><span style="font-family: verdana;"><i>Four Daughters<br /></i><br />Spoiler: <i>Still:</i> <i>A Michael J. Fox Movie<br /></i><br /><b><span style="color: #e69138;">CINEMATOGRAPHY</span></b><br /><i>Killers of the Flower Moon,</i> Rodrigo Prieto<br /><i>Maestro, </i>Matthew Libatique<br /><i>Oppenheimer,</i> Hoyte van Hoytema<br /><i>Poor Things,</i> Robbie Ryan</span></div><div><span style="font-family: verdana;"><i>The Zone of Interest,</i> Lukasz Zal</span></div><div><span style="font-family: verdana;"><br /><b><span style="color: #e69138;">COSTUME DESIGN</span></b><br /><i>Barbie, </i>Jacqueline Durran<br /><i>Killers of the Flower Moon,</i> Jacqueline West<br /><i>Napoleon, </i>David Crossman and Janty Yates<br /><i>Oppenheimer,</i> Ellen Mirojnick<br /><i>Poor Things, </i>Holly Waddington</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><b><span style="color: #e69138;">FILM EDITING</span></b><br /><i>Anatomy of a Fall<br />The Holdovers</i></span></div><div><span style="font-family: verdana;"><i>Oppenheimer<br />Poor Things</i></span></div><div><span style="font-family: verdana;"><i>The Zone of Interest</i></span></div><div><span style="font-family: verdana;"><i><br /></i></span></div><div><span style="font-family: verdana;"><i>Potential snub: </i></span><i style="font-family: verdana;">Killers of the Flower Moon</i><span style="font-family: verdana;"><i><br /></i><b><br /><span style="color: #e69138;">MAKEUP AND HAIRSTYLING</span></b><br /><i>Killers of the Flower Moon<br />Maestro<br />Oppenheimer<br />Poor Things<br />Society of the Snow<br /></i><span style="color: #e69138;"><br /><b>PRODUCTION DESIGN</b></span><br /><i>Barbie<br />Killers of the Flower Moon<br />Oppenheimer<br />Poor Things<br />The Zone of Interest</i><br /><br /><b><span style="color: #e69138;">SCORE</span></b><br /><i>Barbie, </i>Mark Ronson and Andrew Wyatt</span></div><div><span style="font-family: verdana;"><i>Killers of the Flower Moon,</i> Robbie Robertson<br /><i>Oppenheimer,</i> Ludwig Göransson<br /><i>Poor Things, </i>Jerskin Fendrix<br /><i>The Zone of Interest,</i> Mica Levi</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Spoiler: </span><i style="font-family: verdana;">Spider-Man: Across the Spider-Verse</i><span style="font-family: verdana;">, Daniel Pemberton</span><span style="font-family: verdana;"><br /><br /><b><span style="color: #e69138;">SONG</span></b><br />“The Fire Inside” by Diane Warren,<i> Flamin’ Hot</i><br />"I'm Just Ken" by Mark Ronson and Andrew Wyatt, <i>Barbie</i><br />“It Never Went Away” by Jon Batiste and Dan Wilson, <i>American Symphony</i><br />"What Was I Made For?" by Billie Eilish and Finneas, <i>Barbie</i><br />“Road to Freedom” by Lenny Kravitz, <i>Rustin</i><br /><br /><i><b><span style="color: #e69138;">SOUND</span></b><br />Ferrari<br />Killers of the Flower Moon<br />Maestro<br />Oppenheimer<br />The Zone of Interest</i></span></div><div><span style="font-family: verdana;"><i><br /></i></span></div><div><span style="font-family: verdana;"><i>Spoiler: Barbie, The Killer<br /></i><br /><b><span style="color: #e69138;">VISUAL EFFECTS</span></b><br /><i>The Creator<br />Guardians of the Galaxy Vol. 3<br />Poor Things</i></span></div><div><span style="font-family: verdana;"><i>Society of the Snow<br />Spider-Man: Across the Spider-Verse</i></span></div><div><span style="font-family: verdana;"><i><br /></i></span></div><div><span style="font-family: verdana;"><i>Spoiler: </i></span><i style="font-family: verdana;">Godzilla Minus One</i><span style="font-family: verdana;"><i><br /></i><br /></span></div><div><b style="font-family: verdana;"><span style="color: #e69138;">LIVE-ACTION SHORT</span></b></div><div><i style="font-family: verdana;">The After<br />The Anne Frank Gift Shop<br />Red, White and Blue or Yellow<br />Strange Way of Life<br />The Wonderful Story of Henry Sugar</i></div><div><br /></div><div><span style="font-family: verdana;"><b><span style="color: #e69138;">ANIMATED SHORT</span></b><br /><i>Boom</i></span></div><div><span style="font-family: verdana;"><i>Letter to a Pig<br />Ninety-Five Senses<br />Once Upon a Studio<br />War Is Over! Inspired by the Music of John & Yoko</i></span></div><div><span style="color: #e69138; font-family: verdana;"><b><br /></b></span></div><div><span style="font-family: verdana;"><b><span style="color: #e69138;">DOCUMENTARY SHORT</span></b><br /><i>The ABCs of Book Banning, </i>MTV<br /><i>Camp Courage, </i>Netflix<br /><i>Deciding Vote, The New Yorker</i><br /><i>The Last Repair Shop, LA Times/Searchlight</i><br /></span></div><div><span style="font-family: verdana;"><i>Oasis, The New York Times</i></span></div><div><span style="font-family: verdana;"><i><br /></i></span></div><div><span style="font-family: verdana;"><i><br /></i><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span><br /></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-41820959161707141772023-12-23T14:24:00.005-05:002023-12-23T16:30:51.690-05:00May December<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhsEiF6XhNkUrmq8t4NB_I7UvH1bKmWMbgPZ5f_3sDMtKcCuGDAF-z91VTF5OdG_3earLuIa-N08t5dfd_Q5mM1OYQpWHmZUMjLd90upkEyjjWK6NRluJITGtW4FFYZIoyJ_Q7RI2t_JUDfv9cnSqaWVaCQrkr_KI0fROzV-qzOCB1FnTB3USwTPG88kCmg" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/a/AVvXsEhsEiF6XhNkUrmq8t4NB_I7UvH1bKmWMbgPZ5f_3sDMtKcCuGDAF-z91VTF5OdG_3earLuIa-N08t5dfd_Q5mM1OYQpWHmZUMjLd90upkEyjjWK6NRluJITGtW4FFYZIoyJ_Q7RI2t_JUDfv9cnSqaWVaCQrkr_KI0fROzV-qzOCB1FnTB3USwTPG88kCmg=w400-h225" width="400" /></a></div><br />In December, people’s entertainment vibes tend to be either festive (romantic comedies, holiday movies, musicals, action films) or big and bright (tentpole films like <i>Wonka </i>or epic Oscar bait). Ironically, <i>May December</i> is just the type of movie one craves in the quiet of January. I think Netflix missed on releasing this film at the wrong time and it runs the risk of not getting noticed. In the middle of the holiday excitement, I struggled to fully enjoy this sly, slow-burning, uneasy film that explores the “grays” in people.<br /><br />In this film by director Todd Haynes (<i>Far From Heaven, Carol)</i>, television actress Elizabeth (Natalie Portman), visits tabloid couple Gracie (Julianne Moore) and Joe (Charles Melton) for her next role.<br /><br /><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhAfR07P5lxquHcg79zfQ493MDp7_MYbkXrQici8l4-s_wPq_DtsXqU_YItRjPs6x-CfjJBZ0309auLxZbtyNnJRErjS7rU6wFDOVxn59pUB8I-H1UN5wG03o4qcCwiJHgROeOqY9IobeyFtAP3daNZaS_2fKd02cO-XW4YGIQMQzD6SVltC-BsDirghCg3" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="1056" data-original-width="1874" height="225" src="https://blogger.googleusercontent.com/img/a/AVvXsEhAfR07P5lxquHcg79zfQ493MDp7_MYbkXrQici8l4-s_wPq_DtsXqU_YItRjPs6x-CfjJBZ0309auLxZbtyNnJRErjS7rU6wFDOVxn59pUB8I-H1UN5wG03o4qcCwiJHgROeOqY9IobeyFtAP3daNZaS_2fKd02cO-XW4YGIQMQzD6SVltC-BsDirghCg3=w400-h225" width="400" /></a></div><br />May December is</i> mostly the story of two women and the lies they tell themselves — until the final arc where the focus shifts to Joe, a shift that elevates the emotion and depth.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Unnerving and undeniably well crafted.<br /><br /><span style="color: #e69138;">Where to see it: </span>On Netflix. See it in the chill of winter, not the joy of the holiday season.<br /><span style="color: #e69138;"><br />Would it be better with Olivia Colman:</span> Undoubtedly.<br /><br /><span style="color: #e69138;">Award potential: </span>Moore and Portman’s synced performances are undeniable and may cancel each other out in Oscar season, but Charles Melton is the film’s standout and most deserving of recognition. Golden Globes nominated all three actors. Its unnerving story and curious score choices should keep it out of Best Picture conversation.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.<br /></span><br /> alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-14436736896566559492023-12-20T22:40:00.002-05:002023-12-20T22:40:23.817-05:00Iron Claw<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiFlA0vaFy7NjO6x2KuVII8-RNYtSaBM4OuvrnHEAm6uUjyZSdoTLQdUCJKdzWz7LKJ2GsLrvbj4RFikjLSI0DLowwrIPrwi81KkZdToFVYASw5W-8kvGoyrg-Pk4AK_YvyutMMigIW7qv0T-nKksbbCwKXkCYeiR4-ghJXx2odceYvrSRCHBOPvKtPWc3C" style="margin-left: 1em; margin-right: 1em;"><br /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiFlA0vaFy7NjO6x2KuVII8-RNYtSaBM4OuvrnHEAm6uUjyZSdoTLQdUCJKdzWz7LKJ2GsLrvbj4RFikjLSI0DLowwrIPrwi81KkZdToFVYASw5W-8kvGoyrg-Pk4AK_YvyutMMigIW7qv0T-nKksbbCwKXkCYeiR4-ghJXx2odceYvrSRCHBOPvKtPWc3C" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhj_qAzBb8eTEvm_S1XQAwRABLM0Qr96OrFNE4KpTlbgk-2FSchkkj5W9wi_nfFaqrVzWvf_Yoscpy595XVdDEfbxvBCEGo40fA_RwSDknIGGb_pNVPStmerSTKm2lkvlowqgNLV31zyIlAiARSbljG-4OPx9e8jUh3jfrqw8xMS7xDq71zhP1cct5O9uve" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="281" data-original-width="500" height="225" src="https://blogger.googleusercontent.com/img/a/AVvXsEhj_qAzBb8eTEvm_S1XQAwRABLM0Qr96OrFNE4KpTlbgk-2FSchkkj5W9wi_nfFaqrVzWvf_Yoscpy595XVdDEfbxvBCEGo40fA_RwSDknIGGb_pNVPStmerSTKm2lkvlowqgNLV31zyIlAiARSbljG-4OPx9e8jUh3jfrqw8xMS7xDq71zhP1cct5O9uve=w400-h225" width="400" /></a></div><br /></div><br />Similar to the electrifying atmosphere of the wrestling world, "Iron Claw" pulsates with raw energy, captivating entertainment, and raw emotion. Unlike the world of wrestling, this A24 drama is predominantly true. The narrative revolves around the six Von Erich brothers—Kevin (Zac Efron), David (Harris Dickinson), Kerry (Jeremy Allen White), and Mike (Stanley Simons)—and their wrestling dynasty during the 1970s and '80s led by their domineering father Fritz (Holt McCallany).<br /><br />Writer-director Sean Durkin’s “The Iron Claw” delivers an emotional blow to those who may not know the tragic story of the Von Erich family and that’s about all I’ll say here about this Texas tale.</span><div><span style="font-family: verdana;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgv-HaJ6LUpsOix5vrRn1ET-dbeeHy75M7Ku36SN5renaZ_azjS-1Aa0F_1c1_6HvzPU6P0Brd6DCuy6oMBtrTawYWo1RVpbMLVf97nAcWpa_HPghqAdyyZd1JjhJpJcUe_7YKbAKJQ75VVxlpXksZ2FydWDKsSaRca1cZKxVIdryvO6PPYuHBSgyFnXZqS" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="200" data-original-width="400" height="160" src="https://blogger.googleusercontent.com/img/a/AVvXsEgv-HaJ6LUpsOix5vrRn1ET-dbeeHy75M7Ku36SN5renaZ_azjS-1Aa0F_1c1_6HvzPU6P0Brd6DCuy6oMBtrTawYWo1RVpbMLVf97nAcWpa_HPghqAdyyZd1JjhJpJcUe_7YKbAKJQ75VVxlpXksZ2FydWDKsSaRca1cZKxVIdryvO6PPYuHBSgyFnXZqS" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Iron Claw is skillfully crafted, featuring stunning cinematography and a compelling ensemble cast. (Despite Zack Efron's Hulkish transformation, which is equally impressive and distracting, similar to Bradley Cooper’s recent Maestro performance.)<br /><br />However, its main drawback lies in the final stretch, where it doesn’t land the one-two punch. The narrative meanders a bit, and the inclusion of a dream sequence feels out of place, detracting from the authentic and raw story that had preceded it.<br /><br /></span><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj5bLP100ZNF_sl-cUxw-jQ6SoBcxLVvREr5dQn_Wf8sR6sqn1o-QMbuX2ZDCQlrJWbYnszICBdpDZRM21EusnMJw8iXL1sSi-zHYUckDHWBw86BZm1T_2H07AEApSy5b6w9L_IEKcgfnYfPZcbN36M0TPvg0i00xYoJn5dOFDT1XtANL20O1eS0NEbLm5Y" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="417" data-original-width="500" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEj5bLP100ZNF_sl-cUxw-jQ6SoBcxLVvREr5dQn_Wf8sR6sqn1o-QMbuX2ZDCQlrJWbYnszICBdpDZRM21EusnMJw8iXL1sSi-zHYUckDHWBw86BZm1T_2H07AEApSy5b6w9L_IEKcgfnYfPZcbN36M0TPvg0i00xYoJn5dOFDT1XtANL20O1eS0NEbLm5Y" width="288" /></a></div><br /><span style="font-family: verdana;">While its flaws and classic storytelling choices will probably miss the mark for Top Ten lists and award nominations, this is a solid, captivating and fully entertaining 2023 film that I recommend for almost all audiences.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh4fuPClEVc_8-W3HfePi7Mv3S48r2yLsteViOI6IWRx2AN1Pj8efkYwDm5X4d95Q3a-gzR3gXln96sK-p42vl4-SecSJJ2ZVqsAaeJJpiiY7cS40TXifcVypf0ya2SGgyclVu9JaOF5K7466K19_WSQf7dgTXpL3rnxv8PEvlNnECsskH_sNbkoi3BiXrk" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="240" data-original-width="480" height="160" src="https://blogger.googleusercontent.com/img/a/AVvXsEh4fuPClEVc_8-W3HfePi7Mv3S48r2yLsteViOI6IWRx2AN1Pj8efkYwDm5X4d95Q3a-gzR3gXln96sK-p42vl4-SecSJJ2ZVqsAaeJJpiiY7cS40TXifcVypf0ya2SGgyclVu9JaOF5K7466K19_WSQf7dgTXpL3rnxv8PEvlNnECsskH_sNbkoi3BiXrk" width="320" /></a></div><br /></span><span style="color: #e69138; font-family: verdana;">In a nutshell: </span><span style="font-family: verdana;">A film-quality true story and a solid KO for entertainment.</span></div><div><span style="font-family: verdana;"><br /><span style="color: #e69138;">Where to find it: </span>In theaters, starting December 22, 2023.<br /><br /><span style="color: #e69138;">Would it be better with Olivia Colman:</span> Of course it would.<br /><br /><span style="color: #e69138;">Award potential:</span> I think it will come just shy of picture and acting nominations, but the ensemble is strong. I would love to see a SAG ensemble nod.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.<br /></span><br /> <br /><br /> <br /><br /><br /></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-69471532800990679932023-12-12T19:08:00.006-05:002023-12-12T22:15:03.440-05:00Wonka<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXqpyyULq7ZZkWD-D-yFLovW8vbBlYHN3QYv_dnsX03ZPdBJnyNFC3wFtNjWePVZ6C1SRv60Sge6ptgCkZbaY9sZnipL82RR1wfQRBJQtP0T90VyQKOFVZ_MdPPljci193PXNc9cTiJ4Syoxlzm5zY-upcjcv0-egq0QGVltINtJzJxofIgFs45MjiUNB2/s2560/rev-1-WON-CC-0005_High_Res_JPEG.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="2560" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXqpyyULq7ZZkWD-D-yFLovW8vbBlYHN3QYv_dnsX03ZPdBJnyNFC3wFtNjWePVZ6C1SRv60Sge6ptgCkZbaY9sZnipL82RR1wfQRBJQtP0T90VyQKOFVZ_MdPPljci193PXNc9cTiJ4Syoxlzm5zY-upcjcv0-egq0QGVltINtJzJxofIgFs45MjiUNB2/w400-h225/rev-1-WON-CC-0005_High_Res_JPEG.webp" width="400" /></a></div><br />As someone who last saw <i>Willy Wonka & The Chocolate Factory</i> (1971) in the early 1980s and preferred the book back then, and as a film lover who never saw Tim Burton’s 2005 adaptation, it’s safe to say I was <i>not</i> looking for a franchise reboot. That is, until I saw that the director of the two <i>Paddington</i> movies, Paul King, was involved. I’m sure glad I gave it a chance.<br /><br /><i> Wonka</i> is an unexpectedly sweet delight. King has delivered an unapologetically, old-fashioned musical treat that may be too sugary for those expecting the cynical and edgy devilishness of Johnny Depp’s recent take.<br /><br />In a word, it’s charming.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3xbfuVkYMdiSy1TDEl1I1EkGeFlkKS_B7zwSeKBW1xzVemI95cNvYC8fDXhto8LNLqZUAN1U5LiHYYmMuwUjJF-1Rl0WfTz3WhDXqwIpNBMQbqPXRmSIUiLlF5d4qcRMOlXjd9V9M5CSBjmmCRXFr2F4Tj8kO34KOohpc2zjkqktvE-Fd82D03vQxVdZv/s500/tumblr_de8d168e0c971b06e83c06a7efe4df00_d68930d1_500.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3xbfuVkYMdiSy1TDEl1I1EkGeFlkKS_B7zwSeKBW1xzVemI95cNvYC8fDXhto8LNLqZUAN1U5LiHYYmMuwUjJF-1Rl0WfTz3WhDXqwIpNBMQbqPXRmSIUiLlF5d4qcRMOlXjd9V9M5CSBjmmCRXFr2F4Tj8kO34KOohpc2zjkqktvE-Fd82D03vQxVdZv/s320/tumblr_de8d168e0c971b06e83c06a7efe4df00_d68930d1_500.webp" width="320" /></a></div><br />Willy, a young man and chocolate maker now played by Timothee Chalamet in all his boyish sweetness, arrives in London with hopes that his confectionary treats will be discovered so that he can open his own shop. His hat is full of tricks and imaginations that come to life filling the first hour or more of the film with visual wonder, dazzling ensemble numbers and the spirit of limitless imagination.<br /><br />The movie’s songs, written by Neil Hannon, move the plot along but you won’t remember any of them after this. Ironically, the film utilizes two original film songs “Pure Imagination” and the “Oompa Loompa”, which are both earworms.<br /><br />I can only find criticism in that <i>Wonka</i> is challenged to provide more depth than an escape, and that the final half hour spends more focus on wrapping up a silly good-guy bad-guy plot.<br /><br />Chalamet is a warm and winning Willy Wonka and this film surprised me. I’m not sure if this <i>Ted Lasso</i>-inspired goodness is a wholesome new trend or if the makers of the film have a surely dreadful trilogy planned where he starts out saintly before landing on the dark side, but I choose to think that King wanted to make a fully delightful film and succeeded.<br /><br /><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieNcUF10fKKaOK7VlHYAGo8b46uT9aANz1DQpx2tcDJMy9MP-wSUL1_ReyojAX1_IKyF21LJEAp74roBKrvvdHgFbQTEtJxNiFOimryI7wmWzSw-qi70cagOqcM0cNLbOnqpy4zXhBhPM81hQ9loYa4lzOe1WAuY_WtGxTPayA1uG0yp5FHn_NL7vvPpan/s2500/wonka-chalamet-hugh-grant-mc-230711-deee49-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1511" data-original-width="2500" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieNcUF10fKKaOK7VlHYAGo8b46uT9aANz1DQpx2tcDJMy9MP-wSUL1_ReyojAX1_IKyF21LJEAp74roBKrvvdHgFbQTEtJxNiFOimryI7wmWzSw-qi70cagOqcM0cNLbOnqpy4zXhBhPM81hQ9loYa4lzOe1WAuY_WtGxTPayA1uG0yp5FHn_NL7vvPpan/s320/wonka-chalamet-hugh-grant-mc-230711-deee49-1.jpg" width="320" /></a></div><br />In a nutshell:</span> Surprisingly sweet and just the right dose of fun for a film released around the holidays. It’s this season’s golden ticket for the whole family.<br /><br /><span style="color: #e69138;">Where to find it:</span> In theaters. Opens Friday, December 15.<br /><br /><span style="color: #e69138;">Would it be better with Olivia Colman:</span> Surprise. Surprise. She’s in it (in a Miss Hannigan-type role) as is Mr. Bean (Rowan Atkinson), Mr. Carson (Jim Carter), Sally Hawkins, Keegan Michael Key— and Hugh Grant as an Oompa Loompa.<br /><br /><span style="color: #e69138;">Award potential:</span> It has the best shot at the Golden Globes which awards comedy/musical.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.<br /></span><br /> <br /><br /> alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-18831027614489480402023-12-10T17:56:00.001-05:002023-12-11T00:57:32.323-05:00Maestro<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW3UUe3AjNlUbWb31Q1FUHmGg4EVumZugp745lOQIawuSv3cBzTukrthAfC-vgbj2H6wbHnQ3_ID9hEi3gGEfRA0B8_iHEQMPqB0ULwnIcoV52gTn-jNNq-uMpA_fmL8bDuj0PhezRwrr359f_qpfqGvuwlgCFH1_SqXLkjx-dR7LveeH5rqZ83kExwlRe/s1500/Maestro-movie-100423-fbdb9410b30f430c99d958c4c968ff2d.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1500" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW3UUe3AjNlUbWb31Q1FUHmGg4EVumZugp745lOQIawuSv3cBzTukrthAfC-vgbj2H6wbHnQ3_ID9hEi3gGEfRA0B8_iHEQMPqB0ULwnIcoV52gTn-jNNq-uMpA_fmL8bDuj0PhezRwrr359f_qpfqGvuwlgCFH1_SqXLkjx-dR7LveeH5rqZ83kExwlRe/w400-h266/Maestro-movie-100423-fbdb9410b30f430c99d958c4c968ff2d.webp" width="400" /></a></div><br />Bradley Cooper's directorial debut (<i>A Star is Born</i>) hinted that a stellar director may have been introduced and now his second film as director and lead cements this status. <i>Maestro</i> shares the captivating life of legendary American composer and conductor, Leonard Bernstein, utilizing an impressionistic style that achieves a challenging task —distinguishing itself from conventional biographical films.<br /><br /><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMiN-4xngjBR0zMT30IDRRXWfp9dkOpoIV_RAiJ0Mba6i0XL69au96gbRm7zWgi2KxoehHWOT3a_pTfEl-C-jJrhOt3pgBuEbn4ggQKRsNXMa4CW4luxz_NFu0qdEfegDV6Q1Wmiih6I8p68d6-WuCp4Nz3YIW9AsEPZ_evjdrO8HOeplY-WOW45kwxz4m/s540/tumblr_dbbe3a869e0c9f5cc15e1a39e91eadac_fde71253_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="432" data-original-width="540" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMiN-4xngjBR0zMT30IDRRXWfp9dkOpoIV_RAiJ0Mba6i0XL69au96gbRm7zWgi2KxoehHWOT3a_pTfEl-C-jJrhOt3pgBuEbn4ggQKRsNXMa4CW4luxz_NFu0qdEfegDV6Q1Wmiih6I8p68d6-WuCp4Nz3YIW9AsEPZ_evjdrO8HOeplY-WOW45kwxz4m/s320/tumblr_dbbe3a869e0c9f5cc15e1a39e91eadac_fde71253_540.gif" width="320" /></a></div><br />Maestro </i>reveals itself in the gorgeous black and white, square aspect ratio and lush romantic style of its years before it digs deeper into the expanded, quite colorful life of Bernstein. The artistic flair continues from the symphonic emotions of early relationships to its dizzying climax that makes last year's <i>Tar </i>(2022) seem suddenly tame.<br /><br />Cooper stars in the lead role as he did in 2018's <i>A Star Is Born</i>. Similarly to that film with Lady Gaga, he gives the most powerful scenes to his female co-lead, Carey Mulligan (<i>Promising Young Woman, Drive, An Education</i>) as actress Felicia Montealegre and wife of Bernstein. This is not a typical "wife" part as Mulligan delivers the most emotionally demanding scenes of her stellar career. <br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEnBTYe4__XiYaWJFVwcZV1-LmTbWcpbO-CvyDCIKgoFKqLb7KvXyssvR_fmIMjI84rWQkAhprQxbjydOMIYF70rU09jwIbRgMuLKQXu4sT5PoYXAGNi0CikdzolG-ReQtFKswbr-jfFwa8Id3bNvJqloUpKSZ2uIz6wDR-KEl7FIZKwEtZRVjNIhJBAE1/s498/maestro-bradley-cooper.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="399" data-original-width="498" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEnBTYe4__XiYaWJFVwcZV1-LmTbWcpbO-CvyDCIKgoFKqLb7KvXyssvR_fmIMjI84rWQkAhprQxbjydOMIYF70rU09jwIbRgMuLKQXu4sT5PoYXAGNi0CikdzolG-ReQtFKswbr-jfFwa8Id3bNvJqloUpKSZ2uIz6wDR-KEl7FIZKwEtZRVjNIhJBAE1/s320/maestro-bradley-cooper.gif" width="320" /></a></div><br />As someone who has overplayed his CD of <i>Leonard Bernstein's New York</i>, I was curious to learn the story of the man who brought us <i>West Side Story</i>'s unforgettable score. Unexpectedly for me, the film takes a distinctly personal approach, delving into the intricacies of Bernstein and Montealegre's marriage. While we catch glimpses of the virtuoso in action on the podium, which Bradley Cooper tackles with fervor, I wanted a deeper exploration of the man responsible for <i>West Side Story, Candide</i>, and the most monumental symphonies of the last century.</span><div><span style="font-family: verdana;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6RSnNpNiZhPB8Wb0L8a5RmKfF9yHEN8gBkIK2UWmKkjYVaQWKKe2kIjzQA2Fkea5NGZl5h6XSoVMj9Y19WVvYx_BxdMZGkmia8d-tGlrU4I3-i3ubVAT8GLj59IvePOAIGN7yG5OdefmBagmh0krcJHZY46mx7FOB6T6cfrNQkkCd9FXt1ErohgvC4Yua/s1500/maestro-bradley-cooper-082923-1-588e189e1df24a349828e6105a992a66.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1500" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6RSnNpNiZhPB8Wb0L8a5RmKfF9yHEN8gBkIK2UWmKkjYVaQWKKe2kIjzQA2Fkea5NGZl5h6XSoVMj9Y19WVvYx_BxdMZGkmia8d-tGlrU4I3-i3ubVAT8GLj59IvePOAIGN7yG5OdefmBagmh0krcJHZY46mx7FOB6T6cfrNQkkCd9FXt1ErohgvC4Yua/s320/maestro-bradley-cooper-082923-1-588e189e1df24a349828e6105a992a66.jpg" width="320" /></a></div><br />That being said, and reviewing the film they decided to make, <i>Maestro</i> unfolds as a compelling narrative of an unsettling relationship, probing the fundamental question of what love truly is and whether various manifestations of it can unveil something transcendent.<br /><br />From the sweeping youthfulness of their meet-cute to an <i>On The Town</i>-inspired musical flourish (that somehow Cooper pulls off) to their revelations to each other, as a Macy's Thanksgiving Parade float passes by their window, <i>Maestro</i> stands as an indelible portrayal of two lives intricately intertwined.</span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRqLHZBy2Row6qYOOrwIvBAxdDkAD19d6dzweeb9g8LHgWMoWduFdVLjjSS1J9UKxiD4fNYMniejTNlltvn1Lc3p-tXZBDqiy2te6_C3y2XoGjI_QPsYRaS-LtIR9d5cs5VbzovHD9FaiGQALdx5Pe12YuWtiCPl54mGs6d9iwl8iDGTXmsrl285PX5n_0/s540/tumblr_e8fbd580334a1a5e3c3e74ef69299b71_c8b2a064_540.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="432" data-original-width="540" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRqLHZBy2Row6qYOOrwIvBAxdDkAD19d6dzweeb9g8LHgWMoWduFdVLjjSS1J9UKxiD4fNYMniejTNlltvn1Lc3p-tXZBDqiy2te6_C3y2XoGjI_QPsYRaS-LtIR9d5cs5VbzovHD9FaiGQALdx5Pe12YuWtiCPl54mGs6d9iwl8iDGTXmsrl285PX5n_0/s320/tumblr_e8fbd580334a1a5e3c3e74ef69299b71_c8b2a064_540.webp" width="320" /></a></div><br />Cooper, hidden in both prosthetics and a talented transformation, is almost miscast as I found myself observing his disappearance into character and director choices for his own close-ups multiple times. Luckily, the success of the full film nullifies that critique.<br /><br /><span style="color: #e69138;">In a nutshell: </span>Cooper orchestrates this personal story with high style and a bravado performance as both actor and director.<br /><br /><span style="color: #e69138;">Where to watch it:</span> In theaters now, where it should be seen and heard. On Netflix December 20. Caution: it's not a holiday movie.<br /><br /><span style="color: #e69138;">Would it be better with Olivia Colman:</span> Of course.<br /><br /><span style="color: #e69138;">Award potential: </span>This film will do well at Golden Globes where Cooper is famously adored, but will continue on through SAG and Oscars in acting roles. Cooper's competition is tight for director when pitted against Scorsese Nolan and Gerwig — but I believe this daring vision-realized will land nominations for Oscar's Best Picture, Director, Screenplay, Actor and Actress.</span><br /><div><span style="font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">The Ten Buck Review:</span><span style="font-family: verdana;"> Worth ten bucks.</span></div></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-36804862281981815132023-10-23T21:03:00.004-04:002023-10-23T21:39:26.098-04:00Killers of the Flower Moon<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ZPnOEQZ7mSOLyCWyFXfieh5N2WMYV-aXnRmIwEWF0i3wMNumPNjKuvKCcPrw8V_OjDLOJyVooIip9pS4uoy4aI4-HB5hEbaaqwclJnrJ8f1yMulr4X1rPVWal29p2Mq-7jfB96i1BMOmYsNZ24RyDEvSszkUmNXze9Y3zGtdUQeAig9mvvSTwMlbZiC2/s1200/killers4.0.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0ZPnOEQZ7mSOLyCWyFXfieh5N2WMYV-aXnRmIwEWF0i3wMNumPNjKuvKCcPrw8V_OjDLOJyVooIip9pS4uoy4aI4-HB5hEbaaqwclJnrJ8f1yMulr4X1rPVWal29p2Mq-7jfB96i1BMOmYsNZ24RyDEvSszkUmNXze9Y3zGtdUQeAig9mvvSTwMlbZiC2/w400-h266/killers4.0.jpg" width="400" /></a></div><br />As a fan of perfect two-hour movies, I do not enjoy prestige directors flexing their clout by indulging in bloated film times. Scorsese (The <i>Irishman</i>), Nolan (<i>Oppenheimer)</i>, Cameron (<i>Avatar: The Way of Water</i>), Luhrman (<i>Elvis</i>) and Speilberg (<i>Fablemans</i>)are all guilty. So it brings me little joy to say that this film does justify its 3.5-hour runtime.</span><div><span style="font-family: verdana;"><br /></span><div><span style="font-family: verdana;">Martin Scorsese (<i>Goodfellas, Taxi Driver, The Wolf of Wall Street</i>) and co-writer Eric Roth (<i>Dune, Mank</i>) boldly take David Grann’s excellent, 2017 nonfiction page-turner and shift its focus to create an unforgettable, historic epic. </span></div><div><span style="font-family: verdana;"><br />The true story unfolds in the 1920s when White American settlers had forced the Osage people to migrate from Kansas to Oklahoma. This displacement was swiftly succeeded by a rush of oil and the emergence of a booming Osage town. However, this newfound wealth came at a steep cost, with a trail of murders and intricate conspiracies aimed at gaining control over the substantial fortune.<br /><br />The original novel places its emphasis on a criminal investigation, unveiling the birth of the FBI as it gradually unravels the identity of the perpetrators with the suspense of a classic whodunit. <i>Killers of the Flower Moon, </i>the film, is more interested in bringing audiences right into the victimized tribal family and getting up close with the killers from the start. We see and feel the weight of these decisions.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tzamc-vfbO0h4RLqtjlBzPzc_RaMGgH6-CZoQMGa0nHD3kRBhJJH9CZdilybKgwA9KiDhY-dg1d3xe8mHUJbW-Gs7vCAO2epf1b39WBHht6C8afxD_SDLZNBNeBv4Z1Wl_chFmMDA7X9_pB51EHTWX7KBnrIJ6XZTLSUoBkyf9FwM3rhMVdUkmp31smW/s1676/8cc6a6097596078ce30ec0b67a33580516-cannes-killers-flower-moon.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="1676" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3tzamc-vfbO0h4RLqtjlBzPzc_RaMGgH6-CZoQMGa0nHD3kRBhJJH9CZdilybKgwA9KiDhY-dg1d3xe8mHUJbW-Gs7vCAO2epf1b39WBHht6C8afxD_SDLZNBNeBv4Z1Wl_chFmMDA7X9_pB51EHTWX7KBnrIJ6XZTLSUoBkyf9FwM3rhMVdUkmp31smW/s320/8cc6a6097596078ce30ec0b67a33580516-cannes-killers-flower-moon.webp" width="320" /></a></div><br />The early neighborhood shootings and bombings recall scenes in Scorsese’s <i>Goodfellas </i>but as we get to know the characters, this evolved story becomes more intimate, personal and more powerful. Scorsese masterfully offers an intimate, visceral experience of how the conspiracy left an impact on individuals, families and the entire Osage community.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTVcA_1QTht_GckifbTCnJ_Uizg_xLKrnGFmh180YxPS9lduqyvJOc0cE1ZBBcYkbZoc65KPQMHMKB0zIuE-pQcHxg-XRqCKcporaXn3XGLUJW1xzXOoblWdKtCmeMLg4_VffjdHbBi8nya7ToAqx4g1k2h-ogYoFf4eTQRGD7DnpR7-s62rt2J6g4mLAl/s1200/martin-scorsese-killers-of-the-flower-moon-2023.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="1200" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTVcA_1QTht_GckifbTCnJ_Uizg_xLKrnGFmh180YxPS9lduqyvJOc0cE1ZBBcYkbZoc65KPQMHMKB0zIuE-pQcHxg-XRqCKcporaXn3XGLUJW1xzXOoblWdKtCmeMLg4_VffjdHbBi8nya7ToAqx4g1k2h-ogYoFf4eTQRGD7DnpR7-s62rt2J6g4mLAl/s320/martin-scorsese-killers-of-the-flower-moon-2023.jpg" width="320" /></a></div><br />Additionally, give credit to Lily Gladstone (<i>Reservation Dogs</i>) as Mollie Burkhart. She shoulders the emotional narrative in a quiet performance that is unnerving.</span></div><div><span style="font-family: verdana;"> </span></div><div><span style="font-family: verdana;">Leonardo DiCaprio does some of his finest work as her husband, Ernest Burkhart. Robert DeNiro as William Hale and Jesse Plemons as FBI agency Tom White round out the top-notch cast.</span></div><div><span style="font-family: verdana;"><br />At the core of the film lies the unsettling love shared by the Burkharts. Lily was always aware of wolf Ernest's ulterior motives, driven by avarice for her wealth, however, their deep affection for each other endured. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">In a chilling moment, when presented with an opportunity for honesty, Everett remains silent, betraying her fully and setting the stage for the film's climactic act. This bold and boffo conclusion avoids a clichéd courtroom scene, redefining Scorsese as a more contemporary filmmaker than his recent work implies.<br /><br />Not that it matters. He's Martin Scorsese and this is both masterful moviemaking and also one of the finest films of the century.<br /><br /><span style="color: #e69138;">In a nutshell: </span>A masterpiece. Despite approaching four hours, it feels like two. I’d see this one again.<br /><br /><span style="color: #e69138;">Where to see it:</span> In theaters now; see it on the big screen.<br /><br /><span style="color: #e69138;">Would it be better with Olivia Colman:</span> Of course.<br /><br /><span style="color: #e69138;">Award potential: </span>All major categories for a large tally of nominations. Except editing.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.<br /><br /> <br /><br /> <br /><br /> <br /><br /> <br /><br /> <br /><br /> <br /><br /><br /><br /><br /><br /><br /></span><br /></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-23941058894992240332023-10-20T19:02:00.002-04:002023-10-20T19:02:39.121-04:00saltburn<span style="font-family: verdana;"><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj67bJNUCfc5moqSjRqOiRpqu8dnPMk4oxUUDHFzl9vtFR0jsLbipbXdT7EtPIA_2UAfaX8v1aNTn09YUPn9TFMNxyEjh5sUCEjWeMnOJ_RqAIWDXwk8J_zzO8kN__8fFmyctWkyyGwdXkkAajjH0VJKsK8wPMbGSHvizjw26bAsHla09YFPuxOcIFNKl0o/s1916/ONLINE-British-Vogue-Saltburn-e1695887192208.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1916" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj67bJNUCfc5moqSjRqOiRpqu8dnPMk4oxUUDHFzl9vtFR0jsLbipbXdT7EtPIA_2UAfaX8v1aNTn09YUPn9TFMNxyEjh5sUCEjWeMnOJ_RqAIWDXwk8J_zzO8kN__8fFmyctWkyyGwdXkkAajjH0VJKsK8wPMbGSHvizjw26bAsHla09YFPuxOcIFNKl0o/w400-h225/ONLINE-British-Vogue-Saltburn-e1695887192208.jpg" width="400" /></a></div><br />Saltburn</i> is a captivating and stylish thriller that manages to remain engrossing even though it treads very familiar ground. Drawing inspiration from sociopathic classics from <i>The Talented Mr. Ripley </i>and <i>You</i> to the recent surge of satirical narratives on wealth, exemplified by <i>Triangle of Sadness</i> and <i>White Lotus,</i> this story echoes a wave of themes we’ve seen on screens of all sizes lately.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDgYpheFpITJIwfWB4mGQEM1j35FZ9o1NAHZaYvg7zHNWcKij5yUeRr64IeDXoq6fAHkNuhk8Ik_cS0S_iHN26zPfHq2adSW5X1j9bEMhvLopYXaoFy_JVAIRcyE76xbk-jPaOIG_kJYNs8SUKYZsa3RHKTktqYc9yv2bK7_LTAc6M2IdLfanPhl8NOHCt/s540/tumblr_aaf83b7e8f9c9bc6dd8bc936dc1c801b_c128cdf6_540.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="410" data-original-width="540" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDgYpheFpITJIwfWB4mGQEM1j35FZ9o1NAHZaYvg7zHNWcKij5yUeRr64IeDXoq6fAHkNuhk8Ik_cS0S_iHN26zPfHq2adSW5X1j9bEMhvLopYXaoFy_JVAIRcyE76xbk-jPaOIG_kJYNs8SUKYZsa3RHKTktqYc9yv2bK7_LTAc6M2IdLfanPhl8NOHCt/s320/tumblr_aaf83b7e8f9c9bc6dd8bc936dc1c801b_c128cdf6_540.webp" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix2EtqpTSzQx8-6PhF9GrTIjV27SSPBQE8YH_ng50GRmHtCEzVVUTuApQfyK5FJiSMjUtMs3sG65fQkcGMzVb4tbPYiOlYzVl8onshoX8bZzqUPS5lS6yigW_pgbD4JYQF3-40AnHlDOXej1_xr4C63fmOrmVGs90iOvmsvT8jWrN2ynw2fJXbi76C4QO8/s540/tumblr_e1975e1ee74f5177e6cd577b316228e0_7734a3b0_540.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="540" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix2EtqpTSzQx8-6PhF9GrTIjV27SSPBQE8YH_ng50GRmHtCEzVVUTuApQfyK5FJiSMjUtMs3sG65fQkcGMzVb4tbPYiOlYzVl8onshoX8bZzqUPS5lS6yigW_pgbD4JYQF3-40AnHlDOXej1_xr4C63fmOrmVGs90iOvmsvT8jWrN2ynw2fJXbi76C4QO8/s320/tumblr_e1975e1ee74f5177e6cd577b316228e0_7734a3b0_540.gif" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div>However, the standout performances keep you glued to the screen. Barry Keoghan (<i>Banshees of Inisherin, Dunkirk</i>) is fire as Oliver as student obsessed with fellow student and aristocrat Felix Catton (Jacob Elordi). Elordi (<i>Euphoria, Priscilla</i>) is equally dazzling as the posh Felix who invites Oliver to the family estate for the summer. Together, they exude undeniable star power.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv_wAk365WZxTKcdWA3N1NbtQXrlFAms7zdqfotvGpkaPgHix6KmzHIrL-9Ittaz5T-iPmAwdTZl8WyW12cIvw1psTg5CGWduFA9gVuzBKIVtCzhnZwI47dIHEO3xJKj-Zk18Exs72XYP8X_u5YJ2MH78ks5r-rQ7I4L50l6Vidpebne4lhP4iD_TlloT2/s1199/76d6536c43b70f7fccc769ff11e54819.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="879" data-original-width="1199" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv_wAk365WZxTKcdWA3N1NbtQXrlFAms7zdqfotvGpkaPgHix6KmzHIrL-9Ittaz5T-iPmAwdTZl8WyW12cIvw1psTg5CGWduFA9gVuzBKIVtCzhnZwI47dIHEO3xJKj-Zk18Exs72XYP8X_u5YJ2MH78ks5r-rQ7I4L50l6Vidpebne4lhP4iD_TlloT2/s320/76d6536c43b70f7fccc769ff11e54819.png" width="320" /></a></div><br />Enter Rosamund Pike (<i>Gone Girl, An Education</i>), who shines as Felix’s mother and steals most scenes from Richard E Grant (as her husband and Felix’s father). Carey Mulligan (Promising Young Woman An Education), simply disappears into a small cameo role.<br /><br />Writer-director Emerald Fennell (<i>Promising Young Woman)</i> stumbles a bit with noted familiar storyline, some sophomoric stunts and a fumble on when to close the show, but the Oscar winner for best original screenplay, for her first film ever, punctuates her sophomore outing and second sociopathic thriller with an unforgettable finish that Keoghan swings into with swagger.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ9wS8cS4Zw8Oft_N36d2YlZgo8IK-lkHlKNBhGiIcbLhlXGaShOfBl9TR129Za6t67mphTA4AAfFSlSo65gS_-chYo-XRf7Xhhi73jxPOCYg66I9v49EB81gCmg104XeTK0MSOLzE6VP1zZ9ySsYcXe4gwAlf3IHcbAYDCMxHKFXqL3p3zlv9vyveoTHv/s498/saltburn-barry-keoghan.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="379" data-original-width="498" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ9wS8cS4Zw8Oft_N36d2YlZgo8IK-lkHlKNBhGiIcbLhlXGaShOfBl9TR129Za6t67mphTA4AAfFSlSo65gS_-chYo-XRf7Xhhi73jxPOCYg66I9v49EB81gCmg104XeTK0MSOLzE6VP1zZ9ySsYcXe4gwAlf3IHcbAYDCMxHKFXqL3p3zlv9vyveoTHv/s320/saltburn-barry-keoghan.gif" width="320" /></a></div><br />The dialogue given to this exceptional ensemble is rich with witty banter, skillfully weaving in reflections on wealth disparity and the repercussions of obsession. Although it is hard to love this film, Saltburn undoubtedly earns a place as one of the better popcorn thrillers this year</span><span style="font-family: verdana;"><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><br /></div><br />In a nutshell: </span>A familiar thriller peppered with some sophomoric stunts but saved by a great cast and witty script.<br /><span style="color: #e69138;"><br />Where to find it:</span> In theaters, beginning November 17, 2023.<br /><br /><span style="color: #e69138;">Would it be better with Olivia Colman:</span> Of course.<br /><br /><span style="color: #e69138;">Award potential: </span>In a year like last, Keoghan would take the Paul Mescal (<i>Normal People, Aftersun</i>) slot. But this year he's up against titans Cillian Murphy, DiCaprio, Bradley Cooper, Colman Domingo and Jeffery Wright — and dark thrillers rarely rise. </span><span style="font-family: verdana;">Elordi<br /><br /> and Pike will and should also be on most shortlists but I don't expect this twisty tale to blow up award season.</span><div><span style="font-family: verdana;"><br /><span style="color: #e69138;">The Ten Buck Review:</span> Worth ten bucks</span></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-68436989134641479842023-09-18T19:25:00.004-04:002023-09-18T19:25:49.065-04:00Past Lives<p><br /></p><span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLjo88qrUr-sbFmO49Pfa1YbQAWq1W6FcmGaLf5oXg1BzKkRfshYmXAOKpyv1gAZJ5DxWAUKre9awTOWMQTzGijvF37BtVKn8N4RytXkholhhXAKFvbfUoutvKZGoYkRXxvGQV-loV0sLx3skAu_gRpF7S9w8CMEft3q-63K5Arx1vyGdWrXGA1NWIkIkP/s2100/Screen%20Shot%202023-09-18%20at%206.19.33%20PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1129" data-original-width="2100" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLjo88qrUr-sbFmO49Pfa1YbQAWq1W6FcmGaLf5oXg1BzKkRfshYmXAOKpyv1gAZJ5DxWAUKre9awTOWMQTzGijvF37BtVKn8N4RytXkholhhXAKFvbfUoutvKZGoYkRXxvGQV-loV0sLx3skAu_gRpF7S9w8CMEft3q-63K5Arx1vyGdWrXGA1NWIkIkP/w320-h172/Screen%20Shot%202023-09-18%20at%206.19.33%20PM.png" width="320" /></a></div><br />When Na Young, a 12-year-old from South Korea, embarks on a journey to Canada, she leaves behind her friend and initial crush, Hae Sung. After a span of twelve years, fate intervenes as they reunite through social media, rekindling their connection within the backdrop of Na Young's newfound home, New York City.</span><p></p><span style="font-family: verdana;"><br /><i>Past Lives </i>explores a story of untapped possibilities and in-yun, the universe’s way of reuniting souls who shared a connection in previous lives. Luckily, it is quite the antidote to years of repetitive movies about multiverses.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk4W3BqNehQaApIvCum2k5FRkCsqhe_DtBT22ErMSE0CqZsHdxf0Yh8CnEsxF7MbIcL12e9LcJp-xUDIjHnZ3iGC2-Im7Bq9ESOl_TVQgxUzJsFXPlrDSzBio0khIaoGJAfq8h4YW65xvhhvGeD9GxeuMAp2snPmeS_6iGksxzPDACKbuJ7QlAaom3gD-K/s480/giphy.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="480" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk4W3BqNehQaApIvCum2k5FRkCsqhe_DtBT22ErMSE0CqZsHdxf0Yh8CnEsxF7MbIcL12e9LcJp-xUDIjHnZ3iGC2-Im7Bq9ESOl_TVQgxUzJsFXPlrDSzBio0khIaoGJAfq8h4YW65xvhhvGeD9GxeuMAp2snPmeS_6iGksxzPDACKbuJ7QlAaom3gD-K/s320/giphy.gif" width="320" /></a></div><br />Korean-born playwright and director Celine Song has crafted a powerful story for her exceptional feature debut. You'll notice a bar scene, featuring three characters that has more tension, emotion and commentary on humanity than most movies have in total.<br /><br />In its own quiet and distinctive manner, <i>Past Lives </i>emerges as an emotionally resonant love story that stands out as one of the most impactful of this decade.<br /><br /><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoiy_ZyGR_RdhaSxA2eeFQNlcgmgDjS6h_-bBNJmpowaA6H3878vq9mAnHoFG4c7DaKxHhGSHy7ye-oDuNjAkj_3iT-bVgoaQoOVdgU7qUBuvj-ATjO4BFBJ0t94pal2WD5ElJlCOXQnd5w6ZxEb-F0pj24uXV9_7NFEGArW-GqaBl1IHHSFd61Q4KLFI8/s400/200.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="400" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoiy_ZyGR_RdhaSxA2eeFQNlcgmgDjS6h_-bBNJmpowaA6H3878vq9mAnHoFG4c7DaKxHhGSHy7ye-oDuNjAkj_3iT-bVgoaQoOVdgU7qUBuvj-ATjO4BFBJ0t94pal2WD5ElJlCOXQnd5w6ZxEb-F0pj24uXV9_7NFEGArW-GqaBl1IHHSFd61Q4KLFI8/s320/200.gif" width="320" /></a></div><br />In a nutshell:</span> <i>Past Lives </i>nails a combo of heartstring-tugging, aching romance and deep philosophical vibes. It also made me want to visit Manhattan soon.<br /></span><div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Where to see it: </span>In theaters.<br /><br /><span style="color: #e69138;">Award potential: </span>I would love to see a nomination for its Director, Song, the quiet-moment screenplay, its perfect score — and for Best Picture. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Greta Lee (<i>Russian Doll</i>), Teo Yoo (<i>Love to Hate You</i>) and John Magaro (<i>Tom Clancy's Jack Ryan</i>) are a powerful trio — yet Lee has the best chance to stand out for award season.<br /><br /><span style="color: #e69138;">The Ten Buck Review:</span> Worth ten bucks.<br /></span><p><br /></p></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-83393824910621089332023-08-16T21:40:00.001-04:002023-08-16T21:40:20.406-04:00Spider-Man: Across the Spider-Verse<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdfEO7MB-t7vtcSiiTummFbdltJSWJ_BYf3Na5bb6M_yVkFGdUP-BSeuGlI3qxvV4uU50-kUK8M-k36RDyKjki39-rclA55yhtH-IaRnHcqIXAN2UOVB9vjy_8z134ZgVISQvDpwzcFOTDQH-SckL-OcGHpJBmo7HSqfkeTm6CI2naLY3VQKZLv7ZF1XKJ/s620/SpiderVerse_nap175.1011_lm_v2-5e3f8fe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="620" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdfEO7MB-t7vtcSiiTummFbdltJSWJ_BYf3Na5bb6M_yVkFGdUP-BSeuGlI3qxvV4uU50-kUK8M-k36RDyKjki39-rclA55yhtH-IaRnHcqIXAN2UOVB9vjy_8z134ZgVISQvDpwzcFOTDQH-SckL-OcGHpJBmo7HSqfkeTm6CI2naLY3VQKZLv7ZF1XKJ/w400-h266/SpiderVerse_nap175.1011_lm_v2-5e3f8fe.jpg" width="400" /></a></div><br />Well past the point of watching the Spiderman origin story too many times, <i>Spider-Man: Into the Spider-Verse</i> (2018) blew into cinemas and told the story yet again. Not one time, but dozens as it was a running joke. With a strong story, dazzling visuals, and a running time of under two hours, it was one of the best films of its year. It even won an Oscar.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq6PZroAvJY9i_3AL1zpYDEwsw0839itoLwHQW04V8VmZK_fEF2OfzwUDS6BcyQ2IIlzf63GQBY-tW89XYxGG9dN3EujfiM3ZWwfuolquDG-dyb6H5eJ8CT7rVmjXN4nKPn_PHXhViQ9tpMDCRDkYz-6wyCDtoFUoFfdXMJNv9eYVgqSDLMBY3InVaRLCr/s498/spiderverse-across-the-spiderverse.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="210" data-original-width="498" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq6PZroAvJY9i_3AL1zpYDEwsw0839itoLwHQW04V8VmZK_fEF2OfzwUDS6BcyQ2IIlzf63GQBY-tW89XYxGG9dN3EujfiM3ZWwfuolquDG-dyb6H5eJ8CT7rVmjXN4nKPn_PHXhViQ9tpMDCRDkYz-6wyCDtoFUoFfdXMJNv9eYVgqSDLMBY3InVaRLCr/w400-h169/spiderverse-across-the-spiderverse.gif" width="400" /></a></div><br />This summer we have its sequel and <i>Spider-Man: Across the Spider-Verse</i> falls way off the skyscraper. The film struggles with repetitiveness and is overly eager to top itself, resulting in an excess of high-octane action sequences that are hard to follow. </span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">There are 280 different Spider-people in this film and not one I cared about.</span></div><div><span style="font-family: verdana;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO2uJxScsQw3NjucVLYd1T5wPyAS_YHbjOmmA_f701LcMamTvlkvEP7NWg1LMi63ZFmwWq6EBdJl_uNSR7nF15BPRuG7-u3UTpMzO2xW-6-ofGiXMizB0tm1JomQa1fUg-vXf_pn2kgBXC9JmwYHzL_VxMiTiQbaIK8qU-5EozGJb4hFYGHsvW7wDnQigk/s498/pointing-at-you-spider-man.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="498" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO2uJxScsQw3NjucVLYd1T5wPyAS_YHbjOmmA_f701LcMamTvlkvEP7NWg1LMi63ZFmwWq6EBdJl_uNSR7nF15BPRuG7-u3UTpMzO2xW-6-ofGiXMizB0tm1JomQa1fUg-vXf_pn2kgBXC9JmwYHzL_VxMiTiQbaIK8qU-5EozGJb4hFYGHsvW7wDnQigk/s320/pointing-at-you-spider-man.gif" width="320" /></a></div><br /><div><span style="font-family: verdana;">The art, while amazing, is also just trying to top the last film. That misguided, blaring purpose stuck with me more than the artistry involved. Also bloated, the running time. Two hours and 20 minutes built to a cliffhanger with another film to end whatever story they thought they had going. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Maybe someone out there is willing to wait a year or more to see how "Spot" is defeated, but after this long session I'm the one who feels defeated.<br /><br /><span style="color: #e69138;">In a nutshell: </span>Too long. Too much. Too little to care about.<br /><br /><span style="color: #e69138;">Where to see it: </span>In your friendly, neighborhood theater.<br /><br /><span style="color: #e69138;">Award potential: </span>My spider-sense says it's a sure nominee for Best Animated Film.<br /><span style="color: #e69138;"><br />The Ten Buck Review:</span> Not worth ten bucks, not two and a half hours.<br /></span><br /><br /></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-71872192911376218542023-07-30T21:50:00.002-04:002023-07-30T23:28:17.751-04:00Oppenheimer<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn32qfNL_nciobRLsRIcGPJVZ03ecwa-UBaMnHV309JnpDDgM2GgOlDhcgVOAdT3eEkym-yjKxCw7G2gx5npTQ3l8HB4aHbtBEwagzyquq7wvrg8L8ix0fsfbthXEh54coP9HEB89ivY-aOJNI5aVIS3kadzkQ3b88PM2A0WtijHcp2V2z1O0CrsaQAgJg/s1000/Screen-Shot-2023-07-26-at-9.02.11-AM.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="1000" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn32qfNL_nciobRLsRIcGPJVZ03ecwa-UBaMnHV309JnpDDgM2GgOlDhcgVOAdT3eEkym-yjKxCw7G2gx5npTQ3l8HB4aHbtBEwagzyquq7wvrg8L8ix0fsfbthXEh54coP9HEB89ivY-aOJNI5aVIS3kadzkQ3b88PM2A0WtijHcp2V2z1O0CrsaQAgJg/w400-h225/Screen-Shot-2023-07-26-at-9.02.11-AM.webp" width="400" /></a></div><br />Christopher Nolan's<i> Oppenheimer </i>is a masterful and intellectually charged thriller that seamlessly weaves elements of character study, courtroom drama, and historical lessons into a gripping three-hour cinematic (IMAX-worthy) experience.<br /><br />Cillian Murphy's (<i>Peaky Blinders</i>) Oscar-worthy portrayal of Julius Robert Oppenheimer, the father of the atomic bomb, is nothing short of exceptional. From the very first scene, where a poisoned apple sets the urgent tone, to the haunting moments of the atomic bombings of Hiroshima and Nagasaki, the film keeps audiences on the edge of their seats for two and a half hours. Unfortunately, the film goes on for almost another hour.<br /><br />Nolan's decision to cast half of Hollywood proves to be a wise choice, considering the complexity of the story, the physical similarity of these 1940s men and the time span it covers in flashbacks. He's said its to help the audience follow who's who. It can't hurt for box office success either.<br /><br /><i>Oppenheimer </i>reminded me of Oliver Stone's <i>JFK </i>(1991) with its large cast, courtroom scenes, and study of a turning point in American history. The cast includes Robert Downey Jr., Emily Blunt, Kenneth Branagh, Florence Pugh, Casey Affleck, Rami Malek, Josh Harnett, Tony Goldwyn, Matt Damon, Matthew Modine, Tom Conti and (whew!) Gary Oldman. Each sinking into almost identifiable roles. Except perhaps Matt Damon, who seems to think he was acting in <i>The Monuments Men</i> (2014) or one of the Ocean's movies.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij9vBlwfi9KDaxrHGFORca6UbvyHoNOhPdueMP6DXt45X4i32rDXrOKf-6r1fi8NdtClt5ZUcslDQ20SSjKYt7iyc-C3wmrmX6dVWXuPhICI_4RYYYA4gVy0Jyp_nRcLJn9dUMrE161at0tDPGnVBydRqvSZi3UjQZMXm2PvUzHtD5xTjXBnQrjT8Rb9pc/s540/tumblr_2328d3cc9daf2e55bfe4f2016ed12874_fc52ab50_540.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="540" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij9vBlwfi9KDaxrHGFORca6UbvyHoNOhPdueMP6DXt45X4i32rDXrOKf-6r1fi8NdtClt5ZUcslDQ20SSjKYt7iyc-C3wmrmX6dVWXuPhICI_4RYYYA4gVy0Jyp_nRcLJn9dUMrE161at0tDPGnVBydRqvSZi3UjQZMXm2PvUzHtD5xTjXBnQrjT8Rb9pc/s320/tumblr_2328d3cc9daf2e55bfe4f2016ed12874_fc52ab50_540.webp" width="320" /></a></div><br />From its seamlessly dizzy flow of flashbacks to its weighted introspection, every second of <i>Oppenheimer</i> is definitely a Nolan film. And one of his best. Telling a historical story, with accuracy respected, gives Nolan some restraint in storytelling that reduces his head-scratching tendencies (<i>Tenet, Interstellar, Inception</i>). <i>Oppenheimer</i> sits on the shelf with Nolan's <i>Dunkirk, Memento</i> and <i>The Dark Knight.</i><br /><br /></span><div><span style="font-family: verdana;">Nolan manages to make complex subjects such as quantum mechanics accessible to the audience, pulling them into a gripping tale. However, the film falters slightly in its third act, shying away from a potentially more impactful climax, leading to a less riveting courtroom finale.<br /><br /><span style="color: #e69138;">In a nutshell:</span> Riveting and important, until it pulls back. Two and a half hours of truly great cinema stuck in a three-hour film. <br /><span style="color: #e69138;"><br />Where to see it: </span>In theatres now.<i> Oppenheimer</i> was shot in IMAX and should be seen that way.<br /><br /><span style="color: #e69138;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVitmBYzbcnzxkPSpG_D5y9vsxOiP-Ug18sndlGiFIYOxE_3ZMJJg75RsSQKwxSgpnHqdCdNjalZqnQ4pskZ1sO1rwFxM2W07WqEt-7vPAOpwAq6wWl4bCeWFinxDF5GY0P2HglfYWLrD2CMVrVTo4dWnhpm0y396MPupeZAhA-7lr8pDauU1027L97ekE/s540/tumblr_cb80812a031b2484e84a14d648068ef6_89548755_540.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="410" data-original-width="540" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVitmBYzbcnzxkPSpG_D5y9vsxOiP-Ug18sndlGiFIYOxE_3ZMJJg75RsSQKwxSgpnHqdCdNjalZqnQ4pskZ1sO1rwFxM2W07WqEt-7vPAOpwAq6wWl4bCeWFinxDF5GY0P2HglfYWLrD2CMVrVTo4dWnhpm0y396MPupeZAhA-7lr8pDauU1027L97ekE/s320/tumblr_cb80812a031b2484e84a14d648068ef6_89548755_540.webp" width="320" /></a></div><br />Oscar Potential:</span> Expect a sweep of nominations across Picture, Director, Cinematography, Screenplay, Acting and Technical categories. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Wins could fall on Cillian Murphy. Florence Pugh (wow) does powerful emotional work in a thankless role and Emily Blunt is relegated to a wife role leaving more focus on others.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Cillian Murphy, in almost every scene of the film, is excellent and riveting. A nearly unrecognizable Robert Downey Jr. is a solid contender for Best Supporting Actor. <br /><br />With its exceptional quiet-to-explosive sound design and Ludwigh Göransson's emotive score,<i> Oppenheimer</i>'s best chances for Oscar wins lie in these categories.<br /><br /><span style="color: #e69138;">The Ten Buck Review:</span> Worth twenty bucks. See it in IMAX.</span><br /></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-8417008395549638832023-07-26T20:03:00.003-04:002023-07-26T20:03:15.550-04:00Barbie<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaAR00_y-sdVtz-0tHL38HhjFdtXv-1-YCaSrSHFnc4cSG4N4lxg9mDTlsccHqOmiW62aYTLoYDInRvn8975Jg1zWPbPP6kKuhbEz86UY3zY1Ree0xTjRdGk1GXQRhpL7QGTI1UD7clrtwqOrs-6Gd07hfTW80vgvNC3JPakeSnPoXX4O_ertnk2VwMdq-/s1200/margot-robbie-barbie-movie-2023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaAR00_y-sdVtz-0tHL38HhjFdtXv-1-YCaSrSHFnc4cSG4N4lxg9mDTlsccHqOmiW62aYTLoYDInRvn8975Jg1zWPbPP6kKuhbEz86UY3zY1Ree0xTjRdGk1GXQRhpL7QGTI1UD7clrtwqOrs-6Gd07hfTW80vgvNC3JPakeSnPoXX4O_ertnk2VwMdq-/s320/margot-robbie-barbie-movie-2023.jpg" width="320" /></a></div><br />First of all, doll hand high fives are in order. High five to the marketing campaign that created urgency for every demographic to get to the cinema. Another to director Greta Gerwig (Little Bird, Little Women) who didn't deliver a toy movie, but a fun, funny summer film with a universal message. Props to whoever convinced Mattel to take this risk. <br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuSzgRVT-leDgpIifSvHUSf8vZ5CLShOXEoBzRdk_3cI4vJJJPikzaKdUoY5HADqrp8CijvtSKdZKIF-M0ZvicKneXdhKIVQCCy98bzuS-A_l3Wj__6QfmxqNikDYoJGWESRx9BcNA1pFaHVb7r2OyaYjryxMa5Ut61xjYKStYAQE7qOlD3_Srp1FTeBbj/s200/200w-1.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuSzgRVT-leDgpIifSvHUSf8vZ5CLShOXEoBzRdk_3cI4vJJJPikzaKdUoY5HADqrp8CijvtSKdZKIF-M0ZvicKneXdhKIVQCCy98bzuS-A_l3Wj__6QfmxqNikDYoJGWESRx9BcNA1pFaHVb7r2OyaYjryxMa5Ut61xjYKStYAQE7qOlD3_Srp1FTeBbj/s1600/200w-1.gif" width="200" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div></span><span style="font-family: verdana;">And thumbs up to Margot Robbie and Ryan Gosling for never letting us down.</span><div><span style="font-family: verdana;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2yYAQiLnJxiIxMJxKo1SyDtiSVfd_OrxzRglelfaEHztNE5_wfuKqaEjZj-PXa2pXKmdELugjmbAF_fBLl-EUl41T5kHksvua3gy7dNWhOab29-8QKrlKHJ_y0r9taaYibLaHRXrJC5dylDlDFXUk0MWc103YQC6E45GMEHWRmiTntrrO7XiONm0KVbLp/s200/200w.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2yYAQiLnJxiIxMJxKo1SyDtiSVfd_OrxzRglelfaEHztNE5_wfuKqaEjZj-PXa2pXKmdELugjmbAF_fBLl-EUl41T5kHksvua3gy7dNWhOab29-8QKrlKHJ_y0r9taaYibLaHRXrJC5dylDlDFXUk0MWc103YQC6E45GMEHWRmiTntrrO7XiONm0KVbLp/s1600/200w.gif" width="200" /></a></div><br /><div><span style="font-family: verdana;">That said, I enjoyed and appreciated this movie but didn't love it. I laughed a lot, but it could have been funnier. And its exploration of patriarchy, while often quite brilliant, was repeated every minute with every character and it became exhaustingly repetitive. Some variety would have helped this project reach a higher level.</span></div><div><span style="font-family: verdana;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdYAokQDc9YPxdmQ416ltb4sVWrHEZM29vGBjmYP5TRqBrMeUnyGdNbMS7nMaoZrp4wu20PSk5bkHzgrLBog-fmydv-sWDVaKW1lnvkt1QL53llKsXVYGt6k8DJv5L8f9E24EmhuyiSaR-bGT3wRVb0NJvsTgG1VuJfcC8EgmtfxITuIphZ1qjAC8UKIUC/s498/barbie-margot-robbie.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="338" data-original-width="498" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdYAokQDc9YPxdmQ416ltb4sVWrHEZM29vGBjmYP5TRqBrMeUnyGdNbMS7nMaoZrp4wu20PSk5bkHzgrLBog-fmydv-sWDVaKW1lnvkt1QL53llKsXVYGt6k8DJv5L8f9E24EmhuyiSaR-bGT3wRVb0NJvsTgG1VuJfcC8EgmtfxITuIphZ1qjAC8UKIUC/s320/barbie-margot-robbie.gif" width="320" /></a></div><br />However, did I mention that I laughed out loud, at a toy movie? Once it hits the small screen I won't see it twice, but it's totally worth a ticket this summer.</span></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><span style="font-family: verdana;"><span style="color: #e69138;">In a nutshell: </span>It's the moment movie of the year so you might as well go; you'll laugh. Parents, do your homework on the right age for kid viewers.<br /><br /><span style="color: #e69138;">Where to see it:</span> In theaters now.<br /><br /><span style="color: #e69138;">Award Potential:</span> Some Golden Globe nominations will surely fill the Comedy/Musical categories. As far as Oscar, The Academy wants to reward female directors but Greta's achievements here will likely fade too much by drama season January to reward her for a Mattel movie. She'll have other chances.<br /><br /><span style="color: #e69138;">The Ten Buck Review:</span> Worth ten bucks.<br /></span><br /></div></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-78882819788942848792023-07-02T18:48:00.006-04:002023-07-02T20:07:00.638-04:00Asteroid City<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTdOIPE809jdF22ClITRaliZiz49haLKnM-AC6qUn6f9VJ9R9eWslS4nymwHE6ULN996CPViQ9w0xQSdbyeSi8as8-DHNT-DBPyUduyol9ZalU6u0ZrmwvwXjEcwN19sVbyMSzgxRtX6R8-5F3HhBgPl3Cym1Fy_doqGjNKUxAWKbqwcRy1s674AI_Y9XD/s1936/Screen%20Shot%202023-07-02%20at%205.38.27%20PM.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1288" data-original-width="1936" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTdOIPE809jdF22ClITRaliZiz49haLKnM-AC6qUn6f9VJ9R9eWslS4nymwHE6ULN996CPViQ9w0xQSdbyeSi8as8-DHNT-DBPyUduyol9ZalU6u0ZrmwvwXjEcwN19sVbyMSzgxRtX6R8-5F3HhBgPl3Cym1Fy_doqGjNKUxAWKbqwcRy1s674AI_Y9XD/w400-h266/Screen%20Shot%202023-07-02%20at%205.38.27%20PM.png" width="400" /></a></div><br />If you squirmed through Wes Anderson's <i>French Dispatch</i>, wishing for the whole thing to end quickly, you'll be happy to know that<i> Asteroid City </i>is a delightful outing. It's not on the upper shelf with Wes' <i>Royal Tenebaums</i> and <i>Rushmore</i>, mind you, but there will be no squirming for an hour and forty-four minutes. Well, maybe some at the very end.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1gheRTnuTWLEgNLzYcuZSKE4cxQujPff-RNbsJpcXzRr3De7lkpYeK-OO_mnUQIdD2kr1CHjWh8lzscCodK0HkYgGvcAWpGv9vZDLD8p6HwnNJMhNHZQHst5Kvf5jfWitI5ODtLFvN5evgXtZEOyNanhviCBveYyx3FP01x2VKq2XrDvZfZE0igh7igoO/s540/tumblr_006acb1e5a51f855f23340074e7aa69a_c6ad22e8_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="540" height="189" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1gheRTnuTWLEgNLzYcuZSKE4cxQujPff-RNbsJpcXzRr3De7lkpYeK-OO_mnUQIdD2kr1CHjWh8lzscCodK0HkYgGvcAWpGv9vZDLD8p6HwnNJMhNHZQHst5Kvf5jfWitI5ODtLFvN5evgXtZEOyNanhviCBveYyx3FP01x2VKq2XrDvZfZE0igh7igoO/w200-h189/tumblr_006acb1e5a51f855f23340074e7aa69a_c6ad22e8_540.gif" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit4Op74YJ7vnSUZT8Lr_ctxaQUSMZjKiIyiZg_uv8g8Zf6UIBTYbmCxUbQ52Rh6mODnT9flB_l9CkvtwCbMxJe61YQ2sbEIWz8OJ088g5jXoY7tqBRfM-Z1WR3FOveCp4WK9ZqKOjQ_Z2wUVtAgGCN_QH8B2zl5xQGWUtlYQBMyXlOayPXSgHwbqde9Z25/s540/tumblr_af60142befecdf27021745790aeddd9e_f6c546b5_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="510" data-original-width="540" height="189" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit4Op74YJ7vnSUZT8Lr_ctxaQUSMZjKiIyiZg_uv8g8Zf6UIBTYbmCxUbQ52Rh6mODnT9flB_l9CkvtwCbMxJe61YQ2sbEIWz8OJ088g5jXoY7tqBRfM-Z1WR3FOveCp4WK9ZqKOjQ_Z2wUVtAgGCN_QH8B2zl5xQGWUtlYQBMyXlOayPXSgHwbqde9Z25/w200-h189/tumblr_af60142befecdf27021745790aeddd9e_f6c546b5_540.gif" width="200" /></a><br /><br /></div>The idiosyncratic director returns with a collection of idiots, "Braniacs" and his usual cast of players (sans Bill Murray). The story takes us on Route 66 to 1950s Asteroid City, a town famous for a famed meteor crater — and one that is about to receive a special visitor.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Zn5UOKTLPJck0noLEBO9wz-p9c33c3oxBhUy8zpzNSiYfxeQQe0L7f4e_5dTHxN6IolzbqS4xSAF1QkO-NgX2gEVs-H8jEjfQb-jRlvv10WcLt3O13bIrBGjsz-sMwjifqV1-xlRjmrHRxexf6jSnujXKVbJXSawgbrbcmSg2tNaxjS5wBCSXPp4nTTG/s498/oh-wow-asteroid-city.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="498" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Zn5UOKTLPJck0noLEBO9wz-p9c33c3oxBhUy8zpzNSiYfxeQQe0L7f4e_5dTHxN6IolzbqS4xSAF1QkO-NgX2gEVs-H8jEjfQb-jRlvv10WcLt3O13bIrBGjsz-sMwjifqV1-xlRjmrHRxexf6jSnujXKVbJXSawgbrbcmSg2tNaxjS5wBCSXPp4nTTG/s320/oh-wow-asteroid-city.gif" width="320" /></a></div><br />It's all breezy fun to take in. The gorgeous sets and visual take on 1950s Americana. The screwball comic pacing of Scarlett Johansson and Jason Schwatzman's characters. The vibrant colors. An talented cast of kids. And some inspired, wry comedy. I was thrilled to see it in a full theater as we found ourselves laughing together at all the right, awkward moments.<br /><br />For most of the film, there is a plot that builds and keeps the interest going beyond the stylings. An indulgent, play-within-the-play diversion featuring Bryan Cranston, Edward Norton and Adrien Brody removes the viewer from the main story — not in a good way — and derails any story momentum. Unfortunately, the whole thing ends pretty flat by the end without a cohesive story or much of a point to make about love, death or life on earth, but at least it's not a collection of vignettes like the last film. When it's over, it's over.</span><div><span style="font-family: verdana;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdTFpHD-QONSH2k-YqL0ZghMKSnGpYe-ra3zYZdTkUnt3Z7-UIf3Ol6eY_1obBxjnNzNnC2bJLuwdaEYy9iPMQqf23W_Mt3c04wlSKwWo0DYisMYxn3a601HcdUlZAFrubWAf6eJnR7dLP3xVh5XWg1NCaNnGP_aS_HuYwur21HKrQiPFlrZKmgErRuuwv/s720/explore-wes-andersons-asteroid-city-in-theaters-everywhere-v0-sfpbkv5x684b1.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="405" data-original-width="720" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdTFpHD-QONSH2k-YqL0ZghMKSnGpYe-ra3zYZdTkUnt3Z7-UIf3Ol6eY_1obBxjnNzNnC2bJLuwdaEYy9iPMQqf23W_Mt3c04wlSKwWo0DYisMYxn3a601HcdUlZAFrubWAf6eJnR7dLP3xVh5XWg1NCaNnGP_aS_HuYwur21HKrQiPFlrZKmgErRuuwv/s320/explore-wes-andersons-asteroid-city-in-theaters-everywhere-v0-sfpbkv5x684b1.gif" width="320" /></a></div><br /><span style="color: #e69138;">In a nutshell:</span> Style wins over substance in most of Anderson's films and it's true here. <i>Asteroid City</i> didn't quite land the ending but the kid stories are great as are the unforgettable Johansson and Schwartzman bits.<br /><br /><span style="color: #e69138;">Where to see it: </span>In theaters now.<br /><span style="color: #e69138;"><br />Award potential:</span> Seems like a lock for a nomination for Oscar's Best Production Design (retitled Art Direction). For Golden Globes, Johansson could see a nod for her roles as an actress and an actress in character. Tom Hanks, Steve Carell and Tilda Swifton's talents are wasted here.<br /><span style="color: #e69138;"><br />The Ten Buck Review:</span> See it in a theater with all your friends. Worth ten bucks.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnng0eS5L8IC4kQSkr64sBSVz950bm0C3B9l_HtWGhx3rw9HrwBJOLeNd_wS8XcYZUQ7GI5tdDEMxAhG3lvALvTx5yXGlxnaUbtQYZLOUJmHGPkhRc1MW7fUOi4fu0Mjqhw_gIEsFge8tkeOYp6nWNBQ1LrN5pFGsLO1LJojQcspPtDPtQ9yWKYW4OvWOS/s498/clapping-asteroid-city.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="498" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnng0eS5L8IC4kQSkr64sBSVz950bm0C3B9l_HtWGhx3rw9HrwBJOLeNd_wS8XcYZUQ7GI5tdDEMxAhG3lvALvTx5yXGlxnaUbtQYZLOUJmHGPkhRc1MW7fUOi4fu0Mjqhw_gIEsFge8tkeOYp6nWNBQ1LrN5pFGsLO1LJojQcspPtDPtQ9yWKYW4OvWOS/s320/clapping-asteroid-city.gif" width="320" /></a></div><br /><span style="font-family: verdana;"><br /></span><p><br /></p><p><br /></p><p><br /></p></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-24753519152964829652023-07-01T15:24:00.004-04:002023-07-01T17:09:14.885-04:00Indiana Jones and the Dial of Destiny<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj75NeWNnIpeGwJ6NuiAXfObUHikfk5XnsPlgu4JHzgqKkGUcToi3P3SQB5CDo5_zCLbzvtKypD7cMFAjIXL2LQu1A-JlACmDTo2obJTybtQ7CCsw_GLthbH4D9W8t1cObHYGn67FNCP55wiNjbVOC-nQ2sucohP1TBhavcTm7C5eNaiQYUXFFnmqn8Z9tX/s1014/indiana-jones-and-the-dial-of-de-649ee5c26afbb.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="674" data-original-width="1014" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj75NeWNnIpeGwJ6NuiAXfObUHikfk5XnsPlgu4JHzgqKkGUcToi3P3SQB5CDo5_zCLbzvtKypD7cMFAjIXL2LQu1A-JlACmDTo2obJTybtQ7CCsw_GLthbH4D9W8t1cObHYGn67FNCP55wiNjbVOC-nQ2sucohP1TBhavcTm7C5eNaiQYUXFFnmqn8Z9tX/w400-h266/indiana-jones-and-the-dial-of-de-649ee5c26afbb.jpg" width="400" /></a></div></span><h3 style="text-align: left;"><span style="font-family: verdana;"><span style="color: #e69138;">It's not the years, it's the mileage</span></span></h3><span style="font-family: verdana;">The first and third Indy films, <i>Raiders of the Lost Ark</i> (1981) and <i>Indiana Jones and the Last Crusade </i>(1989), are two perfect films on my short list of favorite films of all time. Let's start there.<br /><br /><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1axwCPO0A8ZjxLoGJRUw7D9pKPi9MIVkXhdN31FajBi8Ia_Y6vQj4mS9WJtRmMA669mWD9SFbhtGo1vmz8JhmxRWNbVq0bmdps9-m-jRBsvNJjd4iWhc-rdz4FIjsYjBeJ-dX8pBp-i0RJENHA0nzSsW3fNDQbvgELpMv7oPPfeXNGn9hOmMthlTjQyQL/s640/years-mileage.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="272" data-original-width="640" height="136" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1axwCPO0A8ZjxLoGJRUw7D9pKPi9MIVkXhdN31FajBi8Ia_Y6vQj4mS9WJtRmMA669mWD9SFbhtGo1vmz8JhmxRWNbVq0bmdps9-m-jRBsvNJjd4iWhc-rdz4FIjsYjBeJ-dX8pBp-i0RJENHA0nzSsW3fNDQbvgELpMv7oPPfeXNGn9hOmMthlTjQyQL/s320/years-mileage.gif" width="320" /></a></div><br />Temple of Doom</i>, the second film, is only memorable as the film that forced PG-13 into the rating system, introduced Speilberg to his wife and us to Ke Hu Quan as Short Round. The fourth and previous film, <i>Kingdom of the Crystal Skull </i>(2008), was not only the most disappointing sequel of all time, but it is also the worst Shia LeBeof film of all time. A grand title indeed.<br /><br />Luckily, the fifth and final Harrison Ford film is a return to form.</span><div><span style="font-family: verdana;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjThHdHoEXcoVMxmltzwguYvdC8DmpXaqjvcoeJh4x7ukgBjL7DMzzIKUamKQGVSqmNB3BbtDfPZsmznjnXZYQ3w6exlmzWc74HtL7eyBWS71Ui0gxLbLD3hKtUNJHSadeAD6WhtC2wRucFRVaefGYk5tFHJWYmuM4bh-RCE4v-IyXYK0pidQRenscraSm/s540/tumblr_1d53d9bc03015725e56e3898ddc22024_62f26a02_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="403" data-original-width="540" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjThHdHoEXcoVMxmltzwguYvdC8DmpXaqjvcoeJh4x7ukgBjL7DMzzIKUamKQGVSqmNB3BbtDfPZsmznjnXZYQ3w6exlmzWc74HtL7eyBWS71Ui0gxLbLD3hKtUNJHSadeAD6WhtC2wRucFRVaefGYk5tFHJWYmuM4bh-RCE4v-IyXYK0pidQRenscraSm/s320/tumblr_1d53d9bc03015725e56e3898ddc22024_62f26a02_540.gif" width="320" /></a></div><br /><div><span style="font-family: verdana;">It's a distant third, but a lively fun time at the movies with realistic action, bites of comedy, globe-trotting chases and an appropriately aged main character. A visually-weathered Ford matches the cynical, rugged, grumpy, wise-cracking character we love and he never seems out of place in any of the action that ensues. And it works well in a couple of soft moments that push extra, needed emotion into the series.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWnGkKo7d3u3GzkHx5SQBi_yA6uNbij69n6ttX0WkJrF-5uXowG3kK7fAOWcQCluRTLdDTJailsiIGrC-ayV_WZKUFad_GyffWfvLbovYJ_d3tjuelBLfKjqJV4SsP-Q2ImTy2fXVsezlZRpI_-lQphatZD_E9nspqIEyrwvinaz4ZIgL0-SIiTz0T5llc/s498/just-got-here-helena.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="281" data-original-width="498" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWnGkKo7d3u3GzkHx5SQBi_yA6uNbij69n6ttX0WkJrF-5uXowG3kK7fAOWcQCluRTLdDTJailsiIGrC-ayV_WZKUFad_GyffWfvLbovYJ_d3tjuelBLfKjqJV4SsP-Q2ImTy2fXVsezlZRpI_-lQphatZD_E9nspqIEyrwvinaz4ZIgL0-SIiTz0T5llc/s320/just-got-here-helena.gif" width="320" /></a></div><br />Whip-smart Phoebe Walker Bridge (<i>Fleabag</i>) and menacing Mads Milkensen (<i>Another Round, Hannibal</i>) expertly sink into the series as naturally as one could ever hope. I mean, Mads was always going to be a Bond villain or an Indiana Jones Nazi, so this is a treat realized. However, fully realized chemistry is displayed most in scenes between Indy and John Rhys-Davies, returning as Sallah.</span></div><div><span style="font-family: verdana; text-align: center;"><br /></span></div><div><span style="font-family: verdana; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlOCnn_a5ou0Dww9Jbg6pMGXPHK9goPs61G1qQakPYDqHSJahY_y5Fd2EvCAgA7REUvpQD89Su4GpX55hkg68cXSxIjzhAL4wrM0JVBa51EXEEfBe9IYJMRsTv51Vwo4DPY4uHEneD7PFkTxXk6PN-n2F97LdpE8j0eyFJiuxXp4D1FkvxDnUXAm8m1NGj/s870/Screen%20Shot%202022-12-01%20at%201.19.23%20PM.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="870" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlOCnn_a5ou0Dww9Jbg6pMGXPHK9goPs61G1qQakPYDqHSJahY_y5Fd2EvCAgA7REUvpQD89Su4GpX55hkg68cXSxIjzhAL4wrM0JVBa51EXEEfBe9IYJMRsTv51Vwo4DPY4uHEneD7PFkTxXk6PN-n2F97LdpE8j0eyFJiuxXp4D1FkvxDnUXAm8m1NGj/s320/Screen%20Shot%202022-12-01%20at%201.19.23%20PM.webp" width="320" /></a></div><br />The plot is centered around a real-life relic,</span><a href="https://www.smithsonianmag.com/history/the-real-history-behind-archimedes-dial-in-indiana-jones-and-the-dial-of-destiny-180982435/" style="font-family: verdana; text-align: center;"> the Antikythera</a><span style="font-family: verdana; text-align: center;">, which promises legendary powers over time. While the "Dial of Destiny" is certainly an allegory here to the aging Ford and series, it is a useful device to propel a globe-trotting race to the finish.</span><span style="font-family: verdana;"><br /><br />Unfortunately, the finish includes an eye-roller climax common to every failed superhero film this decade. Hollywood, if your film doesn't have a Terminator, Doc Brown or Bill Nighy, leave time travel out of your plotline, please. </span></div><div><span style="font-family: verdana;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCcI2UNF5-Km4mZfANuCR8W-fPqWQjmKj8fejRou_dw2XO3G5atEGRpDet7lOfDppWs7KOdbJ486b6VX6vvL3QFksXnFc_jOEeZ9Kcf3sGwaT-ZVqIkt10Y7jO9c6ofp5EUnfvErEwNq61gJtJkOAAiPd3aaGlmk0QuWwom_qHVziN0HJPVjWnIteX192I/s640/image.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCcI2UNF5-Km4mZfANuCR8W-fPqWQjmKj8fejRou_dw2XO3G5atEGRpDet7lOfDppWs7KOdbJ486b6VX6vvL3QFksXnFc_jOEeZ9Kcf3sGwaT-ZVqIkt10Y7jO9c6ofp5EUnfvErEwNq61gJtJkOAAiPd3aaGlmk0QuWwom_qHVziN0HJPVjWnIteX192I/s320/image.webp" width="320" /></a></div><br />The opening sequence, featuring a digitally de-aged Ford, is stellar as craftwork but is still not at a level that passes for authenticity. What a great idea to give us one last ride with a young Indiana Jones in action, but it didn't work. I was thrilled when we moved on to the real thing.<br /><br /></span><span style="font-family: verdana;"><span style="color: #e69138;">In a nutshell: </span>Harrison Ford hangs up his hat with a respectable thrill ride worth a one-time watch. See it in the theater and enjoy these characters along with John Williams’ fanfare at theater-quality volume.<br /><br /><span style="color: #e69138;">Where to find it:</span> In theaters beginning June 30. <br /><br /><span style="color: #e69138;">Award potential. </span>Not that kind of film. Sentimental possibility for score.<br /><br /><span style="color: #e69138;">The Ten Buck Review:</span> Worth ten bucks.<br /><br /><br /></span><br /><br /></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com3tag:blogger.com,1999:blog-3212167305605484958.post-49177725525159336192023-06-08T22:54:00.005-04:002023-06-10T10:50:24.940-04:00The Flash<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSsv-5w4vmca1f-Ik6NgFA3tbZjqqId-be_QEcDt2hE1uGag_qXxP7b1AAuHvd24PZjZ0FHT9LqXgE0LeQ6ZtCOn3dANU5_Us1WJdcXcWqNw-urEHD3E28oxSxUlXEHqTS-FMMTBQPyFY3CS3urYvl8YKAU3t2y4KkfLTKbD-uVUCYU5HyG7-91Y3rfg/s1000/Screen-Shot-2023-05-31-at-2.27.39-PM.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="1000" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSsv-5w4vmca1f-Ik6NgFA3tbZjqqId-be_QEcDt2hE1uGag_qXxP7b1AAuHvd24PZjZ0FHT9LqXgE0LeQ6ZtCOn3dANU5_Us1WJdcXcWqNw-urEHD3E28oxSxUlXEHqTS-FMMTBQPyFY3CS3urYvl8YKAU3t2y4KkfLTKbD-uVUCYU5HyG7-91Y3rfg/w400-h225/Screen-Shot-2023-05-31-at-2.27.39-PM.webp" width="400" /></a></div><br />Other than <i>The Dark Knight (2008),</i> I must go back a few decades to the Tim Burton <i>Batman</i> (1989, 1992) films and Christopher Reeves' <i>Superman</i> (1978, 1980) to find a DC movie I fully enjoyed. Yeh, I enjoyed Gal Gadot’s onscreen presence as much as anyone but even the best of the two <i>Wonder Woman</i> (2017, 2020) films built up to a moment where she threw an important thing at an oversized bad guy— the finale of almost all of DC films.<br /><br />I’m happy to say that <i>The Flash </i>comes <i>t h i s c l o s e</i> to being that fun summer movie we’ve been waiting for. Its first, bright act has a solid mix of lean-forward action and light comedy. At this point on the first watch, I thought this may be the next <i>Iron Man</i> (2008) or <i>Back to the Future </i>(1985). Credit goes to the bright palette, clever writing — and a standout comedic performance by Ezra Miller <i>(Perks of Being a Wallflower, We Need to Talk About Kevin</i>).<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWhJcfmlyvCTteziWbT2CbZqvHSKs2fCg8nmb6chP3aGjUpv-AtZnZViNqbTL0ZKlhhzUN10XcmUFLKJ1-3LO3ULwIBeH6NG8ASuXU-IOX2sLHdrFdaBDQi2ygNvX7YzffYJs5YTduKGBgoBPD1Cf3aMGXBSqDZXwkKVHGPB_9IO7unrhb4vRUrJv5hQ/s498/the-flash-the-flash2022.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="498" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWhJcfmlyvCTteziWbT2CbZqvHSKs2fCg8nmb6chP3aGjUpv-AtZnZViNqbTL0ZKlhhzUN10XcmUFLKJ1-3LO3ULwIBeH6NG8ASuXU-IOX2sLHdrFdaBDQi2ygNvX7YzffYJs5YTduKGBgoBPD1Cf3aMGXBSqDZXwkKVHGPB_9IO7unrhb4vRUrJv5hQ/s320/the-flash-the-flash2022.gif" width="320" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiosA79_Xf-HIUcADGJZQl7XdnaU_xu9vTNjcxGB1P8S8IP4mwTuVERO7nxdFUkK40AotXtp_jAJcma9dnS9EJgWCyI0zX7YCeQrrM8zsPhpUVoSG9234S9rs7gfAiCecXBYghX2Lxawma5lMB7DOZ5XL98lKvBtIK6sT1_2hubyhNhYluGzmu6CtELCQ/s1600/l-intro-1676242995.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="898" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiosA79_Xf-HIUcADGJZQl7XdnaU_xu9vTNjcxGB1P8S8IP4mwTuVERO7nxdFUkK40AotXtp_jAJcma9dnS9EJgWCyI0zX7YCeQrrM8zsPhpUVoSG9234S9rs7gfAiCecXBYghX2Lxawma5lMB7DOZ5XL98lKvBtIK6sT1_2hubyhNhYluGzmu6CtELCQ/s320/l-intro-1676242995.jpg" width="320" /></a></div><br /></div>The story revolves around Barry White/The Flash (Ezra Miller) and his wish to save his father from wrongful imprisonment. By speeding into the past and preventing his mother from being harmed, his family could be saved. Of course, changing the past has consequences.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH5RKhwaNK0zeajAdExi-eGzdPGUTkDYFp04HuNr6h0eeZ4M8ZS-_8KfbIQxpl0hWLDfxqCzgUvN1spY7EJx4M2Oi0WNC5XKetZsQqCKQ4ZvWP6Da45EYE2vScQ423Ct9QBRM8bnLn6Zl_h1ZmKEbYpQIAGuLPid1AKbqDpX7FY_jFeu7ISee0S8PN4Q/s540/tumblr_cca1426325b098c3c1c30fcbc565c06e_6b31e986_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="540" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH5RKhwaNK0zeajAdExi-eGzdPGUTkDYFp04HuNr6h0eeZ4M8ZS-_8KfbIQxpl0hWLDfxqCzgUvN1spY7EJx4M2Oi0WNC5XKetZsQqCKQ4ZvWP6Da45EYE2vScQ423Ct9QBRM8bnLn6Zl_h1ZmKEbYpQIAGuLPid1AKbqDpX7FY_jFeu7ISee0S8PN4Q/s320/tumblr_cca1426325b098c3c1c30fcbc565c06e_6b31e986_540.gif" width="320" /></a></div><br />Fast forward to the second act, which darkens a bit, literally, to take us into a hint of the vehicles, Batcave and world of Tim Burton’s <i>Batman</i> — delivering Michael Keaton’s return as Bruce Wayne. While this casting was widely announced in 2020, it’s still a delightful shock to see Keaton again onscreen in this role. Watching him onscreen, you realize he is definitively Batman, and when he literally says just that, you'll feel sorry for all those that followed him.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKy9DLAMNNvFdQlQE5ruxL2Ed0BRWwcSZ8FQ-NFl_aZbNJC5FjFqXqroOHArUAHSF_cjFULOsPqQuhMzTwDeIIJkJQAZDz7XlK-krMxpZ6z-CWuYFYJH7iTUL-pcMNg9c_yforF1QP0gYjoVabwOm3SHgwdZO5XVFXlt2V8BZ_0UHNsJ_3KpoBRZ_HUg/s498/the-flash-ezra-miller.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="262" data-original-width="498" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKy9DLAMNNvFdQlQE5ruxL2Ed0BRWwcSZ8FQ-NFl_aZbNJC5FjFqXqroOHArUAHSF_cjFULOsPqQuhMzTwDeIIJkJQAZDz7XlK-krMxpZ6z-CWuYFYJH7iTUL-pcMNg9c_yforF1QP0gYjoVabwOm3SHgwdZO5XVFXlt2V8BZ_0UHNsJ_3KpoBRZ_HUg/s320/the-flash-ezra-miller.gif" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div>Unfortunately, the third act is filled with all the traps of superhero films. A bad guy that gets big. A thing you have to throw at it. Multiple universes, again. CGI army action, again. The end of the world at stake, again. Add to all that, an uninspired blurry fan service sequence that goes on too long and doesn't deliver the emotion that was surely intended.<br /><br />While I was disappointed after all the recent CinemaCon buzz that hinted at a superhero masterpiece, I still got a rush from 2/3 of this film, which was completely enjoyable entertainment. Until someone cracks the code on the future of DC and Marvel, I can recommend this with a side of popcorn.<br /><br /><span style="color: #e69138;">In a nutshell: </span>Bright and light for most of the film. It's been overhyped, but if you see just one superhero movie a year, this is the one. Run don’t walk to avoid hearing all the spoilers. <br /><br /><span style="color: #e69138;">Award potential:</span> The CGI in the back third is sloppy. So it's an unlikely (but possible) contender for Best Visual Effects.<br /><span style="color: #e69138;"><br />Where to see it:</span> In theaters, beginning June 16, 2023.<br /><br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.<br /></span><br /> alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-41853915369929043412023-06-08T22:29:00.004-04:002023-06-09T13:27:35.019-04:00Flamin' Hot<span style="font-family: verdana;"><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz4nFraxyteP7D-Iu2jDRqFH9fmTp5TkMr8wPnh1IBgAb8ZMdzLVWydkddW699kqcy1q8V0v9iqjUbZCNJwiigi4WtHmm5UZ7cB_yMV3rdZ5kXGqZbqeQHSQ30XH9w6PRaXqr7GCF8yzkks47JnFphLsMJGipY86Jtrjudw5BMF8CFysSTsBVxux8_PQ/s1280/flamin_hot.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz4nFraxyteP7D-Iu2jDRqFH9fmTp5TkMr8wPnh1IBgAb8ZMdzLVWydkddW699kqcy1q8V0v9iqjUbZCNJwiigi4WtHmm5UZ7cB_yMV3rdZ5kXGqZbqeQHSQ30XH9w6PRaXqr7GCF8yzkks47JnFphLsMJGipY86Jtrjudw5BMF8CFysSTsBVxux8_PQ/w400-h225/flamin_hot.webp" width="400" /></a></div><br />Flamin’ Hot</i> tells the underdog story of Richard </span><span style="font-family: verdana;">Montañez</span><span style="font-family: verdana;">, a Frito-Lay janitor who rose to vice president of multicultural sales & community promotions for PepsiCo (parent to Frito-Lay). In his memoir, Montanez claims to have invented Flamin’ Hot Cheetos. This story is the backdrop for an inspirational family drama and comedy that will delight most viewers.<br /><br />As fiction, this is a great fable and film. As a biopic, there are many questions.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1HrE8Gu76CYHNzed10sP54dDqUjXohdrlbB37514W-0ef3kSkIIQU0C2LOqRD3aewYXE9NuV6vCRyfmptZIkWV2p9pVBelpfI4ZBCeY0ZY_dfFiOCPgdyf5HKAR5279W1gBCfDQx9aRHG49oKt00_odl4Z4laE51a5PCU3CMDfNVe53wfc93VE8ZiuA/s1000/1000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="696" data-original-width="1000" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1HrE8Gu76CYHNzed10sP54dDqUjXohdrlbB37514W-0ef3kSkIIQU0C2LOqRD3aewYXE9NuV6vCRyfmptZIkWV2p9pVBelpfI4ZBCeY0ZY_dfFiOCPgdyf5HKAR5279W1gBCfDQx9aRHG49oKt00_odl4Z4laE51a5PCU3CMDfNVe53wfc93VE8ZiuA/s320/1000.jpg" width="320" /></a></div><br />Anyone who has done work for Frito-Lay, like myself, knows that it is unlikely that one single person could take credit for any such innovation. Recently, both Frito-Lay corporate and an investigation by <i>The Los Angeles Times each </i>dispute that Montanez had any such role in the product. The story told in this film also includes a relationship between Montanez and PepsiCo’s Roger Enrico, who was not at Frito-Lay when Flamin' Hot entered test markets in 1990. It’s highly unlikely his call for workers to “act like CMOs” and some pivotal scenes in the film were true.</span><div><span style="font-family: verdana;"><br />Knowing all that, it seems best to review the film as fiction — a hyperbolic tale – sprinkled full of inspiration and positivity. Eva Longoria has directed a biopic with a kick that you can enjoy with your family.</span></div><br class="Apple-interchange-newline" /><div><span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBuJS-8FVfzgnCbHn4PJWbSVAHLKkhZXVq29BHEkYUNlTCF7gQcCNxhSkZe0tiSJHAXkktWni45Bg066J35yp09g6ocqlbrTHeO9SXrLr8rGFpI7d8YHapRZh9SyS8IJSc0uismraWEQE7VlFkmoremdGoO-I4MW0pcDSBHE2VMmYmZXLZA7n1K7PCvA/s200/200w.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBuJS-8FVfzgnCbHn4PJWbSVAHLKkhZXVq29BHEkYUNlTCF7gQcCNxhSkZe0tiSJHAXkktWni45Bg066J35yp09g6ocqlbrTHeO9SXrLr8rGFpI7d8YHapRZh9SyS8IJSc0uismraWEQE7VlFkmoremdGoO-I4MW0pcDSBHE2VMmYmZXLZA7n1K7PCvA/s1600/200w.gif" width="200" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjADzryB-0UqXs4jZRiCvd13C81bsrkXmsRP7NY9rju67KtgXUGgO4DKFQeXWeF9zetFHYZL8RuWyr9k8s6WdCFbYAGKTfUW5FBpI4ZP31xwSpP2MnlpGvnLjWTd2dKMEaK49HsXmBAUf_rxk_rrWkhsIcq7dJfZ2Ex-QLUNq5DSkVe38tRfYwKTi0SMg/s200/200w-1.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjADzryB-0UqXs4jZRiCvd13C81bsrkXmsRP7NY9rju67KtgXUGgO4DKFQeXWeF9zetFHYZL8RuWyr9k8s6WdCFbYAGKTfUW5FBpI4ZP31xwSpP2MnlpGvnLjWTd2dKMEaK49HsXmBAUf_rxk_rrWkhsIcq7dJfZ2Ex-QLUNq5DSkVe38tRfYwKTi0SMg/s1600/200w-1.gif" width="200" /></a></div></div><div><span style="font-family: verdana;"><br /></span></div>Richard Montañez (Jesse Garcia) and his wife Judy (Annie Gonzalez) pair as the strong, real-life couple, shown from the ‘70s to the ‘90s, and the actors deliver on chemistry. Tony Shalhoub (<i>Monk</i>) has a blast playing Roger Enrico. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">An easy headline would be that this light film is "cheesy." But it's more than a Hallmark film. It's rich with performances, emotion and motivation. I just wish it was true.</span></div><div><span style="color: #e69138;"><br /></span></div><div><div><span style="font-family: verdana;"><span style="color: #e69138;">In a nutshell: </span>A fable too puffed up to love, but a very enjoyable underdog story.</span><br /></div></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Award potential: </span>Too light. Too controversial. Not a contender.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Where to watch it: </span>Premieres on both Hulu and Disney+ on June 9.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">The Ten Buck Review: </span>As fiction, worth ten bucks.</span></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-48531478963168527102023-03-18T22:20:00.002-04:002023-03-18T22:20:29.201-04:00Living<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyxdyVSPs_YuxsRRaMngElUX1OL7PwCygkmmfhCkaUn-V-KgEt7ZGCOLytWoBbFBEvIKFS_2QtXdIjNDFwL-7VN5hzRyziHLGNam0-9CEDtR9GP9yoxGBX9KXyzh1cek53T64vlImo7eRXf5XujD-Txt8DJyWomwoOdThua1UMP0f437lNWGu78DCQrg/s3600/MV5BNjlmMWIxZjktYjIzNS00YTI1LThhOGItMDM0N2JjYjk0MmNlXkEyXkFqcGdeQWFybm8@._V1_-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2025" data-original-width="3600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyxdyVSPs_YuxsRRaMngElUX1OL7PwCygkmmfhCkaUn-V-KgEt7ZGCOLytWoBbFBEvIKFS_2QtXdIjNDFwL-7VN5hzRyziHLGNam0-9CEDtR9GP9yoxGBX9KXyzh1cek53T64vlImo7eRXf5XujD-Txt8DJyWomwoOdThua1UMP0f437lNWGu78DCQrg/w400-h225/MV5BNjlmMWIxZjktYjIzNS00YTI1LThhOGItMDM0N2JjYjk0MmNlXkEyXkFqcGdeQWFybm8@._V1_-1.jpg" width="400" /></a></div><br />Although nominated for the Academy Award for Adapted Screenplay (</span><span style="font-family: verdana;">Kazuo Ishiguro) </span><span style="font-family: verdana;">and Actor (Bill Nighy), this quiet masterpiece got lost in the sea of Oscar season’s front runners of original storytelling (<i>Banshees of Inisherin, Triangle of Sadness)</i> and dynamic visuals (<i>Everything Everywhere All at Once, Elvis, All Quiet on the Western Front</i>). </span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">However, hats off to this film— it is absolutely worth streaming at home. I may be overstating it just a bit, but <i>Living</i> has the power to be a life changer.<br /> <br />It’s a timeless story, as evidenced by its origins. The film was adapted by Nobel Prize winner Kazuo Ishiguro from the 1952 Japanese film <i>Ikiru (To Live)</i>. <i>Ikiru</i> itself was inspired by Tolstoy's 1886 novella T<i>he Death of Ivan Ilyich</i>.<br /> <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB-f4aTlYvNqkKV2w56H3sP9ul7c9w9FtjGn5DGDMpP7lWvZrJCtAWzGDYPujoWDyJjqlcWlE2lcnt-crokCiIVStZIjrM32QVQgaXaqN7OMwYDltk6Zr8bMZ8w_GD_WX2vdSQsAB_q-i2kEQY6tUrBbAvDzEE4QB-PoMGKL47nbPjCsNhGBxE5oH_bw/s480/giphy.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="328" data-original-width="480" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB-f4aTlYvNqkKV2w56H3sP9ul7c9w9FtjGn5DGDMpP7lWvZrJCtAWzGDYPujoWDyJjqlcWlE2lcnt-crokCiIVStZIjrM32QVQgaXaqN7OMwYDltk6Zr8bMZ8w_GD_WX2vdSQsAB_q-i2kEQY6tUrBbAvDzEE4QB-PoMGKL47nbPjCsNhGBxE5oH_bw/s320/giphy.gif" width="320" /></a></div><br />In this version, the brilliant Bill Nighy (<i>Love Actually</i>) is a buttoned-up bureaucrat at a Public Works Department in 1950s London. You know, the kind that kicks petitions around different departments in the building and files anything that looks like a hassle in towering stacks of paperwork. His nickname at work is “Zombie.”<br /> <br />Faced with some interesting news, he alters his approach to life and work — looking towards the wildly different ways of a local bohemian and a wide-eyed new hire. No surprise, it’s a movie about transformation and about the power of one man doing one small thing. I won't share details here, but I found the final act profound.<br /> <br />Whether or not this story shakes you to the core (like me) or simply reminds you of an agreeable life lesson, it’s a powerful hour and 42 minutes.<br /> <br /><span style="color: #e69138;">In a nutshell: </span>It’s a classic tale of confronting one’s life and finding new clarity with a second chapter, led by the underrated Bill Nighy. Keep the Kleenex nearby.<br /> <span style="color: #e69138;"><br />Award potential:</span> This film was nominated for Oscar’s Best Adapted Screenplay and Actor. Deservingly so. Nighy’s less-is-more performance will shock those who know him as Billy Mack from<i> Love Actually.</i> </span><span style="font-family: verdana;">Nobel Prize-winning novelist Sir Kazuo Ishiguro’s script should have been a contender. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Not nominated, which is almost a crime, were cinematographer Jamie D. Ramsay, Sandy Powell and her costumes plus Helen Scott’s production design — each gorgeously recreating 1950s London.</span></div><div><span style="font-family: verdana;"> <br /><span style="color: #e69138;">Where to find: </span>Available to stream on VOD.<br /> <br /><span style="color: #e69138;">The Ten Buck Review: </span>Worth ten bucks.</span><br /> </div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-34398229544494883802023-03-09T23:06:00.006-05:002023-03-12T12:40:22.090-04:00Everything stat-tastic to win your Oscars pool all at once<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO09391ry5Xs6k5AGle-ew5f_VUaysMOb-MGSJZzk6PVtBIfKyRkFkk6AAvs_IlA0oChXBUT_Cq6jZz5xoy3GSYz9hI7586v74EOyI3iEtdDvhORxN6ASHlnq2k4KxbNz_f_p5Sji79tKsGdU34JwEicsDtTKT15adl7Kh9WLV5XTwz6v6x_gzQNGdhA/s2144/IMG_4212.JPG" style="background-color: transparent; font-family: Times; font-size: medium; font-weight: 400; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="572" data-original-width="2144" height="108" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO09391ry5Xs6k5AGle-ew5f_VUaysMOb-MGSJZzk6PVtBIfKyRkFkk6AAvs_IlA0oChXBUT_Cq6jZz5xoy3GSYz9hI7586v74EOyI3iEtdDvhORxN6ASHlnq2k4KxbNz_f_p5Sji79tKsGdU34JwEicsDtTKT15adl7Kh9WLV5XTwz6v6x_gzQNGdhA/w400-h108/IMG_4212.JPG" width="400" /></a></div><p><b style="background-color: #fefdfa; color: #333333; font-family: verdana; font-size: 13px;"><span style="color: #e69138;"></span></b></p><p><b style="background-color: #fefdfa; color: #333333; font-family: verdana; font-size: 13px;"><span style="color: #e69138;">Win your Oscars pool with this stat-tastic help</span></b></p><p style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px;"></p><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">It's another unique year for Oscars so we’re gonna need some math to help your Oscar office pool. Here's everything everywhere which way on how to win:<br /><br /><b><span style="color: #e69138;">Win the Best Director category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Go with whoever won the Director’s Guild of America award. Those winners have matched in 63 of 74 years. Daniel Kwan and Daniel Scheinert (the Dans) won for <i>Everything Everywhere All At Once </i>and are your best bet for Oscar night too.<br /><br /><b><span style="color: #e69138;">Win the Best Foreign Feature Film category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">This year, only one film is nominated for both this category and Best Picture. And the Oscar goes to </span><span style="font-family: verdana;">Germany's </span><i style="font-family: verdana;">All Quiet on the Western Front.</i></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><b><span style="color: #e69138;"><b style="color: #333333;"><span style="color: #e69138;">Win the Best Animated Feature Film category</span></b><br style="color: black; font-weight: 400;" /><span style="color: #333333; font-weight: 400;"><br /></span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;">12 out of 16 PGA-winning animated films also won the Animated Feature Academy Award. No lie,<i> Guillermo del Toro's Pinocchio</i> is going to win.</span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;"><br /></span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Music (Original Score) category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">With 53 nominations, John Williams could become the oldest competitive winner this year for <i>The Fabelmans.</i> Son Lux is the opposite - the youthful newcomer for <i>Everything Everywhere All At Once</i>. <i>Babylon</i> has its supporters but only once in the past 19 years has this oscar gone to a film not nominated for Best Picture (<i>Hateful Eight,</i> 2015). This award most often (past 8 out of 10 years) aligns with the BAFTA Award for Best Film Music, which honored <i>All Quiet on the Western Front's </i>fusion of classical and avant-garde sensibilities. </span></div></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;"><br /></span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Visual Effects category</span></b><br style="color: black;" /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Since the VES Awards launched in 2002, the winner of its top film category has gone on to score the Best Visual Effects Oscar in 11 of the past 20 years. The Oscar goes to its winner, king of the world, <i>Avatar: The Way of Water.</i> This is the safest bet of the night</span></div></span></div><br /><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><b style="font-family: verdana;"><span style="color: #e69138;">Win the Best Actor/Actress/Supporting Actor/Supporting Actress categories</span></b></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The SAG voters are all actors and are the largest block of voters for the Academy Awards. They are a more diverse group, yet their picks align with Oscar more than any other. </span><span style="font-family: verdana;">Last year, all the SAG winners repeated at the Oscars.</span><span style="font-family: verdana;"> </span><span style="font-family: verdana;">This means Brendan Fraser, Michelle Yeoh, Jamie Lee Curtis and Ke Huy Quan should polish their speeches now. </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">In the closest acting race I remember, I expect a few of these to change. The Academy clearly loves <i>Elvis</i> more than <i>Whale</i>, so I predict Austin Butler to be the most likely one to shake up the SAG theory a bit and Angela Basset has her supporters too. Your call!<br style="color: black;" /><b><span style="color: #e69138;"><br /></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Adapted Screenplay category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The USC Scripter Awards has accurately predicted this category for 9 of the last 13 years, but it has nominated <i>Pinocchio, Living, She Said </i>and <i>Women Talking.</i> <i>Top Gun: Maverick's</i> nomination was withdrawn. Living is a wild card (with good reason) but the top contenders are <i>All Quiet on the Western Front </i>and <i>Women Talking</i>. The math, and the wish to see a woman screenwriter such as Sarah Polley win, says <i>Women</i> for the win.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Original Screenplay category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">It's a tight race between two highly-original films — <i>Banshees of Inisherin</i> and the film that could sweep every major award of the night. The respected Writers Guild (WGA) is the closest guide and they chose <i>Everything Everywhere All At Once.</i></span></div><div><span style="font-family: verdana;"><br /></span></div><br /><b><span style="color: #e69138;">Win the Best Music (Original Song) category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">T</span><span style="font-family: verdana;">here’s not a lot of math for this category, just remember that all members (not just musicians) vote in this category. The spirited <i>Naatu Naatu </i>from <i>RRR </i>has an edge, literally, over Lady Gaga and Rhianna's pop ballads. It's song was more central to its movie while the other songs played over credits.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Sound category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">War films usually win here so <i>All Quiet on the Western Front</i> checks all the boxes. But does military-based <i>Top Gun: Maverick </i>count for that math? Let's go with Cinema Audio Society (CAS) Sound Mixing Award-winne<i>r</i>, and loud ear-ringing <i>Top Gun: Maverick</i>. Everyone wants to see this film win something.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b><br />Win the Best Editing category</b></span><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Throughout history, this award always has a Sound nomination too. The ACE EDDIE Awards rewarded <i>Top Gun: Maverick. </i>The math is in its favor, however, sorry Tom, I think an<i> Everything </i>sweep is underway and editing is its strongest point. </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="font-weight: 400;"><b>Win the Best Cinematography category</b></span><br style="color: #333333; font-weight: 400;" /><span style="color: #333333; font-weight: 400;"><br /></span></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;">The cinematographer's award (ASC) is a good one to watch —those specialists rewarded the artistry of <i>Elvis</i>, thank you very much. On the Oscar ballot, only the film name is noted — so <i>Elvis</i>' Many Waler, the first possible female to win this award— is less of a factor when voting. However,</span><i style="color: #333333; font-weight: 400;"> </i><span style="color: #333333; font-weight: 400;">the Academy membership is bigger and broader than ASC's cinematography crowd. It's a little more like </span></span></b></span><b style="font-family: verdana;"><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;">The British Film Academy Film Awards (BAFTA) which chose </span><i style="color: #333333; font-weight: 400;">All Quiet on the Western Front. </i></span></b><b style="font-family: verdana;"><span style="color: #e69138;"><span style="color: #333333; font-weight: 400;">The Oscar goes to...All</span></span></b><b style="background-color: transparent; font-family: verdana;"><span style="color: #e69138;"><i style="color: #333333; font-weight: 400;"> Quiet on the Western Front.</i></span></b></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;"><br /></span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Production Design category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">This award, the 2012-renamed “Best Art Direction" award, doesn’t usually match Best Picture (Just 4 times since 2000). The winner of this category often aligns with the winner of Art Director's Guild Award. The AGAs went to <i>Babylon</i> (Period film)<i>, Everything Everywhere All at Once </i>(Fantasy film) and G<i>lass Onion: A Knives Out Mystery</i> (Contemporary film) — and not past front-runner Elvis. And the Oscar goes to <i>Babylon.</i></span><span style="font-family: verdana;">.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><i><br /></i><b><span style="color: #e69138;">Win the Best Costume Design category</span></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="color: #333333; font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="color: #333333; font-family: verdana;"><i>Babylon</i> and <i>Black Panther </i>have been award-season frontrunners, but then <i>Everything Everywhere</i> (Sci-FI/Fantasy), <i>Glass Onion </i>(Contemporary) and<i> Elvis</i> (Period) each won at the Costume Designer Guild Awards. I think the overall love of <i>Elvis </i>shows up here. The devil in disguise takes this one.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><span style="color: #e69138;"><b>Win the Best Makeup and Hairstyling category</b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #333333;">After the MUAHS award rewarded Everything Everywhere (contemporary), Elvis (Period) and The Whale (Special) and Black Panther and Elvis (hair), the race for Oscar is wide open. Since Oscar voters usually vote for the most visible transformations, but Elvis and The Whale have risen to the top. Go with the more loved, more-nominated film, <i>Elvis.</i></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #333333;"><br /></span><span style="color: #e69138;"><b>Win the Best Documentary Feature category (Feature)</b></span><br /></span><span style="color: #333333; font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">This year's topics are all Oscar bait so it may come down to which films were seen — but oops four of five are very accessible. <i>All That Breathes </i>(Saving Bird of Prey, Netflix), <i>All the Beauty and the Bloodshed (</i>Photographer, HBOmax), <i>Fire of Love</i> (scientists and lovers in a volcano, Disney/Hulu), <i>A House Made of Splinters</i> (Ukraine children's home, VOD) and <i>Navalny </i>(Russian assassination attempt, HBOmax). </span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Fire of Love has passionate fans. I'm going with the most riveting one that everyone voting stayed awake for — <i>Navalny</i>.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><b><span style="color: #e69138;">Win the Best Animated Short Film category</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">While I'd love the Academy to pick a more original choice such as Ice Merchants or My Year of Dicks, the celebrity VO and wide distribution of <i>The Boy, the Mole, the Fox and the Horse</i> should win. Its animation and beautiful brushstrokes are eye-catching even if adults may chuckle at its trite, bumper sticker wisdom. I had to be reminded, while watching and chuckling in intended spaces, "this is for young kids!" Put your votes on: </span><i style="font-family: verdana;">The Boy, the Mole, the Fox and the Horse </i><span style="font-family: verdana;">to fly away with this one.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><span style="color: #e69138;">Win the Best Documentary Short category</span></b><br /><br /></span></div><span style="font-family: verdana;">There's not any math for this category. Your choice between The<i> Elephant Whisperers </i>(a couple in South India, who devote their lives to caring for an orphaned baby elephant) and <i>Strangers at the Gate </i>(A Marine plans a terrorist attack in a mosque in a small American town, until he meets his potential victims). Honestly, I'm going with the one most accessible — on Netflix —<i> The Elephant Whisperers.</i></span><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><span style="color: #e69138;"><b>Win the Best Live Action Short Film category</b></span><br /></span><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Your choice of Le Pupille (girls in a boarding school in WWII Italy) and <i>An Irish Goodbye </i>(estranged brothers in Ireland are reunited).<i> </i></span><span style="font-family: verdana;">One smart choice is to go with the more accessible one here too (Le Pupill on Disney +). In a record year for Irish nominees, I think one of them finally wins here. </span><i style="font-family: verdana;">An Irish Goodbye</i><span style="font-family: verdana;"> gets my feckin' vote.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /><b><span style="color: #e69138;">Win the show’s running-time tiebreaker.</span></b><br /><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">In 2002, the show ran for four hours and 23 minutes. It's been trending down ever since, until last year's slap. <br /><br />Here are the timings for the past ten years:<br />2009: 3 hours, 30 minutes<br />2010: 3 hours, 37 minutes<br />2011: 3 hours, 15 minutes<br />2012: 3 hours, 14 minutes<br />2013: 3 hours, 35 minutes<br />2014: 3 hours, 30 minutes<br />2015: 3 hours, 43 minutes<br />2016: 3 hours, 37 minutes<br />2017: 3 hours, 49 minutes<br />2018: 3 hours, 53 minutes<br />2019: 3 hours, 23 minutes<br />2020: 3 hours, 36 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">2021: 3 hours, 19 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">2022: 3 hours, 40 minutes</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><b><br /></b></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCoXXCYtnUcFLzviffkCpl8AcWNJcLDswwFUZnzp2t8W3rFRHX0_ERCvZNgCoq-obX9Ut9q5v6UMb6k_P_t0M5S5dHUv2WxUywsap1V1PNMTUA3TRfzITYOcfT6T43q3GMEmFhSSVNp-wL/s1024/Best-Picture-envelope.jpg" style="color: #d52a33; margin-left: 1em; margin-right: 1em; text-align: center; text-decoration-line: none;"><img border="0" data-original-height="680" data-original-width="1024" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCoXXCYtnUcFLzviffkCpl8AcWNJcLDswwFUZnzp2t8W3rFRHX0_ERCvZNgCoq-obX9Ut9q5v6UMb6k_P_t0M5S5dHUv2WxUywsap1V1PNMTUA3TRfzITYOcfT6T43q3GMEmFhSSVNp-wL/s320/Best-Picture-envelope.jpg" style="background: rgb(255, 255, 255); border-radius: 5px; border: 1px solid rgb(204, 204, 204); box-shadow: rgba(0, 0, 0, 0.2) 0px 0px 20px; padding: 8px; position: relative;" width="320" /></a></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><b>Win the Best Picture category</b></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><br /></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">Since the preferential voting system was added, all the old stats don't matter. </span><i style="font-family: verdana;">All Quiet</i><span style="font-family: verdana;"> won BAFTA. </span><i style="font-family: verdana;">Fabelmans</i><span style="font-family: verdana;"> and </span><i style="font-family: verdana;">Banshees</i><span style="font-family: verdana;"> won the Golden Globe, whatever.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><span style="color: #e69138;"><span style="color: #333333; font-family: verdana;"><br /></span></span></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">However, the PGA has a preferential voting ballot. While they are a conservative group, they chose <i>Everything Everywhere</i> over <i>Top Gun:Maverick, Fabelmans </i>and<i> Banshees.</i> It has a lot of love across the board as witnessed at the SAG awards.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;"><br /></span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">In the 27 years in which SAG, the PGA and DGA have all presented their top honors, only one film (<i>Apollo 13 </i>in 1995) has won all three but then lost the best picture Oscar.</span></div><div class="post-body entry-content" id="post-body-1144905022966014406" itemprop="description articleBody" style="background-color: #fefdfa; color: #333333; font-size: 13px; line-height: 1.4; position: relative; width: 586px;"><span style="font-family: verdana;">The math says it all. The Oscar goes to </span><i style="font-family: verdana;">Everything Everywhere All At Once.</i></div><div><br /></div><div style="background-color: #fefdfa; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px;"><span style="font-family: verdana;">Good luck with your Oscars pool everyone!</span></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-87163424905896159752023-03-06T21:38:00.004-05:002023-03-06T21:51:18.366-05:00All the Feckin' Irish Oscar Nominees - and where to watch 'em<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYnY0RwVtmO2xmeWUUUs6SanZlo-D8H7mYYpPZ5z2xiNmvxCl3GSHQopSAcROUtH8iaQ3OYCTXX4TbsM-QnyC-3yK_KOxC4DpHnGnCsp_p-ewSMxxPBq_RS6tslnt7Fr_cM2_HRtmhV9_Elx7o2jcyRQJqU-UBCyT9O_Z9xf0yQ9Mx2ZoGYuFmA_xgvw/s3090/green%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1210" data-original-width="3090" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYnY0RwVtmO2xmeWUUUs6SanZlo-D8H7mYYpPZ5z2xiNmvxCl3GSHQopSAcROUtH8iaQ3OYCTXX4TbsM-QnyC-3yK_KOxC4DpHnGnCsp_p-ewSMxxPBq_RS6tslnt7Fr_cM2_HRtmhV9_Elx7o2jcyRQJqU-UBCyT9O_Z9xf0yQ9Mx2ZoGYuFmA_xgvw/w400-h156/green%20copy.jpg" width="400" /></a></div><br />Kenneth Branagh's <i>Belfast </i>scored six nominations in 2022. <i>In The Name of the Father</i> scored seven nominations in 1994. But 2023 is the year Oscar went big-time Irish. For Oscars 2023, a record 14 feckin' nominations are from Ireland.<br /><br />Lucky coincidence that Oscar Sunday kicks off the week of St. Patricks Day.<br /><br />Martin McDonagh's <i>Banshees of Inisherin</i> has nine top nominations. Paul Mescal (<i>Normal People)</i> is also up for best actor for his unforgettable turn in indie fave <i>Aftersun</i>. And other nominations include Best International Film and Best Live Action short. Sounds like some good streaming choices leading up to Oscar Night and St. Paddy's weekend, doesn't it? Here's what you need to know.<br /><br /><span style="color: #e69138;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyhkkZ6JobAp_a95GJVYL4ilkPLFfIIwVsy6Hwa_0_7Scj2-8UaUwUZJ82gl9hvHe_8O_xYWffaRukScLoqonuQTut0Qv9anxyBOgeMkZOK6mG-SZZgfuNQuScaLMNZ8J184SGb3WNXx6PM-g9yiszK1HQKOGDP-nVYnBUvzeOVfJ-0g2VTTnAzlG_w/s1620/film1-1-d00ba9af743f26cc.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1620" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyhkkZ6JobAp_a95GJVYL4ilkPLFfIIwVsy6Hwa_0_7Scj2-8UaUwUZJ82gl9hvHe_8O_xYWffaRukScLoqonuQTut0Qv9anxyBOgeMkZOK6mG-SZZgfuNQuScaLMNZ8J184SGb3WNXx6PM-g9yiszK1HQKOGDP-nVYnBUvzeOVfJ-0g2VTTnAzlG_w/s320/film1-1-d00ba9af743f26cc.jpg" width="320" /></a></div><br />The Banshees of Inisherin</b></span></span><div><span style="font-family: verdana;"><span style="color: #e69138;"><b><br /></b></span>Colin Farrell, the actor who stars in a lot of movies you expect to be good, but aren’t, is finally in a good film. It’s so feckin’ good. Banshees reunites In Bruge actors Farrell and Brendan Gleeson as frenemies living on the made-up Irish island of Inisherin in the 1920s.<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR_huzEfg_13N2nbJToFWdjGc_7nQsA_Csqu1E4Ch1lVYaTZatsswTix_wIaWqtkfIlnujbAC37StAiTESLzZos227dogCZOGZdiwAj0M7DU4M470P8eIpLEZ-RDLGzagFoiQrJyfupVFNbvUUDcx_LOuWu4SrwHOKSpAfPylD5nkJ3cYm97R8X5Azyw/s540/tumblr_831db5bb99205d96f92e972357eeb5fe_d552fb94_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="540" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR_huzEfg_13N2nbJToFWdjGc_7nQsA_Csqu1E4Ch1lVYaTZatsswTix_wIaWqtkfIlnujbAC37StAiTESLzZos227dogCZOGZdiwAj0M7DU4M470P8eIpLEZ-RDLGzagFoiQrJyfupVFNbvUUDcx_LOuWu4SrwHOKSpAfPylD5nkJ3cYm97R8X5Azyw/s320/tumblr_831db5bb99205d96f92e972357eeb5fe_d552fb94_540.gif" width="320" /></a></div><br /></span></div><div><span style="font-family: verdana;">The island may not be real but from its thatched roofs, thick accents, local characters and dark brew pubs, this gorgeous film sure makes it seem so. Writer and Director Martin McDonagh (<i>Three Billboards Outside Ebbing, Illinois</i>) has assembled a dark comedy about two men and a friendship severed while giving a finger to predictive storytelling.</span></div><div><span style="font-family: verdana;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSeCeXDLaJvwcgsj3PndAz8aFWk_taU1i9EKdlXsPkxtyxnpyjZzaGBGwF7P4sQsuNk7aZLYp7Hhgzgi5pdUke-Jc2IyxBEOJ8WWKtR1QR4dCJHwyPHasoTEK6duQz0hi9bdY3YUuBA6z4qlgpbwo6Ll1AcnEQ1fBe_jrJqAviEbsjGcxyvdZsEQ4bCQ/s640/giphy.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="269" data-original-width="640" height="135" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSeCeXDLaJvwcgsj3PndAz8aFWk_taU1i9EKdlXsPkxtyxnpyjZzaGBGwF7P4sQsuNk7aZLYp7Hhgzgi5pdUke-Jc2IyxBEOJ8WWKtR1QR4dCJHwyPHasoTEK6duQz0hi9bdY3YUuBA6z4qlgpbwo6Ll1AcnEQ1fBe_jrJqAviEbsjGcxyvdZsEQ4bCQ/s320/giphy.webp" width="320" /></a></div><br /><i>Banshees</i> is nominated for all the major awards: Best Picture, Director, Screenplay, Editing, Score and four acting nominations (Colin Farell, Brendan Gleeson, Kerry Condon and Barry Keoghan.<br /><br /><span style="color: #e69138;">Where to watch:</span> In theaters and available on HBOMax and VOD</span><div><span style="font-family: verdana;"><br /><br /><br /></span><div><span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEPsfa7OlTQDr8IcT7dtQs1eEHBEIbio9_ZCRUyLdGvUFDXSoN0G98Teq2GJum2rZk2kdjgllAv7thBOGcfqUqqa5Xs3DbaPGDri5o6MfAn0rQPECbV7KaRNDYR-MCxopF_IyqE29vI0RF_CazLA1i7Kd4RWCY_gLjIDmNY9258NYOWs0EAroytOgqxg/s1400/2b5808786be82f0c5c3e58a5f78391825b-aftersun.2x.rhorizontal.w700.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="1400" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEPsfa7OlTQDr8IcT7dtQs1eEHBEIbio9_ZCRUyLdGvUFDXSoN0G98Teq2GJum2rZk2kdjgllAv7thBOGcfqUqqa5Xs3DbaPGDri5o6MfAn0rQPECbV7KaRNDYR-MCxopF_IyqE29vI0RF_CazLA1i7Kd4RWCY_gLjIDmNY9258NYOWs0EAroytOgqxg/w320-h213/2b5808786be82f0c5c3e58a5f78391825b-aftersun.2x.rhorizontal.w700.webp" width="320" /></a></div><span style="color: #e69138;"><b>Aftersun</b></span><br /><br />Born in Maynooth, Ireland Paul Mescal scored his first TV acting job as Connell in <i>Normal People</i>. He was nominated for an Emmy. <br /><br />His first movie role? The young father in <i>Aftersun</i>, a well-loved movie that is sitting on Rotten Tomatoes at 95%. He's nominated for Best Actor and yea, he is the next big thing.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpgCGf3_wljj7kUBQEKkck2SPE1tQzfBoDU0v66_UIx-0YCXuIWwa3pBJ9bwjXY7AdgNWCJkPMjeElCvTehW4FL8Kml-ks0QF7WqNPBKTnSrrGKW9aCvIeC8umwH_6pLf_GmcNCc08y815cGEfwXA4YxwI82rUWIbZ0lD2B_hmMGKPWDh8dDOel7Uvrg/s500/tumblr_ce5d3dc2056d5d6915f51734007a30d8_0ad96ee6_500.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="278" data-original-width="500" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpgCGf3_wljj7kUBQEKkck2SPE1tQzfBoDU0v66_UIx-0YCXuIWwa3pBJ9bwjXY7AdgNWCJkPMjeElCvTehW4FL8Kml-ks0QF7WqNPBKTnSrrGKW9aCvIeC8umwH_6pLf_GmcNCc08y815cGEfwXA4YxwI82rUWIbZ0lD2B_hmMGKPWDh8dDOel7Uvrg/s320/tumblr_ce5d3dc2056d5d6915f51734007a30d8_0ad96ee6_500.webp" width="320" /></a></div><br /><i>Aftersun</i> is a daughter's (Frankie Corio) memory of a vacation in Turkey with her idealistic father, lovingly told. With patience given for its slow pace, tiny details and minimal plot, the film delivers on storytelling and its unexpected sweetness stays with you long after.<br /><br /><span style="color: #e69138;">Where to watch:</span> Rent or buy on VOD</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOUgYkBlKim6mMdNgiM9KZO--wXG1R0b0aGRTFMk7VCfqtXy4Koxs1OMTLruUDoz4Vhj7sV2b3mwQ1CguJUvoCj0eOM3acMp8m6ni0KZIpOQZkXEwvP0qMYg-53oj_m-Vjivnxa2VbGgTZ2iY3wFBrznAmnjcAK4cNuopkGXUdp_PoGkzeQYD_2Uxfxw/s976/_128399794_photo1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="549" data-original-width="976" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOUgYkBlKim6mMdNgiM9KZO--wXG1R0b0aGRTFMk7VCfqtXy4Koxs1OMTLruUDoz4Vhj7sV2b3mwQ1CguJUvoCj0eOM3acMp8m6ni0KZIpOQZkXEwvP0qMYg-53oj_m-Vjivnxa2VbGgTZ2iY3wFBrznAmnjcAK4cNuopkGXUdp_PoGkzeQYD_2Uxfxw/s320/_128399794_photo1.jpg" width="320" /></a></div><br />An Irish Goodbye</b></div><span style="font-family: verdana;"><br />At a farm in rural Northern Ireland, a pair of estranged brothers are reunited after a premature death. Kinda the opposite story of feckin' <i>Banshees of Inisherin</i> in that it may move you to reconnect with a loved one.<br /><br />The relationship of Turlough (Seamus O’Hara) who returns home and his brother Lorcan (James Martin) completely works. <i>An Irish Goodbye</i> is a contender with a nomination for Best Short Film — Live Action.</span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><span style="color: #e69138;">Where to watch:</span> In theaters playing the Short Films and available on RealGood TV</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><div><b style="color: #e69138; font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj43UaQxIyyBHlJboSttTt0eaG-7U-NWaQafp5QCuUndMu9Iy-w4L2cjbfGA1xU26sDUvIsEYKz90IZQs6_Qw9Fi0SjIhD0jd_G4wuHLn5quaJmbQ-BxEjmvqCT7GWxUSrcxLuKXZ5b2z9EAVibqnTLlvdxSrfLcVtnf7qkgZFqWSZRWNMyMinq5-QxEQ/s1100/15quietgirl-review-1-bdbd-videosixteenbynine3000_custom-8d2903872bfc57e27026ac6142a0355b3991bb49-s1100-c50.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="1100" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj43UaQxIyyBHlJboSttTt0eaG-7U-NWaQafp5QCuUndMu9Iy-w4L2cjbfGA1xU26sDUvIsEYKz90IZQs6_Qw9Fi0SjIhD0jd_G4wuHLn5quaJmbQ-BxEjmvqCT7GWxUSrcxLuKXZ5b2z9EAVibqnTLlvdxSrfLcVtnf7qkgZFqWSZRWNMyMinq5-QxEQ/s320/15quietgirl-review-1-bdbd-videosixteenbynine3000_custom-8d2903872bfc57e27026ac6142a0355b3991bb49-s1100-c50.jpg" width="320" /></a></div><br />The Quiet Girl (An Cailin Ciuin) </b></div><div><b style="color: #e69138; font-family: verdana;"><br /></b></div><span style="font-family: verdana;">"The Quiet Girl" has been nominated for an Oscar for Best International Feature film, the first Irish-language film to be so honored. <br /><br />I have not yet seen this film, a coming-of-age drama about a nine-year-old who’s abandoned by her poverty-stricken parents and sent to live with distant relatives. It is nominated for Best International Feature Film.</span><br /></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Where to watch:</span><span style="font-family: verdana;"> Opened this Friday in theaters.</span></div><div><br /></div><span style="font-family: verdana;">Additionally, Jonathan Redmond was nominated for best editing for his work on <i>Elvis</i> and Richard Baneham was nominated for best visual effects for <i>Avatar: The Way of Water</i>. With St. Patrick's Day coming up soon and the Oscars even sooner, it looks like a good excuse to fire up the TV and have a gargle.</span></div></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-46498335042804841082023-02-26T20:46:00.001-05:002023-02-26T20:46:02.048-05:00Oscar's Best International Film nominees - which to stream, which will win<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVlJcWf_G8t0p4By2UTpF1EaJndZKN5a_ohxow8qUxz7sbarsec4BKjDJdjK8EUF7Yees4-g-Hf0aarQ7Tt3O2GDDxZONssPU2mbCgasuhD31L50l4F_nJepc-hwvumCtcFPAuzUaS44VB5Jt2yoBxVbz9UjlPbbyCdJDuTmwcIO9Slmby9A6fE-oSJg/s1824/IMG_6677.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="1824" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVlJcWf_G8t0p4By2UTpF1EaJndZKN5a_ohxow8qUxz7sbarsec4BKjDJdjK8EUF7Yees4-g-Hf0aarQ7Tt3O2GDDxZONssPU2mbCgasuhD31L50l4F_nJepc-hwvumCtcFPAuzUaS44VB5Jt2yoBxVbz9UjlPbbyCdJDuTmwcIO9Slmby9A6fE-oSJg/w400-h149/IMG_6677.JPG" width="400" /></a></div><p></p><span style="font-family: verdana;">You can't go wrong streaming the best of international cinema for 2023, but with less than three weeks until the Academy Awards, which films should you stream right now? Three should float to the top of your streaming list. <i>All Quiet on the Western Front, </i><i>Argentina 1985 and EO.</i> These are excellent films.</span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">The Best International Film award race is a two-horse and one-donkey competition with those three. However, one horse is a full lap ahead. <i>All Quite on the Western Front</i> is also nominated for Oscar's best picture, adapted screenplay, international feature, cinematography, production design, score, sound, visual effects, makeup and hairstyling.<br /><br /><b><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghiP8cPDq8Tzveq-6Z--vfl00jeGt073BgauRx8kyoGmvXCTk_D38UIJLFVXu5U6yggrCIBGeD4KSDkvoq-Wjy5dMx4Qmk009McNTLqoYPan6szVwTiD0SBF2XcfL80r1fun598U6YkhXdJaFok6P9rnC42rnuMHHha2ciWDZGJLs-bfF0xfpb_YA7Sw/s3000/quiet1-videoSixteenByNine3000.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1687" data-original-width="3000" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghiP8cPDq8Tzveq-6Z--vfl00jeGt073BgauRx8kyoGmvXCTk_D38UIJLFVXu5U6yggrCIBGeD4KSDkvoq-Wjy5dMx4Qmk009McNTLqoYPan6szVwTiD0SBF2XcfL80r1fun598U6YkhXdJaFok6P9rnC42rnuMHHha2ciWDZGJLs-bfF0xfpb_YA7Sw/w320-h180/quiet1-videoSixteenByNine3000.jpg" width="320" /></a></div><br />All Quiet on the Western Front </i>(Germany)</b><br /><br /><i>All Quiet </i>is a classic, anti-war novel about the horrors of The Great War as told by a German soldier. It has been retold as a movie by a German director, Edward Berger, in the German language.<br /><br />If it sounds familiar, this is the third retelling including the 1930 film that won the Oscar for Best Picture. The tale follows a soldier's journey from an idealistic young man into a shell-shocked, changed man at war. Artfully made. Wide in scale. Brutally bloody. Heartbreaking. WWI was fought by kids and this film importantly reminds future generations of the cost of war. </span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">It's a front-runner for Best Picture and Best International Film. A rare feat.<br /><br />Where to watch: Netflix<br /><br /><br /><b><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS0q4xsBnl_6bdel-N_rqNvRRzNAfcp6WV003AJxFKsJhd0xFrhvvyvhdSAqKdwWbXI_b2B0qsByQV4Jy6TnRr6HytA8lVV59Xwj6gB46f3RZhRKpLbUsPWxJRiAMc3zJ7nqbITXr_B4XDHsdhnCyWzkA9MGi7Wy_m9DQdTYLytFH9rp2fpvooNlH_KQ/s936/argentina-1985-Argentina1985_PeterLanzaniAndRicardoDarin_rgb-1-936x527.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="527" data-original-width="936" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS0q4xsBnl_6bdel-N_rqNvRRzNAfcp6WV003AJxFKsJhd0xFrhvvyvhdSAqKdwWbXI_b2B0qsByQV4Jy6TnRr6HytA8lVV59Xwj6gB46f3RZhRKpLbUsPWxJRiAMc3zJ7nqbITXr_B4XDHsdhnCyWzkA9MGi7Wy_m9DQdTYLytFH9rp2fpvooNlH_KQ/s320/argentina-1985-Argentina1985_PeterLanzaniAndRicardoDarin_rgb-1-936x527.webp" width="320" /></a></div><br />Argentina, 1985</i> (Argentina)</b><br /><br />If you're not up for a bloody war film, I have a good option for you. <i>Argentina 1985</i> took the Golden Globe from <i>All Quiet,</i> and it's an easier watch.<br /><br />In this true-to-life film, a team of lawyers takes on the heads of Argentina’s bloody military dictatorship during the 1980s in a battle against odds and a race against time. It stars and was produced by the country’s most celebrated actor Ricardo Darín as eccentric lawyer Julio César Strassera, as well as Luis Moreno Ocampo as public prosecutor Peter Lanzani.<br /><br />While this film plays out like every public court movie before it, including the big court scene with applause and symphony score, it packs an emotional wallop. Most especially when each prosecutor's family approaches them in the third act. I may have to watch this one again before Oscar night.</span><br /><br /><span style="font-family: verdana;">Where to watch: Amazon</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;"><br /></span></div><div><div><b><span style="font-family: verdana;"><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM9zGOP36KHwbm3E8rbtcwnei3LkYjYtQcOPmV4CFyr3Z5lggY3SdTv3G8TiNB6UrUzmxXF8p1PloQnHR4mdyACS2PvXhodqXa-vp3_ioe5sAyabSQB1h0wmSJxJwXV-Zo4gcUxbhLiKMSkGze1ZjGGKhUNOkrKSpghKAdAJFGrH8II0xkUIjGzJX3yQ/s2100/EO-759x500-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1383" data-original-width="2100" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM9zGOP36KHwbm3E8rbtcwnei3LkYjYtQcOPmV4CFyr3Z5lggY3SdTv3G8TiNB6UrUzmxXF8p1PloQnHR4mdyACS2PvXhodqXa-vp3_ioe5sAyabSQB1h0wmSJxJwXV-Zo4gcUxbhLiKMSkGze1ZjGGKhUNOkrKSpghKAdAJFGrH8II0xkUIjGzJX3yQ/s320/EO-759x500-1.jpg" width="320" /></a></div><br />EO</i> (Poland)</span></b><span style="font-family: verdana;"><br />With this nominee and nine nominations for <i>Banshees of Inisherin</i>, it was a big year for donkeys in cinema. <i>EO</i> follows a donkey who encounters good and bad people, and experiences joy and pain, exploring a vision of modern Europe through his eyes. Inventive. Moving. EO has an unusual perspective to show us the world may sometimes be cold and cruel but doesn't have to be. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Where to watch: VOD</span></div><br /><b style="font-style: italic;"><br /></b><b style="font-family: verdana;"><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3MFxWxzlyAtfrThMo1tuXpLwILhgqSUdSV8P-xeyZlcz4ymoKoLCt-socsjBKhTSWPyZDC0icDoYRWIRM5vRBJ1TfLunbxrbvKRJoMyi13xW4OWYQn5e5LsZs_4Q8pGGOQ3LBAy4_52hrPHjw9UUVwd0EezFHOHYCAlaqi6wM6ovk-39e5I2hRDF2g/s740/thumb_1D5A140A-F780-41CD-8DA9-961DB7D6A24A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="380" data-original-width="740" height="164" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3MFxWxzlyAtfrThMo1tuXpLwILhgqSUdSV8P-xeyZlcz4ymoKoLCt-socsjBKhTSWPyZDC0icDoYRWIRM5vRBJ1TfLunbxrbvKRJoMyi13xW4OWYQn5e5LsZs_4Q8pGGOQ3LBAy4_52hrPHjw9UUVwd0EezFHOHYCAlaqi6wM6ovk-39e5I2hRDF2g/s320/thumb_1D5A140A-F780-41CD-8DA9-961DB7D6A24A.jpg" width="320" /></a></div><br />The Quiet Girl </i>(Ireland)</b><br style="font-family: verdana;" /><span style="font-family: verdana;">2023 was a good year for Ireland too — with 14 nominations including noms for Irish actors Colin Farrell, Kerry Condon, Brendan Gleeson and Barry Keoghan (<i>Banshees</i>), plus Paul Mescal (<i>Aftersun</i>). That's a quarter of the acting nominations. Additionally, <i>An Irish Goodbye</i> received a nomination for Best Live Action Short and <i>The Quiet Girl </i>for Best International Film.</span><br style="font-family: verdana;" /><br style="font-family: verdana;" /><span style="font-family: verdana;">A quiet, neglected girl is sent away from her dysfunctional family to live with foster parents for the summer — and she discovers a secret.</span><br style="font-family: verdana;" /><br style="font-family: verdana;" /><span style="font-family: verdana;">Where to watch: In select theaters.</span></div><div><b><span style="font-family: verdana;"><br /></span></b></div><div><b><span style="font-family: verdana;"><br /></span></b></div><div><b><span style="font-family: verdana;"><i><div class="separator" style="clear: both; text-align: center;"><br /></div></i></span></b></div><div><span style="font-family: verdana;"><br /><br /><b><i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVetQlPt56tiCkbN15Y0bhxpXw71fJuidYcrvoJuGjPwWrXSW7ici2sF2YoPT4P03Tso-RIQD6V1Nj-lPNBpHSaY6c7vRXF7f5QlcAxVNuVFisuCrK-CBdr9X-0ufWKEpVI59pZA7maN10Iir5Emz6a_8vn_Qu98sS9AQzYkOFf3ahFNr48KrOGQCq3g/s1000/Close.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="563" data-original-width="1000" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVetQlPt56tiCkbN15Y0bhxpXw71fJuidYcrvoJuGjPwWrXSW7ici2sF2YoPT4P03Tso-RIQD6V1Nj-lPNBpHSaY6c7vRXF7f5QlcAxVNuVFisuCrK-CBdr9X-0ufWKEpVI59pZA7maN10Iir5Emz6a_8vn_Qu98sS9AQzYkOFf3ahFNr48KrOGQCq3g/s320/Close.webp" width="320" /></a></div><br />Close</i> (Belgium)</b><br />A friendship between teenagers Leo and Remi is disrupted in this tale of friendship. Close was released theatrically in late January, and is building momentum. <i>Close</i> took the Grand Pix prize at Cannes. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Close is not currently streaming and I have not seen it.<br /><br />Where to watch: In select theaters.<br /><br /><br /><b><br /></b></span></div><div><span style="font-family: verdana;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfUt3DbTxeSSm_TWYu0R_w5Ea3i1gqyZrCDev_KI0_byXXcsFT6rYXoK2A6J32rqlwm1egsNfLsq3jRT105HBveCREyJGqAfp7_0xe0hHPoLN3FrHB19FtZPmrioSsAj-IKHurf5Ucvb2N3Pq8AIPcnorB4-5g-Oqz5JVhA43Sl7CDOWlW7r3b8gRgfw/s1600/l-intro-1670007458.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="899" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfUt3DbTxeSSm_TWYu0R_w5Ea3i1gqyZrCDev_KI0_byXXcsFT6rYXoK2A6J32rqlwm1egsNfLsq3jRT105HBveCREyJGqAfp7_0xe0hHPoLN3FrHB19FtZPmrioSsAj-IKHurf5Ucvb2N3Pq8AIPcnorB4-5g-Oqz5JVhA43Sl7CDOWlW7r3b8gRgfw/s320/l-intro-1670007458.jpg" width="320" /></a></div><br />Where is <i>RRR</i>? (India)</b><br />The international film of the year and perhaps decade, <i>RRR</i>, was not eligible to be nominated as India submitted <i>Chhello Show</i> for consideration instead. It was not nominated. If you're interested in the wild, innovative possibilities of cinema's future, stream this amazing production and you'll wonder why Marvel, DC, and the Fast & Furious flicks are just mailing it in.<br /><br />Where to watch: Netflix<br /></span></div><div><br /></div><div><br /></div><div><br /></div></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-72778794672564484582023-01-07T18:22:00.005-05:002023-01-10T23:18:50.771-05:00Golden Globes - here's who wins<span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO09391ry5Xs6k5AGle-ew5f_VUaysMOb-MGSJZzk6PVtBIfKyRkFkk6AAvs_IlA0oChXBUT_Cq6jZz5xoy3GSYz9hI7586v74EOyI3iEtdDvhORxN6ASHlnq2k4KxbNz_f_p5Sji79tKsGdU34JwEicsDtTKT15adl7Kh9WLV5XTwz6v6x_gzQNGdhA/s2144/IMG_4212.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="572" data-original-width="2144" height="106" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO09391ry5Xs6k5AGle-ew5f_VUaysMOb-MGSJZzk6PVtBIfKyRkFkk6AAvs_IlA0oChXBUT_Cq6jZz5xoy3GSYz9hI7586v74EOyI3iEtdDvhORxN6ASHlnq2k4KxbNz_f_p5Sji79tKsGdU34JwEicsDtTKT15adl7Kh9WLV5XTwz6v6x_gzQNGdhA/w400-h106/IMG_4212.JPG" width="400" /></a></div><br />The Golden Globes, whether we wanted them or not, are back. Historically, the Hollywood Foreign Press is all-over-the-place and everything everwhere all at once: Working Girl, Mrs. Doubtfire The Hangover and The Martian have actually won Best Motion Picture, Comedy or Musical. The judges, members of the Foreign Press, have exactly zero overlap with Oscar voters.<br /><br />But rest easy, The Ten Buck Review has an 82% correct prediction rate (film categories) that could help you win your awards pool (or at least look really darn smart during the telecast). <br /><br />Will Brendan Fraser show up? No. Will he win? Probably. See the predictions and what else is gonna happen:<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXzcpIQIiGGJWdFRw-Gxt0q51bQJmt8684A2wphApyOAPfHifYRLM2rk2LE4rJUIaHW9_gnuDNbJ2ID3APNcXh3ctY7WS-a0OWdbuJsI7weob16qGUfkqsYxaldRih-yTOLFgik99z0SrURTaZVa1EMRQ1lXItLc08F4zGrqnYS2EIsS2cI4hpgf8etg/s498/lets-watch-a-film-mitzi-fabelman.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="498" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXzcpIQIiGGJWdFRw-Gxt0q51bQJmt8684A2wphApyOAPfHifYRLM2rk2LE4rJUIaHW9_gnuDNbJ2ID3APNcXh3ctY7WS-a0OWdbuJsI7weob16qGUfkqsYxaldRih-yTOLFgik99z0SrURTaZVa1EMRQ1lXItLc08F4zGrqnYS2EIsS2cI4hpgf8etg/s320/lets-watch-a-film-mitzi-fabelman.gif" width="320" /></a></div><br />Best Motion Picture — Drama</b><br /><br />Avatar: The Way of Water<br />Elvis<br />The Fabelmans<br />Tár<br />Top Gun: Maverick<br /><br />Winner: The Fabelmans<br />Spoiler: Elvis<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmWDRJkFyLwAicW3mftiUCPvaIFlYHaIjWwrNo6-zPpS18BNq_kz9qrVixCVoui8iMwvzqP7rNJ1Oe3dBHgFFSByZhNdZ2aKyDJiOPU2wWoR1CrmjpTDltCpVLFSweqZvIYRuX9st1gVW1JsplWdWV7MT0JCuMw5oIu4S-2ZGu8GzUeFAWt1X-UIUZ4A/s480/icegif-846.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="480" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmWDRJkFyLwAicW3mftiUCPvaIFlYHaIjWwrNo6-zPpS18BNq_kz9qrVixCVoui8iMwvzqP7rNJ1Oe3dBHgFFSByZhNdZ2aKyDJiOPU2wWoR1CrmjpTDltCpVLFSweqZvIYRuX9st1gVW1JsplWdWV7MT0JCuMw5oIu4S-2ZGu8GzUeFAWt1X-UIUZ4A/s320/icegif-846.gif" width="320" /></a></div><br />Best Motion Picture — Musical or Comedy</b><br /><br />Babylon<br />The Banshees of Inisherin<br />Everything Everywhere All at Once<br />Glass Onion: A Knives Out Mystery<br />Triangle of Sadness<br /><br />Winner: Everything Everywhere All at Once<br />Spoiler: The Banshees of Inisherin<br /><br /><br /></span><div><b style="font-family: verdana;">Best Director — Motion Picture</b></div><div><span style="font-family: verdana;"><br />James Cameron, Avatar: The Way of Water<br />Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once<br />Baz Luhrmann, Elvis<br />Martin McDonagh, The Banshees of Inisherin<br />Steven Spielberg, The Fabelmans<br /><br />Winner: Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once<br />Spoiler: Steven Spielberg, The Fabelmans<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLFaR-NfH9dAn3T3QTTI-qjcOGSekoJXL3oRMhL4NjliS8wh7XpeUR33KxTt7Gt6SFMbULbRAp19GKrbYKUw6kGQ_2z4gJS4Vcv6l1p7JPgcqcXnm6rBfjCJ9aMpYkpwOO7-d34s1YEvcPcsFHkJephHkANjbVAP84OYhFOMkJ21Fq4x9QATHD8X9Amg/s442/tumblr_33f1b60454dc667fc2993ccf2198ed22_4e53ea74_500.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="249" data-original-width="442" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLFaR-NfH9dAn3T3QTTI-qjcOGSekoJXL3oRMhL4NjliS8wh7XpeUR33KxTt7Gt6SFMbULbRAp19GKrbYKUw6kGQ_2z4gJS4Vcv6l1p7JPgcqcXnm6rBfjCJ9aMpYkpwOO7-d34s1YEvcPcsFHkJephHkANjbVAP84OYhFOMkJ21Fq4x9QATHD8X9Amg/s320/tumblr_33f1b60454dc667fc2993ccf2198ed22_4e53ea74_500.webp" width="320" /></a></div><br />Best Screenplay — Motion Picture</b><br /><br />Todd Field, Tár<br />Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once<br />Martin McDonagh, The Banshees of Inisherin<br />Sarah Polley, Women Talking <br />Steven Spielberg and Tony Kushner, The Fabelmans<br /><br />Winner: </span><span style="font-family: verdana;">Martin McDonagh, The Banshees of Inisherin</span></div><div><span style="font-family: verdana;">Spoiler: </span><span style="font-family: verdana;">Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once</span><span style="font-family: verdana;"><br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqXj8Ao22ASMXfnVdIiHYoflnSNfKbt3xEsnNEXC8Hrdp9oSsjOmb-8_5Gg0DLjqvvo_gejsL8gGfCvXXA4LG_yJV6MinkJvYZaQ4dJiva9ayNJLo0U7uazv9sa1SsXyVG9gYFWegUIWG_mfvv0a8WpSMpGwBFcS7DMqO40UGbXvf6PTu1UhK5GasElA/s340/brendan-frasier-laughing.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="252" data-original-width="340" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqXj8Ao22ASMXfnVdIiHYoflnSNfKbt3xEsnNEXC8Hrdp9oSsjOmb-8_5Gg0DLjqvvo_gejsL8gGfCvXXA4LG_yJV6MinkJvYZaQ4dJiva9ayNJLo0U7uazv9sa1SsXyVG9gYFWegUIWG_mfvv0a8WpSMpGwBFcS7DMqO40UGbXvf6PTu1UhK5GasElA/s320/brendan-frasier-laughing.gif" width="320" /></a></div><br />Best Performance by an Actor in a Motion Picture — Drama<br /></b><br />Austin Butler, Elvis<br />Brendan Fraser, The Whale<br />Hugh Jackman, The Son<br />Bill Nighy, Living<br />Jeremy Pope, The Inspection<br /><br />Winner: Brendan Fraser, The Whale<br />Spoiler: Austin Butler, Elvis<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIRCWRyy2gSzzbp0D1bEskY5wUdI5lSER1sEpQLhQ6Dk6x6w0Oj0BmUAsQDYvDyBWws78mW_IZinXWxas4w3mZPIMfSV2ZqMeGHSyr7rrGMdRdj1kyPLov4QPqPqPQfLhM5VUKtj0i7PWqAM-P8ubSdrQihPp-llPkYQiGVAYEh3SpsW1P82WJgZd6QA/s800/tumblr_8e809c2fc6c0259486d513bf4e6c0e32_1057b65f_1280.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="406" data-original-width="800" height="162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIRCWRyy2gSzzbp0D1bEskY5wUdI5lSER1sEpQLhQ6Dk6x6w0Oj0BmUAsQDYvDyBWws78mW_IZinXWxas4w3mZPIMfSV2ZqMeGHSyr7rrGMdRdj1kyPLov4QPqPqPQfLhM5VUKtj0i7PWqAM-P8ubSdrQihPp-llPkYQiGVAYEh3SpsW1P82WJgZd6QA/s320/tumblr_8e809c2fc6c0259486d513bf4e6c0e32_1057b65f_1280.gif" width="320" /></a></div><br />Best Performance by an Actress in a Motion Picture — Drama</b><br /><br />Cate Blanchett, Tár<br />Olivia Colman, Empire of Light <br />Viola Davis, The Woman King<br />Ana de Armas, Blonde<br />Michelle Williams, The Fabelmans<br /><br />Winner: Cate Blanchett, Tár<br />Spoiler: Viola Davis, The Woman King<br /><br /><b><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDtyp2xO5QBwj8Iz6QJ3w1C_uzmWZgi6Dt8Ptz_dDEY1o38nGSOi_368vk81D4yl2zh-RmEq8meuOajlp69zaNaKwu7Ad8NEf-OOedwMKSzfmLfO_ZJRv9moavxUwAsYaeTEiINWx1fobI6Mg5si9GqiJiJ9gxp2BXjBi35NGuNz5pV_qaY89hGgnIHQ/s540/tumblr_831db5bb99205d96f92e972357eeb5fe_d552fb94_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="540" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDtyp2xO5QBwj8Iz6QJ3w1C_uzmWZgi6Dt8Ptz_dDEY1o38nGSOi_368vk81D4yl2zh-RmEq8meuOajlp69zaNaKwu7Ad8NEf-OOedwMKSzfmLfO_ZJRv9moavxUwAsYaeTEiINWx1fobI6Mg5si9GqiJiJ9gxp2BXjBi35NGuNz5pV_qaY89hGgnIHQ/s320/tumblr_831db5bb99205d96f92e972357eeb5fe_d552fb94_540.gif" width="320" /></a></div><br />Best Performance by an Actor in a Motion Picture — Musical or Comedy</b><br /><br />Diego Calva, Babylon<br />Daniel Craig, Glass Onion: A Knives Out Mystery <br />Adam Driver, White Noise<br />Colin Farrell, The Banshees of Inisherin<br />Ralph Fiennes, The Menu <br /><br />Winner: Colin Farrell, The Banshees of Inisherin<br />Spoiler: Daniel Craig, Glass Onion: A Knives Out Mystery<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW0YvJRYRT9nnK33VitCHTd-E9VWsBPcsONYV-WSNb9RY9J5cvU0hVZfzV1JY0q_goAh9YfH2s1Mb8LBRIknYlvddrkrOENnQzOsEQZcDHwLO56kQxUtece39VFfdeWNcFIpa3-y69OPWN-YueQchbMlX51hrZSeVG_jB2skk7XE7M4tLqI6Nh6piehw/s480/giphy.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="240" data-original-width="480" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW0YvJRYRT9nnK33VitCHTd-E9VWsBPcsONYV-WSNb9RY9J5cvU0hVZfzV1JY0q_goAh9YfH2s1Mb8LBRIknYlvddrkrOENnQzOsEQZcDHwLO56kQxUtece39VFfdeWNcFIpa3-y69OPWN-YueQchbMlX51hrZSeVG_jB2skk7XE7M4tLqI6Nh6piehw/s320/giphy.gif" width="320" /></a></div><br />Best Performance by an Actress in a Motion Picture — Musical or Comedy</b><br /><br />Lesley Manville, Mrs. Harris Goes to Paris <br />Margot Robbie, Babylon<br />Anya Taylor-Joy, The Menu<br />Emma Thompson, Good Luck to You, Leo Grande<br />Michelle Yeoh, Everything Everywhere All at Once<a href="https://www.townandcountrymag.com/leisure/arts-and-culture/a40754240/michelle-yeoh-interview-2022/"><br /></a><br />Winner: Michelle Yeoh, Everything Everywhere All at Once<br />Spoiler: Margot Robbie, Babylon<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzAH5asowSo1-cvF6tvY-Yalk43fXHtVpvWIz_KDed-Ig9FbR-n0c7NbT9j7sii2l7WkqCgtiBxY-6IKQP2dPbaYqPGaFMNwoDVSOXb2GOmWbARKKGUVCFXfnMSYZpSLIvcaNdMKNP3R04TjmK2BAeiZojtxieejouKDosGCj1nAmUzL0E-p5_csz_Ng/s540/tumblr_426487890bcd744b3c84e06b541214ce_9f4bd79c_540.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="540" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzAH5asowSo1-cvF6tvY-Yalk43fXHtVpvWIz_KDed-Ig9FbR-n0c7NbT9j7sii2l7WkqCgtiBxY-6IKQP2dPbaYqPGaFMNwoDVSOXb2GOmWbARKKGUVCFXfnMSYZpSLIvcaNdMKNP3R04TjmK2BAeiZojtxieejouKDosGCj1nAmUzL0E-p5_csz_Ng/s320/tumblr_426487890bcd744b3c84e06b541214ce_9f4bd79c_540.gif" width="320" /></a></div><br />Best Performance by an Actor in a Supporting Role in any Motion Picture</b><br /><br />Brendan Gleeson, The Banshees of Inisherin<br />Barry Keoghan, The Banshees of Inisherin<br />Brad Pitt, Babylon<br />Ke Huy Quan, Everything Everywhere All at Once<br />Eddie Redmayne, The Good Nurse<br /><br />Winner: Ke Huy Quan, Everything Everywhere All at Once<br />Spoiler: Brendan Gleeson, The Banshees of Inisherin<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcLnXphytQMwNBWbwKxLovIJNDeJtxjSaDY1-dXesxOC32nKjxItF9XVxR0hoPcBDmdVi61bG74zu-Lj_WizK5PbKofj8q1wPz5U914BPvAPLguJGJnd1sqCYq3wf5OptHKSGEdqCg09e5bEibEF1y999e8YWtrbI9JIllW4c25sdPSOfEakT3GxJaKw/s498/jamie-lee-curtis-everything-everywhere.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="498" data-original-width="498" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcLnXphytQMwNBWbwKxLovIJNDeJtxjSaDY1-dXesxOC32nKjxItF9XVxR0hoPcBDmdVi61bG74zu-Lj_WizK5PbKofj8q1wPz5U914BPvAPLguJGJnd1sqCYq3wf5OptHKSGEdqCg09e5bEibEF1y999e8YWtrbI9JIllW4c25sdPSOfEakT3GxJaKw/w200-h200/jamie-lee-curtis-everything-everywhere.gif" width="200" /></a></div><br />Best Performance by an Actress in a Supporting Role in any Motion Picture</b><br /><br />Angela Bassett, Black Panther: Wakanda Forever<br />Kerry Condon, The Banshees of Inisherin<br />Jamie Lee Curtis, Everything Everywhere All at Once<br />Dolly de Leon, Triangle of Sadness<br />Carey Mulligan, She Said<br /><br />Winner: Jamie Lee Curtis, Everything Everywhere All at Once<br />Spoiler: Angela Bassett, Black Panther: Wakanda Forever<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifL80R6UMWTdFHDz3MjIVf-TKi6Jrwx5kemGpTzxffbL2lvxaqK_2OwDnSa5FZiXfFDPBIDagpdAlV1RAZlGFQyv6aWoMbrjhenFtd-fOYJg6udk4dxwDly_Eqet3Evrpe-UY6n-C0lsrlFcsnEPQZFEmn8KqpquZ66yPxQFkM8WaSL5CH7ccIZmrkpQ/s498/ramcharan-rrr-movie.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="298" data-original-width="498" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifL80R6UMWTdFHDz3MjIVf-TKi6Jrwx5kemGpTzxffbL2lvxaqK_2OwDnSa5FZiXfFDPBIDagpdAlV1RAZlGFQyv6aWoMbrjhenFtd-fOYJg6udk4dxwDly_Eqet3Evrpe-UY6n-C0lsrlFcsnEPQZFEmn8KqpquZ66yPxQFkM8WaSL5CH7ccIZmrkpQ/s320/ramcharan-rrr-movie.gif" width="320" /></a></div><br />Best Motion Picture — Non-English Language</b><br /><br />All Quiet on the Western Front<br />Argentina, 1985<br />Close<br />Decision to Leave<br />RRR<br /><br />Winner: RRR<br />Spoiler: All Quiet on the Western Front<br /><br /><b><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6k3F2GGio9j4zwFSrbFjMpseLfSvYMPLligRL2Y_9a7qVKb5bBoxFDqT5QPmj2doaSrJ5D070A_Gr9kwGYaS35t0tXFVyX0sH9g2g8WqWJHb8qaFN71XbOWcL_yxwNQUdwJ-EnMwTVHKGsE8nBicOhp_haEEmgaU2gtUlhv4KXLfcoBqHUPRL_gSRIg/s640/lie-down-pinocchio.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="640" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6k3F2GGio9j4zwFSrbFjMpseLfSvYMPLligRL2Y_9a7qVKb5bBoxFDqT5QPmj2doaSrJ5D070A_Gr9kwGYaS35t0tXFVyX0sH9g2g8WqWJHb8qaFN71XbOWcL_yxwNQUdwJ-EnMwTVHKGsE8nBicOhp_haEEmgaU2gtUlhv4KXLfcoBqHUPRL_gSRIg/s320/lie-down-pinocchio.gif" width="320" /></a></div><br />Best Motion Picture — Animated</b><br /><br />Guillermo del Toro's Pinocchio<br />Inu-Oh<br />Marcel the Shell With Shoes On<br />Puss in Boots: The Last Wish<br />Turning Red<br /><br />Winner: Guillermo del Toro's Pinocchio<br />Spoiler: </span><span style="font-family: verdana;">Marcel the Shell With Shoes On</span><span style="font-family: verdana;"><br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8_UZlmsGIOJ3XxzINEPciDZsR-4YjVdFEHF8KvhJFmfOUu3N4jbH2qNpAy6p-nB4Duuu9gLLLh7uMrx41YgweN1ac8viHdTNV8pQJS2oQV40ToQ-Hoz5ticyn_TwBLHGLGDZXZkwuRt2iFXd8SA1HqK9ouF48-97tgmWaZylld0h81v5mFtPpVJlnMQ/s498/playing-a-film-sammy-fabelman.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="498" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8_UZlmsGIOJ3XxzINEPciDZsR-4YjVdFEHF8KvhJFmfOUu3N4jbH2qNpAy6p-nB4Duuu9gLLLh7uMrx41YgweN1ac8viHdTNV8pQJS2oQV40ToQ-Hoz5ticyn_TwBLHGLGDZXZkwuRt2iFXd8SA1HqK9ouF48-97tgmWaZylld0h81v5mFtPpVJlnMQ/s320/playing-a-film-sammy-fabelman.gif" width="320" /></a></div><br />Best Original Score — Motion Picture</b><br /><br />Carter Burwell, The Banshees of Inisherin<br />Alexandre Desplat, Guillermo del Toro's Pinocchio<br />Hildur Gudnadóttir, Women Talking<br />Justin Hurwitz, Babylon<br />John Williams, The Fabelmans<br /><br />Winner: John Williams, The Fabelmans<br />Spoiler: </span><span style="font-family: verdana;">Justin Hurwitz, Babylon<br /><br /><br /><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij3AMvYZ8bocUHHJ7oEbfhztS5-cJCs6VmybvGj8iJHrxgkVSY0QKpfrZiiODBucr_Fz29KsbXVn32hVp6jy36ufrweulvXzvcWDdQ19EFKxL0U5c9uFnmK5_RIUf1f1nD0Ze4lc2Olil6lsmk6jS5j5MBvvVjsI9H4Z9r9jjQhCHcfzACSjYu3dP6ng/s350/tumblr_fb7e59fe8bcd4a439e1fe1b28f130502_e9b09611_400.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="268" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij3AMvYZ8bocUHHJ7oEbfhztS5-cJCs6VmybvGj8iJHrxgkVSY0QKpfrZiiODBucr_Fz29KsbXVn32hVp6jy36ufrweulvXzvcWDdQ19EFKxL0U5c9uFnmK5_RIUf1f1nD0Ze4lc2Olil6lsmk6jS5j5MBvvVjsI9H4Z9r9jjQhCHcfzACSjYu3dP6ng/w153-h200/tumblr_fb7e59fe8bcd4a439e1fe1b28f130502_e9b09611_400.webp" width="153" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBnI2QUM_sfXRUnW0qbbBWzQKaMXMCNpQNl4zYnw8Wh2AhRe12V3kxrVM9bBZllFUODOK9IvQ4zFtSyDPhn8Ko3j9k6igQJ6MP1Hy13MLpmWvrB6ATKj8ScTHtTGyhs9fzd3mraic95shu9FbNasFDWOmwFioVG-CxvSQhbbTDXKYco5jFzqxS2b43eg/s360/naatu-naatu-ramcharan.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="315" data-original-width="360" height="175" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBnI2QUM_sfXRUnW0qbbBWzQKaMXMCNpQNl4zYnw8Wh2AhRe12V3kxrVM9bBZllFUODOK9IvQ4zFtSyDPhn8Ko3j9k6igQJ6MP1Hy13MLpmWvrB6ATKj8ScTHtTGyhs9fzd3mraic95shu9FbNasFDWOmwFioVG-CxvSQhbbTDXKYco5jFzqxS2b43eg/w200-h175/naatu-naatu-ramcharan.gif" width="200" /></a></div><br /></div><br />Best Original Song — Motion Picture</b><br /><br />"Carolina" by Taylor Swift, from Where the Crawdads Sing <br />"Ciao Papa" by Alexandre Desplat, Roeban Katz, Gullermo del Toro from Guillermo del Toro's Pinocchio<br />"Hold My Hand" by Lady Gaga, BloodPop, Benjamin Rice from Top Gun: Maverick<br />"Lift Me Up" by Tems, Rihanna, Ryan Coogler, Ludwig Göransson from Black Panther: Wakanda Forever<br />"Naatu Naatu" by M.M. Keeravani, Kala Bhairava, Rahul Sipligunj from RRR<br /><br /><br />Winner: "Lift Me Up" from Black Panther: Wakanda Forever<br />Spoiler:"Naatu Naatu" from RRR</span></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0tag:blogger.com,1999:blog-3212167305605484958.post-20738536167757386852023-01-07T15:04:00.008-05:002023-01-08T10:44:30.642-05:00RRR <span style="font-family: verdana;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWmT8Aua0LSLHZt-dbQlaf2SSV2PoY9cS_p3XFpy6SL4HhVjxNNkGyTdOSLQ6IMEioI6C5CzqJwT_y87NE7Xxn6OmV4uB-zTKoQ318UdmYtmgDlTeDYBUqFHeqfbOevFWqfmgKENtZPf0jPxReyZajJy92nkxbtkvZbxQKLgvaG_UWkNO1-rFDvQzJ0Q/s2560/brody-RRR.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1090" data-original-width="2560" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWmT8Aua0LSLHZt-dbQlaf2SSV2PoY9cS_p3XFpy6SL4HhVjxNNkGyTdOSLQ6IMEioI6C5CzqJwT_y87NE7Xxn6OmV4uB-zTKoQ318UdmYtmgDlTeDYBUqFHeqfbOevFWqfmgKENtZPf0jPxReyZajJy92nkxbtkvZbxQKLgvaG_UWkNO1-rFDvQzJ0Q/w400-h170/brody-RRR.webp" width="400" /></a></div><br />Remember the moment right before you watch<i> RRR</i> because afterward the possibilities of cinema will seem changed forever. </span><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">I don't know how I missed this film earlier in the year but watching this on my television felt like an IMAX. I've never seen anything quite like it. <i>RRR</i> (Rise, Roar, Revolt) is a wildly entertaining adrenaline rush that reimagines the story of Indian revolutionaries Raju and Gheem who contested the oppressions of British colonial power. While there's no record that they ever met, director/writer S. S. Rajamoul imagines them in the bromance of the 20th Century.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYmL3eAomOU3FrnykTKleNS3F22xlmA_MF7ttiPBChnIniKtrR9mjm0VU5xgodxVpLW6yb8z84zvZKKVVtdmJiJYQtKRPIunZiKvD8KOi18VEtx4gKBjPdFbNy2uweco_D4WuAFI3OtGBt41CUvtKDxEsblFyscsiIb-4buHEQUmeCWS8fd_h8eITaJQ/s498/ramcharan-rrr-movie.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="298" data-original-width="498" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYmL3eAomOU3FrnykTKleNS3F22xlmA_MF7ttiPBChnIniKtrR9mjm0VU5xgodxVpLW6yb8z84zvZKKVVtdmJiJYQtKRPIunZiKvD8KOi18VEtx4gKBjPdFbNy2uweco_D4WuAFI3OtGBt41CUvtKDxEsblFyscsiIb-4buHEQUmeCWS8fd_h8eITaJQ/s320/ramcharan-rrr-movie.gif" width="320" /></a></div><br />Rajamouli shoots the action with supercharged energy, amazing set pieces, heightened visuals and <i>lean-forward </i>originality. You won't be bored for a single second by the action — or the story. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Marvel and DC should take note quickly.<br /><br />It's the best action film of the year in what I'd describe as "superheroes meet Hong Kong action films meet the Matrix meets the Avengers and that <i>T2 </i>supercop meets <i>Crouching Tiger Hidden Dragon." </i> Yet, somehow it's something brand new.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6XNyYd8buW2poU4MitSz5iQcQXRt3WB_F-LkeoGg-_IYKVF0qTc4HXAVBmmlBf1_c4iQKI6hOMRCi9viVRjjFMWfA37r_zJJrIjgv8MBiWzeB73faXpXP0AHDOMwOM--LsqflI-4J03b--Bxrg3IZWdwAwUczJVzc7clxd06S7o67BDOpCFwROsbVrw/s356/giphy.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="251" data-original-width="356" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6XNyYd8buW2poU4MitSz5iQcQXRt3WB_F-LkeoGg-_IYKVF0qTc4HXAVBmmlBf1_c4iQKI6hOMRCi9viVRjjFMWfA37r_zJJrIjgv8MBiWzeB73faXpXP0AHDOMwOM--LsqflI-4J03b--Bxrg3IZWdwAwUczJVzc7clxd06S7o67BDOpCFwROsbVrw/s320/giphy.gif" width="320" /></a></div><br />It's also the musical of the year. Seriously. Bollywood meets the <i>West Side Story </i>Jet Sharks dance-off meets <i>Les Miz </i>meets something entirely original.<br /><br />All of this above, yet it was played with conviction by the two Tollywood superstars; I was genuinely moved. As a warning, it is violent. It is an emotion-driven film built around a revolution started by aggressive oppression (both seen on screen), so it is bloody and heart-breaking in places. If you can get past an early horrifying scene with, perhaps your hands in front of your eyes, you'll realize it's worth it. Perhaps you'll be as invested as I am in seeing how the revolution plays out.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9WmjSNJmVEy6M1TJQVrsdLxow3RZKJ9M_wztRSGX5Iaxdqolx8PjoBGRDMDbeeoHwgMgqqLnFU1VjwuGOFjyPf9dJpdurcxGAta-MnHBZrsVLLoqHDDrBDl8kWIC86YvOmVeJKrC4GIITfTdo4DXsfUOQvQ52bRQeJJKqtHtWacjI94OVGk-Ez1jLTg/s498/ram-charan-rrr-ram-charan.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="498" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9WmjSNJmVEy6M1TJQVrsdLxow3RZKJ9M_wztRSGX5Iaxdqolx8PjoBGRDMDbeeoHwgMgqqLnFU1VjwuGOFjyPf9dJpdurcxGAta-MnHBZrsVLLoqHDDrBDl8kWIC86YvOmVeJKrC4GIITfTdo4DXsfUOQvQ52bRQeJJKqtHtWacjI94OVGk-Ez1jLTg/s320/ram-charan-rrr-ram-charan.gif" width="320" /></a></div><br />Like <i>Star Wars, Pulp Fiction,</i> <i>T2 </i>and <i>Toy Story f</i>or me, it is next-level. Watching this film, I feel like cinema skipped to the next beat and I can't wait to see what it inspires. I hope <i>RRR </i>garners Oscar attention and returns to the theaters. I'd love to see this one on the big screen with a crowd. EncoRRRe, please!<br /><br /><span style="color: #e69138;">In a nutshell: </span>Exhilarating. Bursting with action, wild animals, showdowns, musical numbers and originality, <i>RRR</i> earns its three-hour running time. You won't be bored for a second.</span></div><div><span style="font-family: verdana;"><span style="color: #e69138;"><br />Award potential: </span>While not eligible for the Best International Feature Oscar, it is a contender for Best Non-English language film (Golden Globes). Fingers crossed the Academy sees it and considers Best Picture, Director, Actors and Screenplay. The song<i> Naatu Naatu</i> recently became the first Indian song to make the Oscar's shortlist for Best Original Song — hopefully, a nomination into the top five follows.</span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="color: #e69138; font-family: verdana;">Where to watch: </span><span style="font-family: verdana;">Netflix shows the Hindu-dubbed version. I used the subtitles in the settings. There are optional dubs in English and other languages.</span><span style="font-family: verdana;"><br /><br /><span style="color: #e69138;">The Ten Buck Review:</span> Worth ten bucks.<br /><br /><br /><br /></span><br /></div>alan eskewhttp://www.blogger.com/profile/13952683792161864387noreply@blogger.com0