It's super.
I’ve heard a lot of people who are surprised at how long it took Wonder Woman to get to the big screen. After all, “What could go wrong?”
For starters, she’s an Amazon princess, who is related to the Greek god Zeus. She wears a red, white and blue bustier, and fights crime with a shield, sword, magic bracelets and a golden lasso that makes people tell the truth. To make things more difficult, she is lovingly remembered by her 70’s TV incarnation that had a theme song with the lyrics “In your satin tights, fighting for your rights, and the old red, white and blue.” She is all that and a feminist icon as well. One more thing; it’s a DC movie (Green Lantern, Batman V. Superman). Yikes!
In other words, about a million things could have gone wrong — but didn’t. Wonder Woman is everything we want it to be, and it's here to save the summer. Gal Gadot has big-screen star power and you just can’t look away from her.
You can’t look away from this film either. Director Patty Jenkins (Monster) has set a new standard for balancing comedy, myth and action. She's Warner Brother's new hero.
Somehow Jenkins and screenwriter Allan Heinberg flipped all the things that could go wrong, such as her famous tights. By the time we see Diana Prince (Wonder Woman's secret identity) stretch a bit in restrictive 20th Century garments, any viewer can kinda understand why she pops into her skimpy, and otherwise absurd, attire to go to battle. The lasso of truth? It’s a beauty onscreen. The typical comic book final 20-minutes where the enemy gets big and the hero has to blow the big thing up amidst twirling VFX madness? Well, OK, they didn’t solve that. Next time.
Like Robert Downey Jr.’s Iron Man, but unlike most superhero films, I want to see more stories about Gal Gadot’s blazzingly heroic Wonder Woman. It’s not just super, it’s superb.
Simply put: Wonder no more, Wonder Woman beaks the mold.
Award potential: In the mix for Best FX and Best Original Score and Best Sound and Sound Mixing Oscar categories. Look for Gal Gadot to be mentioned in early Golden Globe shortlists.
The Ten Buck Review: Worth ten bucks.
Monday, June 5, 2017
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