Sunday, March 20, 2022

The Worst Person in the World


Norwegian writer-director Joachim Trier (Thelma) perfectly casts Reate Reinsve (Oslo) as Oslo medical student Julie, a magnificent mess who changes career plans too often in her early twenties and may just have similar problems with relationships. Also, perfectly cast are her men— a Robert Crum-style comic-book artist Aksel (Anders Danielson Lie) and Eivind (Herber Nordrum) a married stranger she meets at a party.


If you haven't guessed already, it's a dramatic comedy about a woman on the verge of figuring out who she is. She's unlikely "the worst person in the world" nor is she the "nicest." One thing I can reveal is that she is "funny" in a way we haven't seen since Fleabag.


The whole film is pretty likable too. it delights and generates some solid, rootin-'tootin'  laugh-out moments. Until a third arc conversation between Julie and Aksel that delivers a gut-punch about the artifacts of youth. Wowza. I'll never forget that dialogue.


The Worst Person in the World may be about a young twentysomething woman but to me, it plays more like recent comfortable coming-of-middle-age films such as Gloria (2013), Gloria Bell (2018) combined with TV's Fleabag or Catastrophe. This is the third film in the Norwegian director's Oslo Trilogy. However, it stands alone and is one of the best films of 2021.

In a nutshell: Funny, bittersweet and poignant, Worst Person is a very likable film.

Award potential: The Cannes winner is nominated for Best Internation Feature Film at the Oscars.

Where to watch: Currently on VOD

The Ten Buck Review: Worth ten bucks


Sunday, March 6, 2022

The Batman (2022)



The Batman
has the unenviable task of finding something new to offer onscreen following Tim Burton's genre-changing films, Joel Schumacher's bright and comedic crowdpleasers, Chris Nolan's dark and heralded Dark Knight trio, and the most recent Batfleck films that hinted that there is nowhere else to go with Batman. Not to mention a Lego Batman and the camp-tastic 1960s TV and movie series.


What the new, The Batman (2022) got right was finding a new lane for Batman that works — returning Batman to his "Detective" sleuthing days in a psychological thriller more in line with Seven (1995) and True Detective (2014) than Zack Snyder's Justice League (2017, 2021). The car is cool too.


What The Batman got wrong is not stopping after the first two hours. If the film had ended at 2 hours and 7-minutes like Seven, we'd have a film worthy of your ten bucks. That Fincher film introduced us to entirely new characters, unlike the familiar Waynes, Catwoman, Penguin and Riddler, made us care about them and took us on a rollercoaster ride that didn't need coffee to sit through. Director Matt Reeves (Dawn of the Planet of the Apes, Cloverfield) falls into the superhero universe trap that everything needs to be bigger, louder and earth-changing by the end. The last hour is mostly unwatchable.


Yes, Robert Pattison's jawline looks great and Zoey Kravitz looks purrfect in the iconic suit, yet somehow, even with the long-running time, we never get under the masks of any of these characters to know them or root for them. I'm sure they'll get to try again.

In a nutshell: They got so close you could see how a similar film could have worked. A smaller scope would have made The Batman a bigger treat. P.S. Not for kids.

Award Potential: None. Cinematographer Greig Fraser is likely a winner this year for his work on Dune.

Where to watch: In theaters.

The Ten Buck Review: Not worth ten bucks.


Saturday, March 5, 2022

The 7 Films To Stream Before Oscar Night

 


 Whether you still love the actual show or not, the Oscars always provide us with a solid list of the year’s best films. However, it’s a lonnnng list given that it is three weeks until the show. 


No worry. Here are the top seven films you need to see before the show to be in the know, have a favorite to root for, and have an opinion on all of the drama… and comedy.

CODA

The Best Picture race is narrowing to three films — CODA, Belfast and Power of the Dog. But only this one is gaining momentum as voters envision the multiple deaf actors on stage for a historical moment of diversity. Another reason it’s a must-watch? Troy Kotsure will win Supporting Actor. One more? It’s the feel-good film of the year.
Where to watch: Apple+


THE POWER OF THE DOG

It may be the feel-not-so-good film of the year, but its artistic craft will take home Best Director, Adapted Screenplay and Score. It could very likely win Best Picture and other Oscars.
Where to watch: Netflix


BELFAST

My favorite film of the year held a top spot for Best Picture against Power of the Dog until CODA took its place in the feel-good position. It will take home Original Screenplay at the very least and is up for a total of 7 Oscars.
Where to watch: VOD, Theaters

DUNE

It would be a spicy little surprise if it took Best Picture but shouldn’t be. It’s on track to win, yes win, all 7 top technical awards: Cinematography, Film Editing, Costume, Makeup & Hairstyling, Production Design, Sound and Visual Effects. Any film with 7 technical wins could surprise as Best Picture in a year without a frontrunner.
Where to watch: HBOMax

FLEE

A contender for Animated Feature, Documentary and International Feature, which is quite a feat. Flee has already made history and is one to watch before Oscars Night.
Where to watch: Hulu


ENCANTO

Unless Flee pulls off an upset that even Bruno won’t talk about, this film will win Best Animated Feature. If its song upsets Billie Eilish’s 007 crooner, Lin Manuel Miranda will enter the EGOT club with an Emmy, Grammy, Oscar and Tony — it would be a fun moment on the show.
Where to watch: Disney+


DRIVE MY CAR

Nominated for Best Picture and Director, this Japanese Film is a frontrunner to win another big one — Best International Feature. It's a 3-hour ride — consider watching it as a 3-part series. It's worth it.
Where to watch: HBOMax


SUMMER OF SOUL

It’s unclear if Flee will split its love across categories and go home empty or sweep them all. The most likely scenario is that this well-loved film takes the prestigious Best Documentary Feature. You’ll love it.
Where to watch: Hulu

+ Where to find the 10 Best Picture Nominees
Belfast, VOD 
CODA, Apple+
Don’t Look Up, Netflix
Drive My Car, HBOMax
Dune, HBOMax
King Richard, VOD
Licorice Pizza, Theaters
Nightmare Alley, HBOMax
The Power of the Dog, Netflix
West Side Story, HBOMax

Friday, February 18, 2022

Flee


2021 Oscar nominee Riz Ahmed (Sound of Metal) is a producer of the Danish animated documentary Flee, which has been nominated across categories for this year's Academy Awards: Best Documentary, Best Animated Feature and Best International Feature Film.

Director Jonas Poher Rasmussen's film tells the story of Amin, a young refugee fleeing his home in Afghanistan to Denmark. It's a story of perseverance and hope that will surely impact even the least emotional viewers.


Amin and friend Rasmussen's story is filled with enough suspense to make you forget you are watching an animated film. The animation, of course, hides the identity of the Aghan refugee but serves as a thrilling storytelling device that stretches the format into new directions and will surely push both documentary and animated crafts forward.

His story begins with his 1980s childhood which comes to an abrupt end when the Soviets invade and then leave his country. The rest you'll have to see for yourself. 

In a nutshell: Told inventively, it's an intimate story you'll unlikely forget.

Award potential: Uniquely nominated already for Best Documentary, Best Animated Feature and Best International Feature Film Academy Awards.

Where to see it: Available to stream on Hulu or rent or purchase on VOD.

The Ten Buck Review: Worth ten bucks.



Monday, February 7, 2022

Who Gets An Oscar Nomination Tomorrow?


With a record of 78.7% accuracy at predicting nominees, here are my predictions for the streamiest Oscar race ever with titles that sound like another decade. Expect Dune to land 11 nominations, followed by Jan Campion's Power of the Dog with 10 and Belfast and West Side story with 8. 

BEST PICTURE
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Tick, Tick … Boom!
The Power of the Dog
West Side Story

Spoiler: Nightmare Alley, Lost Daughter



BEST DIRECTOR

Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Steven Spielberg, West Side Story
Denis Villeneuve, Dune

Spoiler: Adam McKay (Don’t Look Up), or Ryusuke Hamaguchi (Drive My Car)



BEST ACTOR

Bradley Cooper, Nightmare Alley
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick Tick Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth

Spoiler: Jude Hill (Belfast), or Leonardo DiCaprio (Don’t Look Up)



BEST ACTRESS

Olivia Colman, The Lost Daughter
Penélope Cruz, Parallel Mothers
Lady Gaga, House of Gucci
Emilia Jones, CODA
Nicole Kidman, Being the Ricardos

Spoiler: Kristen Stewart, Spencer



BEST SUPPORTING ACTOR

Bradley Cooper, Licorice Pizza
Ciarán Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
Kodi Smit-McPhee, The Power of the Dog

Spoiler: Jamie Dornan, Belfast



BEST SUPPORTING ACTRESS

Caitríona Balfe, Belfast
Cate Blanchett, Nightmare Alley
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Judi Dench (Belfast)

Spoiler: Marlee Matlin (CODA) or Rita Moreno (West Side Story)



BEST ADAPTED SCREENPLAY

CODA
Drive My Car
Dune
The Power of the Dog
The Lost Daughter


Spoiler: The Tragedy of Macbeth



BEST ORIGINAL SCREENPLAY

Being the Ricardos
Belfast
Don’t Look Up
Licorice Pizza
Parallel Mothers

Spoiler: C’mon Cmon, King Richard


BEST CINEMATOGRAPHY

Belfast
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth



BEST COSTUME DESIGN

Cruella
Dune
Nightmare Alley
The French Dispatch
West Side Story


Spoiler: House of Gucci


BEST FILM EDITING
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story


BEST MAKEUP & HAIRSTYLING

Cruella
Dune
House of Gucci
The Eyes of Tammy Faye
West Side Story


Spoiler: Coming 2 America, Nightmare Alley


BEST ORIGINAL SCORE
Don’t Look Up
Dune
Parallel Mothers
The Power of the Dog
The French Dispatch


BEST ORIGINAL SONG

“No Time to Die," No Time To Die
“Just Look Up,” Don't Look Up
“Beyond the Shore,” CODA
“Be Alive,” King Richard
“Your Song Saved My Life,” Sing 2


BEST PRODUCTION DESIGN
Belfast
Dune
Nightmare Alley
The French Dispatch
West Side Story

BEST SOUND

Dune
No Time to Die
Spider-Man: No Way Home
Tick, Tick … Boom!
West Side Story


BEST VISUAL EFFECTS

Dune
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
The Matrix Resurrections


BEST ANIMATED FEATURE

Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon



BEST DOCUMENTARY FEATURE
Ascension
Attica
Flee
Summer of Soul
The Rescue

BEST INTERNATIONAL FEATURE

A Hero (Iran)
Drive My Car (Japan)
Plaza Catedral (Panama)
The Hand of God (Italy)
The Worst Person in the World (Norway)


BEST ANIMATED SHORT
Bestia
Namoo
Step Into the River
The Windshield Wiper
Us Again


BEST DOCUMENTARY SHORT

Águilas
Coded: The Hidden Love of J.C. Leyendecker
Day of Rage
The Queen of Basketball
Three Songs for Benazir



BEST LIVE-ACTION SHORT
Frimas
Please Hold
Tala’vision
The Long Goodbye
When the Sun Sets









Nightmare Alley


Step this way, folks for director Guillermo del Toro (The Shape of Water, Pan's Labyrinth) and his latest fairy tale. This time it's a 1930s back-road carnival filled with freaks and literal geeks — it's right up his own alley.

Del Toro’s (The Shape of Water, Pan's Labyrinth) latest is a tale of a carnival grifter, magically pulled from a 1946 novel and a 1947 noir film of the same name.


Somewhat mysterious drifter and wannabe grifter Stan (Bradley Cooper) stumbles upon a depression-era carnival filled with a world of carny characters in a set designer's wet dream. He meets a carnival manager (Willem Dafoe), a clairvoyant (Toni Collette), her mentalist husband (David Strathairn) and a lightning rod love interest (Rooney Mara). In his follow up to The Shape of Water, del Toro has found some new monsters; it's just not always clear who they are. In a clearly distinct second act, we meet one more character, Dr. Lillith Reader, played by a silkly suave Cate Blanchett that could have been in a 1930's noir.


But it's Cooper that steals almost every non Blanchett-scene, however. With a transition from folksy everyman to overconfident grifter to (something else I won't say), this is easily his widest trajectory on film and his best performance. He puts it all out there. The film's powerful final moment will be on his Oscar clip.


While the dark beauty of this film captured my interest early on, I wasn't sure if I was going to like this film at around the first 10-minutes, which celebrates a lot of the grotesque. I was also thrown by two distinct parts that felt like two different genre films. However, i got pulled into where each scene was going next. 

What a magic trick.

In a nutshell:
A dark faiy tale, shown expertly and sometimes noir-beautifully. It's not a perfect film, but it's Bradley Cooper's best role.

Oscar potential: It's peaking at the right time to shake up the nomination list that had previously left it out. I think Cooper will surprise and break into the acting nominations. Blanchett's role was hot stuff, but it bordered on parody and will get misses. It's a long shot for Best Picture and Guillermo will be back another day.

Where to watch it: Currently i
n theatres and on HBOmax.

The Ten Buck Review: Worth ten bucks.








Monday, January 17, 2022

8 Best Picture frontrunners and where to watch them now


The 8 Best Picture Frontrunners (6 you can watch from your couch)

After a history of five nominees and the past decade with a flexible 5-10 nominees, the Academy returns to a set of 10 nominations for Best Picture in 2022. Based on prior festival and industry wins, 8 films have emerged as front runners. 6 are streaming for home enjoyment, and all are totally Ten Buck worthy. Enjoy!

1. Belfast

In a nutshell: From the very start, open up your heart; Belfast is a story of everlasting love. Set in 1969 during the height of the conflicts between Protestants and Catholics, Kenneth Branagh’s love letter to his youth is a family drama that you won’t soon forget.
Where to see it: VOD
Likely Oscar nominations (11): Best Picture, Director Kenneth Branagh, Original Screenplay, Cinematography, Supporting Actress Balfe, Supporting Actors Jamie Dornan and Ciaran Hinds, Editing, Production Design, Sound



2. The Power of the Dog 


In a nutshell:  “Adapted from Thomas Savage's dramatic novel of the American West” and “directed by Jane Champion” are two phrases I never expected to put together, yet The Power of the Dog is just that. Campion’s films (The Piano, Portrait of a Lady) are generally a work of castration to its characters and well, mankind. Fittingly, her first movie in a decade delivers an actual one. However, she kept me guessing at the path and the ending and I was truly surprised at the final landing place. A rare feat.
Where to see it: Netflix
Likely Oscar nominations (11): Best Picture, Director Jane Campion, Adapted Screenplay, Cinematography, Actor Benedict Cumberbatch, Supporting Actor Kodi Smit-McPhee, Supporting Actor Jesse Plemons, Supporting Actress Kirsten Dunst,  Editing, Original Score



3. West Side Story

In a nutshell: It should have been a lose-lose idea. Staying close to the 10-Oscar winning classic could be too corny. Redoing it; blasphemy. But Spielberg’s vision worked in all the right places while keeping the perfect tone. Turns out, we need both the perfect 1961 film and a new one.
Where to see it: Theaters
Likely Oscar nominations (11): Best Picture, Director Steven Spielberg, Adapted Screenplay, Cinematography, Supporting Actress Ariana DeBose, Supporting Actress Rita Moreno, Costume Design, Editing, Makeup & Hair, Production Design, Sound



4. Dune


In a nutshell: Long ago in a film world far away, Dune was never given the sci-fi film treatment the well-loved book deserved. The sands have shifted and all has been corrected.
Where to see it: HBO Max
Likely Oscar nominations (11):Best Picture, Director Denis Villeneuve, Adapted Screenplay, Cinematography, Costume Design, Editing, Makeup & Hair, Original Score, Production Design, Sound, Visual Effects



5. CODA


In a nutshell: CODA (Child of Deaf Adults) is a predictable, feel-good family film that feels more like a TV hit than cinema perfection. However, it hits all the right notes and has kept in Oscar conversation far longer than one would have expected.
Where to see it: Apple +
Likely Oscar nominations (4): Best Picture, Adapted Screenplay, Supporting Actor Troy Kotsur, Supporting Actress Marlee Matlin



6. King Richard

In a nutshell: No surprise, Will Smith keeps the story of the Williams family serious but never heavy. Along with West Side Story, this is one of the films offering a fully diverse cast. There's some sloppy dialogue and some corny stuff at play here, but the film has its fans and it should make the list.
Where to see it: VOD
Likely Oscar nominations (6): Best Picture, Original Screenplay, Actor Will Smith, Supporting Actress Aunjanue Ellis, Original Score, Best Original Song,



7. Tick, Tick...Boom!

In a nutshell: In a nutshell: Lin-Manuel -Miranda’s (Hamilton) musical could have gone wrong in so many ways. It could have been too-Broadway, too-melancholy or too-light or too-silly, but it turned out just too amazing. 
Where to see it: Neflix
Likely Oscar nominations (5): Best Picture, Adapted Screenplay, Actor Andrew Garfield, Editing, Sound


8. Licorice Pizza

In a nutshell:  A breezy surprise from master Paul Thomas Anderson and the most breezy, enjoyable movie of the year. For drama+comedy, I prefer it to CODA.
Where to see it: Theaters
Likely Oscar nominations (5): Best Picture, Director Paul Thomas Anderson, Original Screenplay, Supporting Actor Bradley Cooper, Costume Design





The Last Two Slots

Here's the tea. House of Gucci (Theaters) will get 5-7 nominations, but will it make Best Picture? I think it has a chance because I believe Don't Look Up is a slight film that may have peaked too soon — and comedies don't usually make the list. 

9. House of Gucci

Being the Ricardos (Amazon) is a mess of a picture although Kidman, Bardem and Sorkin are front runners in the category, so one might look to the excellent The Lost Daughter (Netflix). Olivia Colman may get nominated for it, and female Maggie Gyllenhaal may likely win for her adapted screenplay... 

10. Drive My Car

...but I think the best money is on Director Ryûsuke Hamaguchi's Drive My Car, a Japanese road drama film in theaters. 





Disclosure Day

What do I believe? Well before seeing Disclosure Day , I had three thoughts: Steven Spielberg knows how to make audiences lean forward bette...