In December, people’s entertainment vibes tend to be either festive (romantic comedies, holiday movies, musicals, action films) or big and bright (tentpole films like Wonka or epic Oscar bait). Ironically, May December is just the type of movie one craves in the quiet of January. I think Netflix missed on releasing this film at the wrong time and it runs the risk of not getting noticed. In the middle of the holiday excitement, I struggled to fully enjoy this sly, slow-burning, uneasy film that explores the “grays” in people.
In this film by director Todd Haynes (Far From Heaven, Carol), television actress Elizabeth (Natalie Portman), visits tabloid couple Gracie (Julianne Moore) and Joe (Charles Melton) for her next role.
May December is mostly the story of two women and the lies they tell themselves — until the final arc where the focus shifts to Joe, a shift that elevates the emotion and depth.
The Ten Buck Review: Unnerving and undeniably well crafted.
Where to see it: On Netflix. See it in the chill of winter, not the joy of the holiday season.
Would it be better with Olivia Colman: Undoubtedly.
Award potential: Moore and Portman’s synced performances are undeniable and may cancel each other out in Oscar season, but Charles Melton is the film’s standout and most deserving of recognition. Golden Globes nominated all three actors. Its unnerving story and curious score choices should keep it out of Best Picture conversation.
The Ten Buck Review: Worth ten bucks.
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