State of shock.
After about 15 minutes of watching the brat kids at the centerpiece of Sean Baker’s (Tangerine) The Florida Project, I wanted to walk out of the theater. I’m glad I didn’t; it won me over.
There are two sides to this film; much like the views of life in this outside-Orlando town is to the children and adults who inhabit this film. It’s no accident that the very real moments on screen happen outside of the most magical place on earth, in the Sunshine State.
Credit to Baker and the actors, the characters slowly become more real than most onscreen. Plus, Alexix Zabé's camera work pulls you into this world, and William Dafoe has rarely been better.
The realism isn’t as perfected as Richard Linklater's (Boyhood), but it’s approaching that level of film excellence. Except for the final minutes, there are no film cheats nor trite treatments of borderline poverty in America. Baker got it just right, and this film will surely stick with you long after watching.
In a nutshell: Not a Friday night film getaway, but you should find the right time to see this story
Award potential: The Academy Award nominations will likely be kinder to this film than those of Golden Globes, who like big stars, and SAG which focuses on ensemble casts.
Expect nominations for Best Movie and Best Supporting Actor (Dafoe) and possible nominations for Best Screenplay (Baker), Best Cinematography (Zabé) and Best Supporting Actress (Brooklynn Prince), a long shot for the young actress.
The ten buck review: Worth ten bucks.
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